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In 1951 New York poet Elizabeth Bishop travels to Rio de Janeiro to visit Mary, a college friend. The shy Elizabeth is overwhelmed by Brazilian sensuality. She is the antithesis to Mary’s dashing partner, architect Lota de Macedo Soares. Although frosty at first, the architect soon makes a play for Elizabeth and the poet finally succumbs to Lota’s advances. Mary is jealous, but unconventional Lota is determined to have both women at all costs. Their ménage à trois is thrown off balance when Lota starts work on her biggest project to date, designing Parque do Flamengo in Rio. Elizabeth accepts an academic teaching post in the USA and the women drift apart. Lota, at all other times brimming with self-confidence, is inconsolable. This eternal triangle plays out against the backdrop of the military coup of 1964. Bishop’s moving poems are at the core of a film which lushly illustrates a crucial phase in the life of this influential Pulitzer prize-winning poet
By day, Nola Devlin (Poppy Montgomery) is an unassuming, frumpy magazine editor who is overlooked and teased by her coworkers. When the sun sets, though, and she is behind the glow and anonymity of her computer screen, she becomes the famous and “reclusive” advice columnist Belinda Apple. Nola’s friends, tired of being overworked and overweight, band together to create the “Cinderella Pact,” vowing to lose pounds by following the advice of their “fairy godmother,” Apple. When her secret identity is threatened, Nola is forced to take her own alter ego’s advice. But, as the group of friends drops dress sizes, their real issues are exposed, and better-than-expected life changes begin to blossom.
It’s Road Trip – Beer Pong! Three college roommates are on the ride of their lives when they drop everything to join a bus full of sexy, scantily clad models to compete in the ultimate sport competition: the National Beer Pong Tournament.
Medieval monasteries, historic German villages, and breweries from across the world serve as the backdrop for four people immersing themselves in their passion for beer.
While running from a drug deal gone bad, Mike Ross, a brilliant young college-dropout, slips into a job interview with one of New York City’s best legal closers, Harvey Specter. Tired of cookie-cutter law school grads, Harvey takes a gamble by hiring Mike on the spot after he recognizes his raw talent and photographic memory. Mike and Harvey are a winning team. Even though Mike is a genius, he still has a lot to learn about law. And while Harvey may seem like an emotionless, cold-blooded shark, Mike’s sympathy and concern for their cases and clients will help remind Harvey why he went into law in the first place. Mike’s other allies in the office include the firm’s best paralegal Rachel and Harvey’s no-nonsense assistant Donna to help him serve justice. Proving to be an irrepressible duo and invaluable to the practice, Mike and Harvey must keep their secret from everyone including managing partner Jessica and Harvey’s arch nemesis Louis, who seems intent on making Mike’s life as difficult as possible.
The Minions, having been accidently dropped off at the North Pole, make the most of the situation by trying to become elves.
When her ill mother urges her to take a vacation from her caretaking, grad-school-dropout Leigh invites her ex along on the camping trip. The two soon find that confronting old wounds during a weekend in the woods is anything but restful.
I’ll Take Your Dead follows William who has a simple job, he makes dead bodies disappear. This isn’t something he likes to or even wants to do, but through circumstances out of his control, his little farm house in the country has become a dumping ground for the casualties of the gang related murders in the nearby city. His daughter Gloria has become used to rough looking men dropping off corpses and is even convinced that some of them are haunting their house. After a woman’s body, is dumped at the house, William begins his meticulous process when he realizes, she’s not actually dead. As the gang activity increases, William patches the woman up and holds her against her will until he can figure out what to do with her. As they begin to develop a very unusual respect for each other, the woman’s murderers get word that she’s still alive and make plan to go finish what they started.
Aging local standup comic Sweeney, “The Character King”, gets an opportunity to do a national cable show out of Los Angeles. The only caveat is that Sweeney must drop the locally referenced material from his act, the biggest pieces being the portrayal of his colorful Boston “characters,” that have become a staple of his home field success. Sweeney makes the hard decision to stop doing the characters. But, to his dismay, the characters “come-to-life” and seek their revenge; they try to kill Sweeney.
The Lapland tundra. Rupi is a young miner who fills his days by traficking in illegal pills, drinking, and dropping coins in a slot machine. After his friend is murdered, Rupi realises that he loves his friend’s widow. But the mine owner wants her too. The violence becomes a spectacle, the tragedy comic, the tundra cold, the people degenerate and hope ephemeral, like a star shooting through the sky. But even in this world, hope briefly rears its head.
Aaron’s lonesome life is thrown into adulthood when his little brother Jared surprises him with a post-graduation visit. Hoping to reconnect with their absentee father, Jared enlists Aaron’s assistance discovering his current whereabouts. Throw in a dropped phone number and some awkward matchmaking with an actual, responsible grown up named Amanda, the definition of love and what it means to be family slowly come into focus.