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If it’s holiday time in Mouse’s house then, that means Christmas cookies (including a special one for Santa, of course), caroling…and one nearly-destroyed holiday pageant. Can Mouse and his animal friends save the show, without getting utterly distracted along the way? It’s a wild ride as Mouse and his friends embody the friendship and caring at the heart of the holiday season.
ICAC Investigator William Luk and JFIU Chief Inspector Lau Po-keung both hit a dead end in their investigation of a bribery case and a money laundering case. In the meantime, William Luk was suspended when model Eva Ng went to Inspector Kenny Ching of ICAC’s Internal Investigation Group L, to file a report against him for accepting a $12M bribe. Lau discovered Luk was set up and whoever framed Luk was connected to his case. He began to suspect the bank manager Thomson Yau was assisting a gangster, Wong Hoi-wo in money laundering activities. When Director Hong Liang of China’s Anti-Corruption & Bribery Bureau (ACBB) provided Lau with important intelligence, it became clear the money laundering activities were connected to a corrupted Vice-Ministerial Level cadre. To clear his name, William Luk put everything on the line…
One man’s journey to find meaning in Bill Murray’s many unexpected adventures with everyday people, rare and never-before seen footage of the comedic icon participating in stories previously presumed to be urban legend.
Because of her last name “Kumada” (bear + rice paddy) and her appearance, Misa’s high school classmates call her “Pooh” disparagingly. She obviously has no friends and can only let down her guard around her pet parrot and the goldfish in the science room at school. But, then she finds herself quickly becoming best friends with Izumi who is a cute and popular classmates. Although somewhat puzzled by Izumi’s interest in her, Misa is excited about having a friend for the first time ever. But, Izumi’s initial angelic demeanor gradually transforms into a demonic one.
A-Ra (Ha Na-Kyung) works at a real estate office as the director. She also has clandestine meetings with some of her male customers for fun. Meanwhile, Mi-Yeon (Kwak Hyun-Hwa) begins working at the same real estate office. She hates it when men look at her body. One day, Mi-Yeon notices that somebody is secretly watching her and she gets excited. Mi-Yeon then begins exposing herself to the person watching her …
Tragedy doesn’t come any more Dickensian in tone or Shakespearian in scope than this dark social drama of the disintegration of a little family of four. A series of small debts triggers the swift domino effect that unleashes chaos on a well-meaning working class dad who has the bad judgment to speak truth to power.
On the roofs of a Tibetan monastery two boys let fly a kite, but suddenly a shot rips the relaxed silence, and one of the two guys gets shot, the “Golden Boy” which is the fictitious successor to the Dalai Lama. The monks act immediately and bring him out of Tibet to secure his body. In the meantime, the Berlinese mountaineer Johanna and her Swiss friend travel to the monastery to stay there for some days…
In the Tale of the Voodoo Prostitute, a master manipulator and hustler by the name of Fleetwood Deville dispenses heinous wrong-doings to nearly everyone that crosses his path. One particular female managed to meet and exceed any expectation of evil. She cursed Fleetwood to a fate even worse than death: impotence. With his harem of beautiful women and killers, Fleetwood must rival neighboring pimps to free himself from a curse that if left undone would not only take his manhood, but possibly his life. This film is based in the mean streets and interminglings of the Dallas/Ft. Worth area.
A man arrives in the city upon news of a potential terrorist strike in Italy. He is Japanese foreign diplomat, Kosaku Kuroda, and he’s here under orders of his supervisor at the Foreign Ministry, Hiroshi Kataoka (Kiichi Nakai), to aid in the safeguarding of Japanese citizens. Kuroda’s main contacts at the Japanese embassy consist of Ambassador Kikuhara, Counselor Nishino, and fellow diplomatic envoys Haba and Tanimoto. All are busy preparing for the visit of Japanese Foreign Minister Kawagoe due to arrive for the high-profile G8 foreign minister’s meeting. Meanwhile, somewhere on the festively-lit streets of the city, a young Japanese girl has suddenly gone missing. Is it an abduction simply for ransom? Or could it be a prelude to terror?
