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Directed by Ian Gabriel, “Four Corners” revolves around a 13-year-old chess whiz drawn into the Cape Town’s well-known child-gang culture. Touted as the first film to delve into the 100-year-old war between South Africa’s so-called Number gangs, the 26 and the 28, it blends the Sabela, Tsotsi-taal and Cape Afrikaans dialects and mixes established talents with non-actors and first-time thesps from schools and communities across the Cape Flats.
Horror – Segments from eight of the leading indie horror filmmakers including Tim Ritter, Brad Sykes, Donald Farmer, Todd Sheets, Chris Seaver, Ron Bonk, and Marcus Koch. – Vanessa Nocera, Alaine Huntington, Mike Malloy
Anchored by intimate, one-on-one interviews with the man himself, Nicholas Wrathall’s new documentary is a fascinating and wholly entertaining tribute to the iconic Gore Vidal. Commentary by those who knew him best—including filmmaker/nephew Burr Steers and the late Christopher Hitchens—blends with footage from Vidal’s legendary on-air career to remind us why he will forever stand as one of the most brilliant and fearless critics of our time.
Two estranged sisters torn apart by their differences suddenly find themselves working together towards a common goal in this heartwarming drama…For years, overachiever Terri (Kristy Swanson) and her idealistic sister, Mandy (Alberta Mayne), have kept their distance from each other, as well as from their parents’ struggling florist business. But when a tragic turn of events brings both women home, they discover just how much they need one another in order to continue their family legacy. Filled with romance, humor and hope, it’s an endearing story about making time for the ones you love.
Film follows two friends attempting to rob a petrol station, but are so useless that they end up working there all night.
Sixteen-year-old Billie’s reluctant path to independence is accelerated when her mother reveals plans for gender transition, and their time together becomes limited to Tuesdays. This emotionally charged story of desire, responsibility, and transformation was filmed over the course of a year—once a week, every week, only on Tuesdays.
The most coveted new sneaker goes on sale at 8am and sneakerheads across the country are camping out overnight to get them. RONNY, a young Filipino-American and die-hard sneakerhead, has been dreaming of these shoes for months, but his quest to get in line is hindered when a fast food cashier’s racist joke offends his sister JUSTINE. Ronny’s night takes a turn for the worst when he sees the same cashier in the sneaker line. Racial tensions among the sneakerheads intensify and Ronny’s fear of not getting his beloved sneakers is quickly replaced with the fear that he and Justine are in serious danger.
The estranged daughter (Lauren Lee Smith) of a recently deceased filmmaker gains a new understanding of her father when she offers to create a retrospective of his work.
There is a centuries-old seawall in the ancient port of Akka, located on Israel’s northern coast. Today, Akka is a modern city inhabited by Muslims, Christians, Jews, and Baha’i, but its history goes all the way back to rule of the Egyptian Pharaohs. Young people dare to stand atop the 40′ one-meter thick block structure and risk their fate by jumping into the roiling sea. This perilous tradition has continued for many generations, and has become a rite of passage for the children of Akka. “It’s Better to Jump” is about the ancient walled city of Akka as it undergoes harsh economic pressures and vast social change. The film focuses on the aspirations and concerns of the Palestinian inhabitants who call the Old City home.
A young-wife desperate to give her beloved comatose and dying husband a child considers her only option: cloning. Giving birth to a son fulfills her dream of having a family. But the arrival of the baby awakens a supernatural presence unleashing unexpected results. The family must make an impossible choice and live with a secret forever. (DCIFF)
After being defeated by Ip Man, Cheung Tin Chi (Zhang) is attempting to keep a low profile. While going about his business, he gets into a fight with a foreigner by the name of Davidson (Bautista), who is a big boss behind the bar district. Tin Chi fights hard with Wing Chun and earns respect.
Best friends Cliff and Otis plan to get rich quick by stealing from some of the most dangerous foes in the business: drug dealers. Going against the plan, the two spend the night partying, allowing the audience to see that, in a certain light, the “bad guys” weren’t really all that bad to begin with. Simply put, this film is just your everyday druggie, dramedy, indie musical that’s filled with Germans, Jesus, banjos, bongos, beers, and bongs.
