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Marc and Rebeca, a young couple, travel to an old country house that used to belong to their family. Once there, they write the shared history of their roots, creating a huge family tree that harbours relationships of love, heartbreak, sex, madness, jealousy and infidelity, and under which also lies a history laden with secrets.
Paris, in the early 1960s. Jean-Louis Joubert is a serious but uptight stockbroker, married to Suzanne, a starchy class-conscious woman and father of two arrogant teenage boys, currently in a boarding school. The affluent man lives a steady yet boring life. At least until, due to fortuitous circumstances, Maria, the charming new maid at the service of Jean-Louis’ family, makes him discover the servants’ quarter on the sixth floor of the luxury building he owns and lives in. There live a crowd of lively Spanish maids who will help Jean-Louis to open to a new civilization and a new approach of life. In their company – and more precisely in the company of beautiful Maria – Jean-Louis will gradually become another man, a better man.
A failing radio host finds out she has inherited a farm house in Wales from a family she never knew she had. But what goes on the land is story in which people have gone missing every 20 years. Fixed on repairing her career, she sets off with her friends to make the ultimate discovery for her radio show – but what she discovers may well be what she would least expect – for every 20 years, the Scarecrow will rise, and this time – he’s seeking a bride.
Life is hard on the Flemings’ ranch in the Alberta foothills where abused or neglected horses find refuge with a kind, hard-working family. Debts abound and the bank is about to foreclose. Can they keep the ranch running?
Set within the Kaga Domain in the Edo Period. Oharu is an excellent cook and recognized for her skills. Due to her cooking talents, she marries Yasunobu, who is an heir in the Funaki family. The Funaki family serves as the cook for the Kaga Domain. Nevertheless, Yasunobu himself is a terrible cook. With the help of Oharu’s mother-in-law Mitsuru, she begins to teach Yasunobu how to cook.
“The big ALL FUN show for the whole family to enjoy!” was the tagline for this musical comedy classic. Sir Howard Morrison (as himself) and Rotorua are the stars in the tiki-flavoured tale. Moving from Sydney to a Rotorua music festival the plot centres on a romance between a young drummer (Gary Wallace) and his girl Judy (Carmen Duncan) and the hurdles they face to stay true. But this is only an excuse for a melange of madcap, pep-filled musical fun. Made by John O’Shea’s Pacific Films, it features Kiri Te Kanawa, Lew Pryme and Aussie star Norman Rowe.
A hilarious workplace comedy about a unique family of employees at a super-sized mega store. From the bright-eyed newbies and the seen-it-all veterans to the clueless summer hires and the in-it-for-life managers, together they hilariously tackle the day-to-day grind of rabid bargain hunters, riot-causing sales and nap-worthy training sessions.
An occult horror prequel to the genre-bending short film, Blackbags. This focuses on the supernatural origins of masked murderer, the Meathead, who has been conjured up from the depths of Hell by descendants of the Order of Our Goatish Lord. Their age-old rivals, the Watermoon family, have summoned a terrible, monstrous force of their own, hoping to prevent the curse of the Meathead from devastating the land and claiming souls for his dark master, Satan.
FIVE DANCES, written and directed by Alan Brown, is a creatively adventurous narrative feature film set in the New York ‘downtown’ modern dance world. The story follows the rocky emotional journey of an 18-year old dancer (the amazing Ryan Steele) with talent to burn, who must choose between his responsibility to his broken family in the Midwest, and forging a life and career for himself. The film features five of New York’s most gifted dancers acting on film for the very first time, and performing the choreography of internationally acclaimed choreographer Jonah Bokaer.
Thanksgiving get-together for the eccentric Turner clan goes from bad to worse when estranged daughter Nina makes a surprise visit home for the first time in 15 years. Nina clashes with her stepmother Deborah, and sister, Lindsay, while half-brother Jacob tries to keep a massive gambling debt a secret. Meanwhile, family patriarch Poppy has his own dramatic news to share. “Cold Turkey” is a black comedy about how – despite our best efforts – we all eventually turn into our parents.