97% owned present serious research and verifiable evidence on our economic and financial system. This is the first documentary to tackle this issue from a UK-perspective and explains the inner workings of Central Banks and the Money creation process. When money drives almost all activity on the planet, it’s essential that we understand it. Yet simple questions often get overlooked, questions like; where does money come from? Who creates it? Who decides how it gets used? And what does this mean for the millions of ordinary people who suffer when the monetary, and financial system, breaks down? Produced by Queuepolitely and featuring Ben Dyson of Positive Money, Josh Ryan-Collins of The New Economics Foundation, Ann Pettifor, the “HBOS Whistleblower” Paul Moore, Simon Dixon of Bank to the Future and Nick Dearden from the Jubliee Debt Campaign.
Collateral damage….sometimes it’s unavoidable. Paul Varlo’s attempt to kill the man who is going to rat him out by poisoning his water supply leads to an outbreak of zombie carnage. To make matters worse, these zombies are different, they’re faster, meaner and they’re armed. With the town being over run by fast zombies with guns, one group of people are attempting to make their escape to Chicago to survive. Meanwhile, Jake and his girlfriend Laura are on their way to Spring Grove to bring Varlo a priceless heirloom and collect their 2 million dollars. They make it to Spring Grove and discover an empty town, its streets paved in blood. Will the group survive the terror that has befallen them? Will Jake and Laura get their 2 million? Will the zombies run out of bullets?
Director Mark Wexler embarks on a worldwide trek to investigate just what it means to grow old and what it could mean to really live forever. But whose advice should he take? Does 94-year-old exercise guru Jack LaLanne have all the answers, or does Buster, a 101-year-old chain-smoking, beer-drinking marathoner? What about futurist Ray Kurzweil, a laughter yoga expert, or an elder porn star? Wexler explores the viewpoints of delightfully unusual characters alongside those of health, fitness and life-extension experts in this engaging new documentary, which challenges our notions of youth and aging with comic poignancy. Begun as a study in life-extension, How To Live Forever evolves into a thought-provoking examination of what truly gives life meaning.
When a petty crime thrusts him into the company of a feisty eighty-one-year-old African-American woman named Rose Price, Grantham and Rose push the boundaries of their relationship, their lives, and what it means to love, as they take a road trip back to their roots.
Kyungcheon is a pianist-in-training who loses his heart and becomes a milk cow. He lives as a man during the day, but becomes a milk cow at night and eats grass. Meanwhile, with the help of wizard Merlin, a satellite named Ilho fell from the cosmos by a supernova, is transformed into a girl. One day, Kyungcheon is attacked by members of a secret agency that chases people who lost their heart. Kyungcheon defeats them with the help of Ilho. Following a narrow escape from secret agents, the two mismatched characters come to know about each other’s secrets and draw close.
My Stupid Boss recounts the story of an absurd boss and his employees. Bossman (Reza Rahadian) is an Indonesian who owns a company in Kuala Lumpur. A large but disorganized company. The culprit for the disarray in the organization is the bossman himself. His first principle of management is that Bossman Is Always Right. Which means whatever the Bossman fancies, he’ll get it done. And that is his following principle: Impossible We Do Miracle We Try. In the midst of this is Diana, the Bossman’s secretary, who has to juggle at every turn with the odds that never seem to add up in the company. Diana’s daily confronted with her boss’s antics and her patience and good sense are all put to the test.
The dogs of Doverville are in trouble again… but Emma O’Conner (Danielle Chuchran) is back to save them in a song-filled, seasonal extravaganza. Mean-spirited mogul Finneas James (Sean Patrick Flanery) plots to shut down the local puppy orphanage, unless Emma can come up with the money to save it. With the help of some friends, she races against time to put together a musical holiday event that just might save the day. Don’t miss the new chapter in this heartwarming saga.
