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In an alternate futuristic society, a tough female police detective is paired with a talking dinosaur to find the killer of dinosaurs and other prehistoric animals leading them to a mad scientist bent on creating a new Armageddon.
Robert Woodfield is a criminal defense attorney, and he has defended a lot of criminals, many of whom are guilty, but has maintained that everyone deserves a competent defense, which he provides whether they are guilty or not. Currently he is defending Martin Ritter, a killer, whom he gets off. Later he has dinner with a friend, and his friend tells him that he needs to talk to him about something important. He is about to leave when some masked men go to his friend and kill him, when one of the men takes off his mask; it’s Martin Ritter. Now being his lawyer, Robert can’t say anything about what he saw. But that doesn’t stop him from investigating what his dead friend was so worried about. It seems that he has stumbled onto something big, and instead of killing him they frame his wife for murder to get him to back off. But he doesn’t and both his wife and him are now in danger. And still has no idea what’s going on. Will he find out before they get to him?
A day in Hollywood, 1972, with young people looking for the 24 hours that will change their lives. Zach will open that night for a British rocker at Whisky a Go-Go; he lives in a canyon and plays impromptu duets with a mysterious guitarist he doesn’t see. Tammy is a costume designer, open to quick sex with the various rockers she works with and loved from afar by Michael, a photographer recovering from a case of the clap. His good friend is Felix, a morose, alcoholic songwriter. On hand for comic relief is Marty Shapiro, a fast-talking record producer. Getting ready for the gig at the club, Zach’s performance, and the early-morning aftermath comprise the film.
An animated retelling of the worst passenger ship disaster in history. In this version, love blossoms between the upper-class Sir William and the blue-collar Angelica, who is hoping to find romance in America. At the same time, there are also a number of animal passengers, including talking dogs, cats and mice, who are also looking forward to arriving in the New World.
Gwen is a reclusive loner with an obsession with stalking and studying strangers, always at a distance. When one of her subjects enters her life in an unexpected way, Gwen sees it as an opportunity to find out more about them, but it may change her life in ways she could never anticipate.
Jack Gracy, a former security guard at the American Embassy in Russia, has shown up uninvited to a party at the embassy in the former Soviet Republic of Bazrhikistan, where his estranged girlfriend is working. As the two are talking upstairs, a group of terrorists disguised as caterers burst in and take all the guests downstairs hostage. The terrorists are threatening to launch nuclear missles at America if their demands are not met, but they haven’t planned on Jack being their to spoil the party.
A coming of age sci-fi splatter comedy with a dash of Hong Kong style action – TEDDY BOMB is the story of a beer delivery boy named Christian who stumbles upon a ticking time bomb that also happens to be a sentient stuffed animal: A talking teddy bear that can melt your face off. He can’t get rid of it, he can’t go to the police, and there’s no way in hell he can turn it off. To add insult to injury, the bomb’s original owners want their property back and they’ll decapitate, gut and eviscerate everyone that gets in their way. Whether Christian diffuses the bear or not – it’s guaranteed that things will end in one big bloody bang.
A young woman in L.A. is having a bad day: she’s evicted, an audition ends with a producer furious she won’t trade sex for the part, and a policeman nabs her for something she didn’t do, demanding fellatio to release her. She snaps, grabs his gun, takes his uniform, and leaves him cuffed to a tree where he’s soon having a defenseless chat with a homeless man. She takes off on the cop’s motorcycle and, for an afternoon, experiences a cop’s life. She talks a young man out of suicide and then is plunged into violence after a friendly encounter with two “vatos.” She is torn between self-protection and others’ expectations. Is there any resolution for her torrent of feelings?
Since they were both five, Ryosuke has been stalked by Momoko – the ugliest girl in the village. Her love for Ryosuke is so boundless that she has her face surgically altered to suit his taste – but still he wants nothing to do with her. Ryosuke goes in for fleeting romance – for example, with the girlfriend of a gangster boss. But when he finds out about their affair, he has Ryosuke’s little finger hacked off. Magically, the finger falls into Momoko’s hands, and she uses it to clone Ryosuke, so she can finally have him (or almost him) for herself. And this is just the first five minutes of Lisa Takeba’s short-but-powerful feature debut. Just like in her previous short films, the director – who cut her teeth in the advertising world and as the writer of a video game – throws a lot of genres and techniques into the mix: from science fiction to gangster films, from hospital eroticism to animation. Hectic and absurd, but with its heart in the right place. © IFFR
Henry Adler lives in Ontario by himself, regularly visits his gruff and critical father, and works in a bank; he’s also an actor. He finds new purpose in life when he’s cast as a cop in a realistic TV show. He gets into the part, borrowing the uniform from wardrobe, and walking around the city streets. Soon he’s talking to bank customers as if he’s a cop; this gets him in trouble with his boss, but Henry doesn’t care. He falls for one of the actresses, Charlie, and they practice together. Henry’s quirks and his intensity creep her out, though, and she breaks off all contact. He’s desolate. Things come to a head when one of LA’s finest mistakes Henry for a real cop.
