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In 1979 Santa Barbara, California, Dorothea Fields is a determined single mother in her mid-50s who is raising her adolescent son, Jamie, at a moment brimming with cultural change and rebellion. Dorothea enlists the help of two younger women – Abbie, a free-spirited punk artist living as a boarder in the Fields’ home and Julie, a savvy and provocative teenage neighbour – to help with Jamie’s upbringing.
In 1950s Pittsburgh, a frustrated African-American father struggles with the constraints of poverty, racism, and his own inner demons as he tries to raise a family.
In the days following the surrender of Germany in May 1945, a group of young German prisoners of war were handed over to the Danish authorities and subsequently sent out to the West Coast, where they were ordered to remove the more than two million mines that the Germans had placed in the sand along the coast. With their bare hands, crawling around in the sand, the boys were forced to perform the dangerous work under the leadership of the Danish sergeant, Carl Leopold Rasmussen.
Blindsided by a new generation of blazing-fast racers, the legendary Lightning McQueen is suddenly pushed out of the sport he loves. To get back in the game, he will need the help of an eager young race technician with her own plan to win, inspiration from the late Fabulous Hudson Hornet, and a few unexpected turns. Proving that #95 isn’t through yet will test the heart of a champion on Piston Cup Racing’s biggest stage!
Inspired by the E.C. comics of the 1950s, George A. Romero and Stephen King bring five tales of terror to the screen.
Despite grumpy 59 year-old Ove being deposed as president of his condominium association, but he keeps looking over the neighbourhood with an iron fist. When pregnant Parvaneh and her family move into the terraced house opposite Ove and she accidentally back into Ove’s mailbox, it sets off a series of unexpected changes in his life.
Chronological look at the life and career of Johnny Carson (1925-2005), with commentary from an ex-wife and more than 30 fellow comedians, friends, employees, and biographers. The biography defines why Carson was an enduring star (his cool, his timing, his genuine laugh, his breadth of knowledge) and pursues his motivations and inner self (a loner with a drinking problem, a decent Midwesterner whose mother withheld approval, a quiet person who loved to entertain). The key to understanding him, argues the biography, is his love of magic.
Based on the true story of Ruth Ellis, the last woman hanged in Britain, Mike Newell’s Dance With a Stranger (1985) concentrates on Ellis’s (Richardson) short-lived relationship with motor-racing driver David Blakely (Rupert Everett).
A teenager (Pat Boone), recently in trouble with the police, is sent to live with his aunt and uncle on their Kentucky farm in order to rediscover life’s values. Director Henry Levin’s 1957 musical remake of “Home In Indiana” also stars Shirley Jones, Arthur O’Connell, Jeanette Nolan and Dolores Michaels.
The true story of how Ray Kroc, a salesman from Illinois, met Mac and Dick McDonald, who were running a burger operation in 1950s Southern California. Kroc was impressed by the brothers’ speedy system of making the food and saw franchise potential. He maneuvered himself into a position to be able to pull the company from the brothers and create a billion-dollar empire.
The son of Emperor Franz Josef of Austria, Crown Prince Rudolf, is believed to have shot his female lover and himself in a tragic suicide pact in 1882 in Mayerling. Due to Imperial cover-ups, the full story may never be known. This story has been filmed several times, in French in 1935 and in English in 1968. Hungarian director Miklos Jancso recreates those events for his own purposes, continuing his favored theme of the rejection of paternal authority. In the film, which has very little dialog, Rudolf is a good-natured pan-sexual golden boy, who cavorts on his rural estate with a host of beautiful, aristocratic lovers and friends of both sexes. He refuses to leave his country idyll even though he has been ordered to by the Emperor, his father. Despite the fact that for a large part of the film, attractive young people go about unclothed and engaging in erotic encounters, the mood is one of melancholy rather than prurience.
An aging politician tries to get re-elected one last time in the changing world of the 1950s when TV started to play a bigger part in politics. Based loosely on the career of multi-term Boston Mayor James Michael Curley, this film examines the good and evil inherent in politics and all the things that go into an election. Tracy’s uphill battle to stay in office is set against the political machinery that preyed on ethnic hatred and old-time money.
After the appearance of a new Gojira (Godzilla), the Japanese government builds a robotic Godzilla from the bones of the original monster that attacked Tokyo in 1954 to stop the beast.
First Descent is a 2005 documentary film about snowboarding and its beginning in the 1980s. The snowboarders featured in this movie (Shawn Farmer, Nick Perata, Terje Haakonsen, Hannah Teter and Shaun White with guest appearances from Travis Rice) represent three generations of snowboarders and the progress this young sport has made over the past two decades. Most of the movie was shot in Alaska.
An out-of-work singer, Victoria Grant (Julie Andrews), meets a just-fired, flamboyant gay man in a diner in 1920’s Paris. He convinces her to pretend to be a man who is a female impersonator in order to get a job. The act is a hit in a local nightclub, but things get complicated when a gangster and nightclub owner from Chicago, King Marchan (Michael Nouri) falls in-love with “her.” Flimed live on stage on Broadway, 1995
The movie deals with the championship-winning German soccer team of 1954. Its story is linked with two others: The family of a young boy is split due to the events in World War II, and the father returns from Russia after eleven years. The second story is about a reporter and his wife reporting from the tournament.