An advocate of sex, but not of marriage, bachelor Daegyu (played by singer-turned-actor Im Changjeon), 26, produces bootleg music albums for a living. One day, he comes across a plucky, nine-year-old boy named Jeon Ingwon (played by Lee Inseong) who insists that he is Daegyu’s son born out of wedlock. Daegyu tries every possible means to send the bold boy back to where he came from, including reporting him to the police, deserting him on the street and even pretending not to have known him, but to no avail. Ingwon makes an offer to Daegyu: he will leave him forever if they first travel across the country together. During the journey, Daegyu comes to learn Ingwon’s secret and finds a reason not to continue their cross-land journey.
After finishing the open examination for Form 5 students and applying for an adult identity card, Yoyo, eighteen, departs for London to meet a guy introduced by her well-meaning parents in Britain. The guy, named Cheung, is in his thirties. Yoyo’s and Cheung’s grandfathers were wartime buddies. They swore to have their unborn babies get married when they grew up. However, the babies turned out to be both women. The two women are now mothers. They come across each other again and want to make their fathers’ wish come true, so they arrange for Yoyo and Cheung to meet in London. Yoyo and Cheung promise to get marry in order to please their mothers. But on the wedding day, they also sign a divorce agreement which is effective one year after their marriage.
After a team of cheerleaders are burned to death in a gruesome sprinkler accident, the one who got away, Tanya returns to cheerleader camp. Joining her are an all-new squad of drop-dead gorgeous mean girls from competing high schools who chafe under the strict rules set by Coach Paddington (Jennifer Banko). With a lustful caretaker (Ari Lehman) lurking nearby, the team struggle to get along – but soon their life depends on it! When someone in a panda costume begins killing one girl every hour, it’s up to Tanya to piece together the clues before time runs out.
Nuclear Family begins the story of a young couple, John and Lynn, who are trying to survive in the woods after what appears to be a nuclear holocaust. They stay on the move with their 11-year-old daughter, Pauline… all the while searching for their missing 8-year-old son, Grant. Meanwhile, present society has disintegrated, and the family must stay one step ahead of the Berserkers: lawless, wild, brutal men who rape,pillage and destroy as a way of life. Shot as a pilot presentation for a TV series the story will take this family, and the others they meet along the way in their search for Grant and to avoid the Berserkers, to discoveries beyond the existing reality. Written by Clay Keeley Executive Producer
A meteorite will destroy the world in three days. For Ale (Victor Clavijo), that means 72 hours of alone time, getting as drunk as possible. But when a mysterious drifter (Eduard Fernández) appears, the self-serving Ale faces a more immediate danger. Now, he finds himself protecting his mother (Mariana Cordero) and his brother’s children from his fellow man in humanity’s final hours. Daniel Casadella co-stars in this thought-provoking drama.
Set within a dystopian world that is a collision between technology and humanity, “Reboot” touches upon many of the current social and political concerns that arise from becoming more and more intertwined with the virtual. In contemporary Los Angeles, a young female hacker (Stat) awakens from unconsciousness to find an iPhone glued to her hand and a mysterious countdown ticking away on the display. Suffering from head trauma, and with little recollection of who she is or what is happening, Stat races against time to figure out what the code means, and what unknown event the pending zero-hour will bring.
A nurse gets into a dispute at work because she switches to speaking English when she gets nervous. A translator compromises her integrity when persuaded to translate a book she doesn’t believe in. An elderly woman and her daughter are humiliated when offered a present of one million kroner from a relative. A warm and nuanced film about people who all mean well, but end up hurting one another.
Karen can’t believe that she has to work her receptionist gig on a gorgeous Fourth of July. Then a call comes from her long-lost father and sets in motion a crazy chain of events that will change one small town forever. Meanwhile, Megan must decide between the stability of her longtime girlfriend and the thrill of a new love. Young Ray fends off bullies and organized sports to woo the girl he likes. In a little burg like this, you’d better believe everything is connected, which means that pretty soon everyone is mixed up in each other’s business.
After an altercation with her ailing mother, Jennifer, a self-absorbed teenager inadvertently stumbles into a local homeless shelter late one evening. Upset with his daughter’s selfish attitude, Jennifer’s father offers an ultimatum which includes her volunteering at the shelter in the hope she will learn to be responsible and compassionate toward others. Through this new experience Jennifer creates an unlikely bond with both the staff and one very special young guest which lead her to a deeper understanding of the true meaning of Christmas is love and family.