Charlotte Hart, a distinguished journalist, is spending time with her family over the holidays when a real estate developer approaches their small town with quite an offer. Skeptical and looking for the real scoop, Charlotte drives to see the real estate head honcho to question him. While she’s en route, she gets into a terrible car accident and wakes up in the hospital only to realize that her body is in a coma, but her spirit is very much awake. She meets another spirit, who just happens to be the greedy developer. It turns out that he was on the other end of the accident and he too is in a coma. With only a few days left before the town votes on the development, Charlotte must try to change the minds of the developer and the town, but that is no easy task when no one can see or hear her. Will her voice be heard?
The arrival of a newborn girl causes the gradual disintegration of the Cairn family; particularly for 9-year-old Joshua, an eccentric boy whose proper upbringing and refined tastes both take a sinister turn.
K.C. Cooper, a high school math whiz and karate black-belt, learns that her parents are spies when they recruit her to join them in the secret government agency, The Organization. While she now has the latest spy gadgets at her disposal, K.C. has a lot to learn about being a spy, including keeping her new gig a secret from her best friend Marisa. Together, K.C. and her parents, Craig and Kira, and her younger siblings, Ernie and Judy (a humanoid robot), try to balance everyday family life while on undercover missions, near and far, to save the world.
When Chand arrives in Brampton, Ontario to meet her new husband, she leaves behind a loving family and supportive community. Now, in a new country, she finds herself living in a modest suburban home with seven other people and two part-time tenants. Inside the home, she is at the mercy of her husband’s temper, and her mother-in-law’s controlling behaviour.
A climate of civil war, a fight that has made them lose everything including their youth, four soldiers aged 13 to 20 years, will meet and build friendships. In the grip of an adult conflict, which they do not understand, Matéo, Dominique, Big Max and Kevin will keep recreating, round a pond and a cabin, a family.
Everyday teen hero Kim Possible and her best friend Ron Stoppable embark on their freshman year of high school, all while saving the world from evil villains. While Kim and Ron have always been one step ahead of their opponents, navigating the social hierarchy of high school is more challenging than the action-hero ever imagined. With Drakken and Shego lurking in the wings, Kim must rely on her family and Team Possible—Ron, tech-genius Wade, new friend Athena, and Rufus, a Naked mole-rat.
A young museum curator Isabelle (Katie Goldfinch) is sent to look at an ancient artefact, discovered in the basement of a stately home in Shropshire. Welcomed into the sprawling manor house by a seemingly hospitable family; Karl (Larry Rew), his wife Evelyn (Babette Barat) and their beautiful daughter Scarlet (Florence Cady), but all is not what it seems, as a dark and terrifying secret hangs over them.
When local heavy and ex-boxer Tom Sheridan (Ian Pirie) agrees to hire his strip club out to lifelong friend and colleague Ian Levine (Michael Mckell) he soon discovers the private party involves child prostitution and trafficking, catering for wealthy paedophiles. Feeling betrayed and disgusted, Tom obtains secret photo evidence of the party and threatens exposing Ian to his associates and family. This sparks a bloody feud between the two old friends and their foot soldiers, in a story of Morality, Loyalty and Betrayal.
IN MY FATHER’S HOUSE explores identity and legacy in the African-American family, as Grammy award-winning rapper Che ‘Rhymefest’ Smith and his long-lost father reconnect and try to build a new future in Chicago’s turbulent South Side. Himself a child of a broken home, Che hasn’t seen his father, Brian, in over 20 years, and presumes him dead. But after buying his father’s childhood home, Che sets out to find him, and learns that his is now a homeless alcoholic living only several blocks away/ The film offers a probing take on memory and identity in a family two generations removed from slavery as it tracks Che and Brian’s shared journey to create a new legacy for themselves, their community and the next generation of family.
A story of a middle class guy, passionate about becoming an actor and prove his worthiness to his family. Ditching a job interview as a favor from a father to his son, the story leads to new endeavors.
Professor Lawrence Wetherhold (Dennis Quaid) might be imperiously brilliant, monumentally self-possessed and an intellectual giant — but when it comes to solving the conundrums of love and family, he’s as downright flummoxed as the next guy.
When Taryn, a Northern Irish runaway, finds herself in trouble in Ocean City, MD, she seeks refuge with her aunt and uncle in Baltimore. But Kim and Bill have problems of their own: they’re trying to handle the end of their marriage gracefully for the sake of their daughter Abby, just home from her first year of college. A story of family revelations, people finding each other and letting each other go, looking for love where they’ve found it before and, when that doesn’t work, figuring out where they might find it next.
