For years, Miles Lagoze served in Afghanistan as a Combat Camera, shooting footage and editing videos for Marine Corps recruiting purposes. In this devastating film, Lagoze assembles his own footage and that of his fellow combat cameramen into a never-before-seen look at the daily life of Marines from the ultimate insider’s point of view. More than a mere compilation of violence, the edit ingeniously repurposes the original footage to reveal the intensity and paradoxes of war in an age of ubiquitous cameras, when all soldiers can record themselves with helmet-cams and cellphones. Combat Obscura revels in the chasm separating civilian from military life and questions the psychological toll war exacts on all that it touches

Remember that scientist that was trying to perfect a matter transportation machine but got fused with a fly when one of the little critters got into the transporter with him? Well, this story is about three of his descendents (a son, Henri Delambre, played by Brian Donlevy and two grandsons). Seems the son wants to continue and perfect the machine while his two sons want to get out of the scientist business and live “normal” lives. The oldest son, Martin, decides to take a wife (who just happens to have escaped from a mental hospital after her parents died). Martin’s father is not happy with this intrusion but finally gives in because he understands him son’s needs. They all try to be a happy family until humans used in botched experiments are discovered by the new bride and the police nearly discover the lab while looking for Martin’s wife. Everyone tries to get out of there via the transporter but things just don’t go according to plan …

I’ll Take Your Dead follows William who has a simple job, he makes dead bodies disappear. This isn’t something he likes to or even wants to do, but through circumstances out of his control, his little farm house in the country has become a dumping ground for the casualties of the gang related murders in the nearby city. His daughter Gloria has become used to rough looking men dropping off corpses and is even convinced that some of them are haunting their house. After a woman’s body, is dumped at the house, William begins his meticulous process when he realizes, she’s not actually dead. As the gang activity increases, William patches the woman up and holds her against her will until he can figure out what to do with her. As they begin to develop a very unusual respect for each other, the woman’s murderers get word that she’s still alive and make plan to go finish what they started.

Ruth and her beautiful sister Eileen come to New York’s Greenwich Village looking for “fame, fortune and a ‘For Rent’ sign on Barrow Street”. They find an apartment, but fame and fortune are a lot more elusive. Ruth gets the attention of playboy publisher Bob Baker when she submits a story about her gorgeous sister Eileen. She tries to keep his attention by convincing him that she and the gorgeous, man-getting Eileen are one and the same person.

Jill Temple is a single mother still grieving the loss of her young son after he disappeared two years ago. Unable to face the possibility that she has lost him forever, she pursues every lead and meets Burton Rose, a man with a shrouded past. The details of that past – and how Burton has responded to it – force Jill to look at her life in a completely new way.