With nine #1 albums to his name, Jimmy Barnes is one of Australia’s greatest rock icons. But his success masked a life of hardship and abuse, where the music that once saved him from oblivion almost came back to destroy him. Before Jimmy Barnes was Jimmy Barnes, he was James Dixon Swan, a troubled kid from the mean streets of Glasgow – and the even meaner streets of North Adelaide – trying to survive against a backdrop of addiction, alcoholism, poverty and abuse. For Jimmy, escape was the only option and he found it with a band called Cold Chisel. But the rock’n’roll lifestyle has its own temptations and the scars of childhood are always waiting to take you home. Based on the bestselling memoir and directed by veteran Australian filmmaker Mark Joffe, Working Class Boy is both an inspiring story of rock and redemption told in Barnes’ own words and an unflinchingly honest reflection on fame, creativity and depression.
Ooejo agricultural high school is located in Hokkaido. Most students are from families involved in agriculture and their dreams are to continue working in agriculture. Meanwhile, Yuugo (Kento Nakajima), who graduated from a prestigious middle school, applied to the Ooejo Agricultural High School just because the school has a dormitory. Yuugo, who grew up in the city, finds himself in an unfamiliar environment at Ooejo Agricultural High School, surrounded by nature and animals. Yuugo is also the only one who doesn’t know what type of career he wants to pursue. Yuugo becomes impatient. He goes through struggles everyday, but he he also gets to know the other students and rural life in general. He begins to grow as a person.
After his daughter disappears in search of a mystic medallion, Malcolm vows to get her back even if that means entering a zone full of unspeakable evils, horrific creatures and images that haunt his nightmares.
When the Soviet Army marched into Romania in 1944, a part of the Romanian population went “into the mountains” – a diverse assortment of nationalists and fascists, liberals, apolitical farmers and members of the middle-class, who were affected by the Communists’ expropriations. Over a thousand armed resistance groups took refuge in the inaccessible forests of the Carpathian Mountains where they waited in vain for the support of the Western Allies. One of them was led by Ion Gavrilă-Ogoranu, who managed to remain undetected until 1976 when he was arrested. This film depicts the daily existence of this group. It tells the story of a struggle that became an end in itself, as the enemy was constantly in pursuit and arrest meant torture and often liquidation. Hungry and emotionally withdrawn, the group of young men got entangled in a partisan war that could not be won, lost in the landscape of the South Carpathians, accompanied by a vigilant secret police, the Securitate.
Hibino Tsubaki (Takei Emi) is a young teenage girl with a talent for styling other people’s hair. Yet, Tsubaki suffers from low self-esteem and isn’t very comfortable styling her own hair. She also has a tendency to dress old-fashioned. She’s teased at high school because of this. One day, popular male student Tsubaki Kyota (Matsuzaka Tori) targets Tsubaki for teasing. Tsubaki Kyota holds sway over the entire classroom and is quite a playboy. Inexplicably they fall in love. Meanwhile, Tsubaki Kyota has commitment issues…
Based on the New York Times best-selling novel by award winning author Wally Lamb. A vivid slice of 1960s life, Wishin’ and Hopin’ is a wise-and-witty holiday tale that celebrates where we’ve been-and how far we’ve come. In the small town of Three Rivers, Connecticut, we go straight into the halls of St. Aloysius Gonzaga Parochial School with Felix Funicello, a Catholic school fifth-grader in 1964, whose claim to fame is his cousin Annette Funicello, the famous Mouseketeer and teen movie queen. But grammar and arithmetic move to the back burner this holiday season with the sudden arrivals of substitute teacher Madame Frechette and feisty Russian student Zhenya Kabakova. While Felix learns the meaning of French kissing, cultural misunderstanding, and tableaux vivants, Wishin’ and Hopin’ barrels toward one outrageous Christmas!