After discovering his wife’s infidelities, Gerry leaves London to look after his deceased brother’s business and family in Singapore. Discovering a foreign world of opportunity that had not existed before gives Gerry a chance at starting over by slipping into his brother’s life – both emotionally and physically. However, leaving his wife and child behind in the UK is not so easy as Gerry must choose between becoming his brother’s alter ego ‘Mister John’ or returning to London to face his failing relationship.
Call Center Girl is a 2013 Filipino family comedy drama film directed by Don Cuaresma, starring Pokwang, Enchong Dee, and Jessy Mendiola.
Daffy undead gal Penny Dreadful, her smitten zombie buddy Ned, and lycanthrope Wolfboy relate three tales of terror in an old rundown movie theater: A young couple find themselves being stalked by a lethal jack-in-the-box in “Slash-in-the-Box;” mousy young lady Alice tries to figure out what exactly happened to her last night in “The Morning After;” and a group of friends encounter an eccentric backwoods family after their van breaks down in the middle of nowhere in “The Slaughter House.”
Jeevan (Anoop Menon) is a still photographer by profession, who runs his studio in a village near to Idduki. One day, he accidentally meets a girl, Sarah (Bhavana), who is from a well respected family, and they fall in love. Sarah’s Family oppose her relationship with Jeevan, and finally they decide to elope and go live in Mumbai. Things started to become worse when they start their new life in Mumbai; the clash of their egos is the main focus of the movie.
Two young, strong-willed Scottish sisters, one a left-wing activist, the other a most-popular-girl-in-school type, take their late father’s ashes to Cuba, the site of many family legends of his services to the Revolution. Arriving in Havana, the two women promptly lose the ashes and go through a series of misadventrues – both romantic and dangerous – to try to retrieve them. A colourful and wryly humourous tale of cross-cultural misunderstandings and lost illusions.
An optimistic ex-con reinvents himself as an alternative medicine doctor with hopes of impressing his family. But his plans go awry, and soon everyone’s embroiled in this comedy of errors set in the heart of Cajun Louisiana.
In the town of Copper Canyon, people are cashing in on an economic housing boom, and the local country club is buzzing about the investment opportunity. Once vivacious couple, Roger (Vincent D’Onofrio) and Georgie (Kyra Sedgwick), have settled into a complacent lifestyle of mediocrity where their marriage is falling apart and their children are turning away from them. Nonetheless, the desperately discontent Georgie pushes Roger into finding a way to invest in the market bubble in the hopes that their family can be saved with the money they are sure to make. When local tennis pro and part-time drug dealer, Pat (Rhys Coiro), comes to Roger for investment advice, Roger sees his opportunity. Torn by the reality that his family could be saved by this dirty money, Roger finds himself staring down the barrel of a moral conundrum.
Real Gangsters tells the story of the Lo Giacamo family, one of the most successful crime syndicates in New York City. Run by cousins Vincent Lo Giacamo and Jack Lo Giacamo, Real Gangsters shows how these two men maintain control of their dangerous extended family and volatile business ventures by very different means.
A scientist working on an energy project discovers his family have undergone strange changes in their personalities, while a series of natural disasters are happening across the globe. He realises that his work has accidentally pushed the planet forward in time seven seconds – and the loss of those few moments has had devastating effects on the world and the human race.
A young girl named Oshin is sent to work for another family, because of her own family’s financial condition. Nevertheless, the young girl lives strongly.
Bob’s Burgers follows a third-generation restaurateur, Bob, as he runs Bob’s Burgers with the help of his wife and their three kids. Bob and his quirky family have big ideas about burgers, but fall short on service and sophistication. Despite the greasy counters, lousy location and a dearth of customers, Bob and his family are determined to make Bob’s Burgers “grand re-re-re-opening” a success.
A young man’s family torn apart by tragedy reaches out to begin rebuilding trust and seek healing by through the only thing that speaks through pain; the healing power of music.
19-year-old Ben Burns unexpectedly returns home to his family’s suburban home on Christmas Eve morning. Ben’s mother, Holly, is relieved and welcoming but wary of her son staying clean. Over a turbulent 24 hours, new truths are revealed, and a mother’s undying love for her son is tested as she does everything in her power to keep him safe.