David Byrne is a visual artist as well as a musician, and ever since his early days as a member of Talking Heads, he’s wanted his concerts to be more than just a static performance. In 1984, Byrne and filmmaker Jonathan Demme redefined the boundaries of the concert film with the Talking Heads documentary STOP MAKING SENSE, and more than 25 years later Byrne has teamed up with David Hillman to create RIDE, RISE, ROAR, which documents Byrne’s 2008-2009 concert tour, in which he performs new material written in collaboration with Brian Eno as well as favorites from his solo career as well as his tenure in Talking Heads. Using costumes and inventive choreography, Byrne and his musicians and dancers give his music a stage presentation as exciting as the music.
Meredith is a 35 year-old unmarried woman who arrives at a remote lighthouse island 1928 with her uncle the new head keeper.
In 1957, Dorothy and Edmund Yates (Keith and Rupert Davies) were committed to an institution for the criminally insane, she for acts of murder and cannibalism and he for covering up her crimes. Fifteen years later, they are pronounced fit for society and released. However, in Dorothy’s case the doctors may have jumped the gun a bit. Edmund and eldest daughter, Jackie (Deborah Fairfax), try to discover just how far Mother’s bloodlust has taken her. Meanwhile, youngest daughter Debbie (Kim Butcher) begins to explore the crazy roots of her family tree as fully as possible.
Ving Rhames, Pam Grier, and Robert Patrick headline this throwback action thriller set in 1975, and following a renegade cop who skirts the law in order to capture a ruthless crime boss.
Set in 1958, Populaire focuses on Rose Pamphyle, who lives with her widowed father and is destined to marry a son of the local mechanic. Rose travels out of town and applies for a secretarial job with an insurance agency run by Louis Échard. Louis learns that Rose can type with extraordinary speed — using only two fingers — and he tells her to compete in a speed-typing competition if she wants the job.
In May of 2011, Neil Young drove a 1956 Crown Victoria from his idyllic hometown of Omemee, Ontario to downtown Toronto’s iconic Massey Hall where he intimately performed the last two nights of his solo world tour. Along the drive, Young recounted insightful and introspective stories from his youth to filmmaker Jonathan Demme. Through the tunes and the tales, Demme portrays a personal, retrospective look into the heart and soul of the artist.
Bettie Page was America’s number one pin-up girl in the 1950s and became a cult icon. This biopic tells the story of the last 3 years of her short-lived career, recreating the incriminating bondage films which gave her the nickname “Dark Angel”, and led to her mysterious disappearance.
Clarence Reid is a musician who wrote and produced romantic and spiritual songs for some of the greatest Southern soul and R&B acts of the 1960s and ’70s. He is also the gonzo performer Blowfly, Clarence’s freaky alter ego and the original X-rated rapper. “The Weird World of Blowfly” explores both sides of this hilarious and controversial artist, providing a rare, inside peek at the infamous linguist’s daily life. Now 69-years-old, with a gold-spangled superhero costume and a catalog of the world’s raunchiest tunes, Blowfly tours the world, still struggling for success and recognition after 50 years of making music. The film highlights both Clarence’s and Blowfly’s unique contributions to music history, including Top-10 R&B hits and what might be the world’s first rap song, recorded in 1965.
1945: The red army stands at the gates of Berlin. In their desperation the Nazis turn to the most obscure Scientists. Through cruel experiments a new secret Weapon has been created – unstoppable and alive. A Russian attack destroys the lab, but the weapon – buried underneath the ruins – is immortal. Lost in time, it lurks in the darkness, only to return again. 2012: Punk-Rock legend Spike Jones leads a group of friends into the ruins of the old Nazi Lab. The complex shall be cleaned up for the reunion concert of his band. Believing they would help a poor soul, they free the beast from its prison. But the creature of the Nazis does not know about thankfulness. Again the smell of blood fills the old laboratories and screams of terror echo through the darkness. As now, the Werewolf starts his war against humanity.
This is a sequel to 2001 A Space Odyssey. It is now 2010 and both the Americans and the Russians are racing to get to Jupiter to investigate the black monolith (similar to the one found in Lunar Crater Clavius) which was found by the U.S.S. Discovery in orbit around Jupiter’s moons. The U.S.S. Discovery’s orbit is rapidly decaying and it will crash into IO but the Americans cannot get there in time to save U.S.S. Discovery. The Russians can get to Jupiter in time but only the Americans have the knowledge to access and awaken the U.S.S. Discovery’s H.A.L.9000 sentient computer. This forces a joint American-Soviet space expedition against a backdrop of growing global tensions. The combined expedition is seeking answers to several mysteries. What is the significance of the black monolith? Why did H.A.L.9000 act so bizarrely and terminate 4 of 5 of the U.S.S. Discovery’s crew? What happened to David Bowman? Along the way, curious data is detected …
The fictionalized story of Daniel, the son of Paul and Rochelle Isaacson, who were executed as Soviet spies in the 1950s. As a graduate student in New York in the 1960s, Daniel is involved in the antiwar protest movement and contrasts his experiences to the memory of his parents and his belief that they were wrongfully convicted.