There is something horribly wrong with the bodies found in the dark city streets. Some are mutilated while others have the Price equation (wΔz = Cov (w,z) = βwzVz) carved into their flesh. Detective Eddie Argo and his new partner Helen Westcott unearth the meaning of the odd equation and realise each victim is being offered a gruesome choice: kill your loved ones, or be killed. Before long it becomes clear that the perpetrator has suffered a similar fate and is now coping by seeking a way to solve this philosophical dilemma.
After running into a neighbourhood acquaintance at the local used record store who shared his list of 15 reasons to live, Alan Zweig felt a strong compulsion to make a film on the subject, despite his admission, “I didn’t make lists and I never thought about reasons to live.” From this inspiration begins a series of episodic chapters adapted to the themes of Ray Robertson’s collection of essays. The participants are as eclectic as the list, sharing personal anecdotes related to (among other themes) work, love, intoxication, humour, solitude, duty, home and death. Humorous and sometimes heartbreaking, Zweig’s compassion for his subjects and their stories, expressed through his conversational and candid interview style, ties these vignettes together in a visual essay that strikes deeper chords about finding meaning in our existence. Amongst his subjects’ reasons to live Zweig finds a couple of his own in his touching, honest and endearing way.
Mikio (Masato Sakai) is a married man and works hard for the company where he is employed. Then one day Mikio is diagnosed with depression. Mikio’s wife is Haruko (Aoi Miyazaki). They have been married for 5 years. Haruko draws comics for work, but they do not sell well. She mainly relied on Mikio for support. Meanwhile, Haruko did not notice any changes in her husband. She begins to blame herself for not noticing any signs. Mikio’s depression derived from his work. His company has been pressing him to quit the company. After Mikio quits his job his condition improves, but the dynamics of their relationship changes.
In-Soo (Kang Ha-Neul) has a special gift to see ghosts and has become isolated from other students because of this. He transfers to a high school in a rural area outside of Seoul. There, In-Soo meets a female ghost (Kim So-Eun) at the high school and forms a friendship with her. Meanwhile, classmates disappear one by one.
Splinters is the first feature-length documentary film about the evolution of indigenous surfing in the developing nation of Papua New Guinea. In the 1980s an intrepid Australian pilot left behind a surfboard in the seaside village of Vanimo. Twenty years on, surfing is not only a pillar of village life but also a means to prestige. With no access to economic or educational advancement, let alone running water and power, village life is hermetic. A spot on the Papua New Guinea national surfing team is the way to see the wider world; the only way.
Set towards the end of World War II, Nomura (Masatoshi Nagase) is a writer who is in despair. A woman works in bar and is a former prostitute. Many years ago, her father sold her to a brothel due to the family’s severe financial hardships. The writer and the woman then agree to live as husband and wife until the war ends. The woman doesn’t feel sexual pleasures due to her past, while the man lusts for the woman’s body. Meanwhile, Ohira (Jun Murakami) fought for Japan in China. He participated in unconscionable acts against civilians in the name of war. He returns to Japan with only one arm. Ohira then begins to prey on innocent women.
Protagonist Katsutoshi leaves town after a fight at work, and seeks refuge at a salon run by Seikichi, his Tokyo-based old friend, called “Tokyo Playboy Club.” Meanwhile Eriko, the girlfriend of a waiter at the salon, finds herself forced to work there as a hostess after he gets into a bit of trouble. Then one day Katsutoshi brawls with a lowly neighborhood gangster, beating him to a pulp. The incident causes him, Seikichi, and Eriko to become embroiled in an even graver situation….
The contemporary story of Chinese New Zealand-born over-achiever Emily Chu, raised to believe she can get anything she puts her mind to. Even if ‘anything’ is at odds with her traditional Hong Kong born parents’ wish for her to become a doctor like her two older sisters. Everything is coming up roses – until she meets James, a European New Zealander, and accidentally falls in love with him. But if her father finds out, she will face disownment. By the time Emily realises that she’s sacrificing the respect of her family to follow her heart, James, too, has fallen irrevocably in love and there’s nothing for it but to try and keep their relationship a secret. Happy endings don’t come easy, if at all, but that doesn’t mean they don’t happen. But for Emily to get one, she needs to show James and her family that she has learned a lesson about the selflessness of love.