A widowed woman is being stalked by her husband’s muderers.
The basic story of a young criminal not quite living up to his won ideals of “not to give a damn” sidesteps out of his criminal career while dragging his younger brother into it, could have been interesting. Unfortunately the implementation is simply not good enough. As so often with Danish movies, there is little appreciation for detail thus leaving us with hoodlums talking like they’ve done time at a business academy rather than a prison. Dialects completely out of here and idiosyncratic bikers without bikes or even character for that matter. An ever accelerating surrealism towards the end doesn’t help to clear the slow pace of this film but it does give a glimpse of what the story could have unfolded to become.
Having lost her beloved father at an early age, Yuri lives with her mother and younger brother. Yuri’s mother meets a new man, but they are deeply in debt and forced to leave their home. Yuri is then forced to take a job as a call girl to support her brother. One day Yuri’s brother becomes ill but since Yuri has to work, she unwillingly leaves him at home. When she returns, she finds him dead in the bathtub. Her heart is scarred with regret and she suffers with a pain that will never go away. After some time has passed, Mayu, a colleague of Yuri’s, tells her about a mysterious mobile app that is rumored to enable its user to talk to the dead. Yet, it comes with a warning: Never reply if the dead soul says, “I want to see you.” Because she blames herself for her brother’s death and will do anything to tell him how sorry she is, Yuri downloads the app and reaches out to her dead brother. Meanwhile, the app’s users begin to die.
When Luke wakes up and finds a mutilated corpse in his bathroom, his life changes for ever. Stalked by a terrifying psychopathic serial killer, he has to place his trust in the hands of a smart but volatile female cop, Sam Cross. The secret they uncover shatters Luke s life and brings Sam face to face with demons from her tragic childhood..
A group of friends are stalked by a mysterious knife-wielding murderess as they gather at the home of their late friend to hear the reading of his will, and participate in a morbid treasure hunt for the key to his vast fortune.
Irina is dying. A predator who stalks streets at night looking for blood, she has lived over a century; tormented by memory, living in a run-down motel by the sea, Irina has reached the end. Her perceptions skewed, her body and mind revolting against themselves, she waits for an exit. Her private hell is echoed by the motel manager, driven by an obsession to protect Irina and keep her secrets safe, and a broken prostitute whose desperate plight may be worse than Irina’s. It’s the tale of three people living a life on the fringe, trapped in world of literal and figurative decay.
A film between fiction and reality, highlighting questions about group dynamics and established hierarchies. A group of people meet for their high school reunion 20 years later. One of them talks about her being bullied and outcast and soon the former classmates fall back to the roles they used to have back in school. But this is just half of the film.
During a wild weekend in Las Vegas, four young friends get into trouble with a loan shark and must skip town in a hurry. But gambling problems may be the least of their worries after they get stranded in the Nevada desert. One of the guys discovers a mysterious metal fragment, then promptly goes missing during the night. When the remaining three catch up with their lost friend, there’s something different about him. As his condition worsens, the others realize that something unearthly might be stalking them in the desert.
Marcus Wright (Daniel Dambroff) is in love with Gabby (Elise McNamara). A devastating accident nearly kills her and renders her in a vegetative state. She can no longer walk or talk. Marcus is determined to make good on his promise to marry her. He is not only challenged by this unfortunate event but is made to jump many unexpected hurdles, including fending off Gabby’s mother Sandra (Aria Mckenna), who clings to Marcus and takes her relationship with him beyond both of their boundaries. Marcus then meets Elliot Thurston (Christopher Clawson), a published author who wrote the novel “Brilliant Mistakes,” a story about the author’s personal regret. Marcus is a big fan of Elliot’s positive energy and subsequently his writing, and a bond of common loss, dreams and goals ties them together. While Elliot brings color and life to Marcus’ seemingly uncertain future, something is wrong and Marcus’trust in others is yet again weakened.
Daffy undead gal Penny Dreadful, her smitten zombie buddy Ned, and lycanthrope Wolfboy relate three tales of terror in an old rundown movie theater: A young couple find themselves being stalked by a lethal jack-in-the-box in “Slash-in-the-Box;” mousy young lady Alice tries to figure out what exactly happened to her last night in “The Morning After;” and a group of friends encounter an eccentric backwoods family after their van breaks down in the middle of nowhere in “The Slaughter House.”
When single mom Stephanie gets engaged to single dad Jameson she receives an anonymous stalker’s threat: “Break off the engagement or I’ll kidnap your daughter!” The threats continue and her daughter is taken, but Stephanie will learn the kidnapper is really on her side, and trying to warn her of an even greater danger.
The Gingerdead Man seeks revenge against Sarah Leigh for causing him to live his life in the body of a gingerbread man. Her only hope is to team up with Larnell who has problems of his own in the form of a magical talking bong named Eebee.
Detective Murakami meets a girl who suffers from memory loss. The girl has special abilities including the ability to talk with the dead. Detective Murakami names her Maki. Detective Murakami and Maki work together to solves a massive murder case involving a mad bomber. Maki’s identity is revealed during their investigation.