A young woman, Tara Maguire (Robin Wright) scandalizes her provincial Irish village in the 1950s by having a baby out of a wedlock, and refusing to name the father. She has a rare beauty and every man in town desires her, especially Sergeant Hegarty (Albert Finney). The arrival of a dramatic troupe stirs things up even more, especially when she falls in love with one f the “Playboys”, Tom Casey (Aidan Quinn).
One night at a secluded farmhouse deep in the Northern California woods, a small group of hardened young bikers and their girlfriends are tormented when one of the girls becomes savagely possessed and a gang of “Rockabillies” seemingly from the 1950’s descends upon them to collect what is growing inside her.
“The Man Between” is a 1953 British thriller film directed by Carol Reed and starring James Mason, Claire Bloom, Hildegard Knef and Geoffrey Toone. A British woman on a visit to post-war Berlin is caught up in an espionage ring smuggling secrets into and out of the Eastern Bloc.
James Brown changed the face of American music forever. Abandoned by his parents at an early age, James Brown was a self-made man who became one of the most influential artists of the 20th century, not just through his music, but also as a social activist. Charting his journey from rhythm and blues to funk, MR. DYNAMITE: THE RISE OF JAMES BROWN features rare and previously unseen footage, photographs and interviews, chronicling the musical ascension of “the hardest working man in show business,” from his first hit, “Please, Please, Please,” in 1956, to his iconic performances at the Apollo Theater, the T.A.M.I. Show, the Paris Olympia and more.
Avalon is the third in Levinson’s semi-autobiographical series of four “Baltimore Films”: Diner (1982), Tin Men (1987), Avalon (1990), and Liberty Heights (1999). The film is set in Baltimore in the early 1950s and explores the themes of Jewish assimilation into American life.
Anti-Semitism, race relations, coming of age, and fathers and sons: in Baltimore from fall, 1954, to fall, 1955.
I AIN’T SCARED OF YOU is a documentary tribute to Bernie Mac (1957-2008). From his stand-up in underground Chicago comedy clubs to the Big Screen in Hollywood, Bernie Mac’s sharp tongue and heart of gold resonated with millions of fans throughout his career.This film revisits much of his work through exclusive recordings of early stand-up, featured scenes from his film and TV appearances, and interviews with his co-stars, including Samuel L. Jackson, Cameron Diaz, Chris Rock, and many more. Testimonials from friends and family offer colorful anecdotes about Bernie Mac, from his practical jokes to his strong appreciation for manicures, and paint a vivid picture of who he was as an actor-comedian, husband, father, and friend.
The shy teenager Tom McHugh worships his sexy neighbor Geena Matthews that lives on the other side of the street, but he does not dare to talk to her. When his parents travel with their dog for a competition and his self-confident big brother Craig McHugh unexpectedly arrives from California for a visit with a classic 1959 Cadillac, Graig decides to call Geena and schedule a date with Tom. He lends his clothes and his credit card to Tom, who cuts his hair like Craig, buy flowers while Tom calls a limousine service. However, the driver has an accident and Tom decides “to borrow” the fancy car to impress the girl. When Tom is mistakenly taken as being Craig and finds a body in the trunk, his dream-night with Geena becomes a nightmare.
Death Rides a Horse (aka Da uomo a uomo, or As Man to Man) is a 1967 spaghetti western directed by Giulio Petroni, written by Luciano Vincenzoni, and starring Lee Van Cleef and John Phillip Law. Bill Meceita, a boy whose family was murdered in front of him by a gang, sets out 15 years later to exact revenge. On his journey, he finds himself continually sparring and occasionally cooperating with Ryan, a gunfighter on his own quest for vengeance, who knows more than he says about Bill’s tragedy. The film has lapsed into public domain.
1956: The shy Jonathan’s luck with girls changes when he wins the rebellious Gene as a friend in his last year of high school. Gene is adored by many girls and manages to teach Jonathan a few lessons. Gene himself would rather just be with one girl: his girlfriend Bunny. But since his father is poor, her parents don’t accept him.
P.C. George Dixon (Warner) is a long-serving traditional copper who is due to retire shortly. He takes a new recruit under his aegis and introduces him to the easy-going night beat. Dixon is a classic ordinary hero but also anachronistic, unprepared and unable to answer the violence of the 1950s.
It’s 1957, and James Whale’s heyday as the director of “Frankenstein,” “Bride of Frankenstein” and “The Invisible Man” is long behind him. Retired and a semi-recluse, he lives his days accompanied only by images from his past. When his dour housekeeper, Hannah, hires a handsome young gardener, the flamboyant director and simple yard man develop an unlikely friendship, which will change them forever.