A bold, feminist film about how the vagina has shaped our view of the world and the shame around female sexuality. Women from 19 to 77 years old talk about puberty, menstruation, birth, motherhood, infertility, menopause, pleasure, sex, pain, trauma, gender, sexuality, cancer, rape and FGM.
One summer morning, 12-year-old Arnold Hillerman and his 17-year-old brother Eugene wake at dawn on their family’s Montana farm. In a nearby pasture, Arnold’s gun fires accidentally. His brother is killed instantly. Isolated by emotions he can’t comprehend, Arnold must now come to terms with his grieving family – including his angry father, his frightened mother, his antagonistic uncle and his gentle, straight-talking grandfather – while his family must come to terms with Arnold.
True story based on Jodi Arias, a seductive 28-year-old aspiring photographer found guilty of killing her former lover, Travis Alexander, who was found nude in his home shower with a slit throat, 27 additional stab wounds and a bullet to the head. While investigating the violent killing, Mesa, Arizona police retrieved a digital camera from Alexander’s washing machine, revealing shocking images authorities claim Arias took during their sexual escapades, as well as during and after his murder. While Jodi pled not guilty and contends she killed Alexander in self-defense, police concluded that when he broke off their relationship, she stalked her ex-boyfriend and seduced him one final time before murdering him in cold blood. Her subsequent trial has been grand theater, dominating the cable news networks as she testified in her own defense and offered explicit insight into the sex, lies and obsession that led up to Alexander’s murder.
The series centers on Ryan Atwood, a troubled youth from a broken home who is adopted by the wealthy and philanthropic Sandy and Kirsten Cohen. Ryan and his surrogate brother Seth, a socially awkward yet quick-witted teenager, deal with life as outsiders in the high-class world of Newport Beach. Ryan and Seth spend much time navigating their relationships with girl-next-door Marissa Cooper, Seth’s childhood crush Summer Roberts, and the fast-talking loner Taylor Townsend. Story lines deal with the culture clash between the idealistic Cohen family and the shallow, materialistic, and closed-minded community in which they reside. The series includes elements of postmodernism, and functions as a mixture of melodrama and comedy.
A concentration camp survivor discovers her former torturer and lover working as a porter at a hotel in postwar Vienna. When the couple attempt to re-create their sadomasochistic relationship, his former SS comrades begin to stalk them.
A young opperata is stalked by a deranged fan bent on killing the people associated with her to claim her for himself.
Rational, exacting, and self-controlled theater director, Henrik Vogler, often stays after rehearsal to think and plan. On this day, Anna comes back, ostensibly looking for a bracelet. She is the lead in his new production of Stindberg’s “A Dream Play.” She talks of her hatred for her mother, now dead, an alcoholic actress, who was Vogler’s star and lover. Vogler falls into a reverie, remembering a day Anna’s mother, Rakel, late in life, came after rehearsal to beg him to come to her apartment. He awakes and Anna reveals the reason she has returned: she jolts him into an emotional response, rare for him, and the feelings of a young woman and an older man play out.
Intergalactic penguin pilots, Flip and Zooey, are going where no bird has gone before, outer space! Embarking on peaceful expeditions in their friendly talking spaceship, Slushy, they tour the galaxy on fact-finding missions for their headquarters, run by the beloved Captain Stella.
Sick, twisted, politically incorrect and Freakin’ Sweet animated series featuring the adventures of the dysfunctional Griffin family. Bumbling Peter and long-suffering Lois have three kids. Stewie (a brilliant but sadistic baby bent on killing his mother and taking over the world), Meg (the oldest, and is the most unpopular girl in town) and Chris (the middle kid, he’s not very bright but has a passion for movies). The final member of the family is Brian – a talking dog and much more than a pet, he keeps Stewie in check whilst sipping Martinis and sorting through his own life issues.
A comedy of discriminating taste and dirty little secrets, the story is set in 1952 England, where Nigel, the Earl of Marshwood, woos Hollywood star Miranda Frayle, upsetting both his mother, Countess Felicity of Marshwood, and her former love, fellow Hollywood star Don Lucas. Right before the engagement party to be held at Marshwood, Moxie, the Countess’s personal maid and best friend reveals that Miranda is her estranged sister. Crestwell, the Countess’s butler, quickly devises a plan-but an inebriated Lucas’s arrival at Marshwood to try to talk to Miranda causes all chaos to break loose.
Anna Kalman is an accomplished actress who has given up hope of finding the man of her dreams. She is in the middle of taking off her face cream, while talking about this subject with her sister, when in walks Philip Adams. She loses her concentration for a moment as she realizes that this is the charming, smart, and handsome man she has been waiting for.
A young girl returns home from Europe and is stalked and murdered while unwittingly booking an online short term rental from a network of dark-web creeps using spy cameras to capture her stay. Her estranged brother embarks on a personal investigation into her fate, and becomes obsessed with avenging her death.