THE FALLEN is a three-sided story about German, Italian, and American soldiers, set in Northern Italy during the final weeks of the World War II. On the one side, a group of American supply soldiers delivers ammunition to the front line, a journey that becomes a descent into hell, the success of the mission becomes less likely with every setback. On the other, a doomed German unit and their ragtag Italian partners struggle to maintain morale and discipline amongst their beleaguered troops in the face of certain defeat. Torn between these are the divided loyalties of the Italians, both fascist soldiers and communist partisans, who have turned brother against brother in a bloody civil war. The film looks at the everyday life of the soldiers, their encounters on the road, their hopes and dreams, and the differences in values, morals, and patriotism between the cultures at the end of that era.
Laurie Kilmartin’s tweeting while her father was in hospice quickly garnered press and Twitter followers. Her comments are as painful as they are hilarious and give voice to the very human thoughts we keep to ourselves as a loved one passes from life to death. Filmed at The Lyric Theater in Los Angeles, California, Laurie speaks about cancer, hospice, death, grieving, and funerals.
‘The Marathon’ is a feature film which contains humour in combination with impressive drama. The garage of four jass playing, smoking and beer drinking mechanics is threatened to be closed. The ‘genius’ idea to run the marathon of Rotterdam while being sponsored seems to be the only solution. The condition of the sponsor deal; making it to the finish line. However, training is difficult for the hedonists and it changes relationships, and even their future. Are all the efforts worth the fight when their seems to be more to it then just making it to the finish line…?
This film is released as part of the ongoing 50th anniversary celebration of the Rolling Stones. It tells the story of the Stones’ unparalleled journey from blues obsessed teens in the early 60s to their undisputed status as rock royalty. All of the Stones have been newly interviewed and their words form the narrative arc that links together archive footage of performances, news coverage, and interviews, much of it previously unseen. Taking its title from a lyric in “Jumpin’ Jack Flash,” this film gives the viewer an intimate insight into exactly what it’s like to be part of the Rolling Stones as they overcome denunciation, drugs, dissensions, and death to become the definitive survivors. Over a year in the making and produced with the full cooperation and involvement of the Stones, this film is and will remain the definitive story of the world’s greatest rock ‘n’ roll band
Infected by a virus, a mild mannered HR manager attempts to fulfill his overwhelming desire for brains, all while trying to keep it together so as not to incur the wrath of his bridezilla-to-be.
A bride-to-be jumps to her death after becoming convinced that a tragic accident has claimed the life of her groom-to-be. But, the end of her life is the beginning of the story when her groom-to-be is alive and his false death turns out to be his and her best friend’s plan to get rid of her. Distraught by the betrayal, the spirit of the bride-to-be is craving for vengeance. This production is unusual in that it is a collaboration among twelve different Thai film directors.
Jon Stewart returns to television to host a live show presented from The Theater at Madison Square Garden in New York. Benefiting NEXT for Autism, the special features stand-up performances, sketches and short films.
The creation of filmmaker Michael Emanuel, SCARY OR DIE tells five interwoven horror stories that take place in and around the “City of Angles”. A flesh-eating clown desperately trying to protect the person he craves the most; a dirty cop and a hit gone wrong with a vengeful Necromancer; a beautiful but mysterious woman and a lonely man looking for love in all the wrong places; a gruesome, blood-splattered uprising of illegal Mexican zombies; and a Cajun conjurer grandfather whose gift of never-ending love goes terribly awry…SCARY OR DIE is a unique experience in horror filmmaking certain to fulfill all your twisted horror film experience needs.
Teenager Zhao Shanshan begins to fall secretly in love with school beauty Li Chunxia, but a bully takes Li away by force. In a desperate university life, Zhao finds his interests in film and commits to saving his love.
One suspects writer-director Carol Lai may have harboured some Black Swan ambitions with a tale that also centers around a stage practitioner who embarks on an unwitting destructive journey when playing a role to die for. The Second Woman, whose Chinese title Romance Riddle may hold better clues as to how this film developed, being more of a guessing game that threw constant clues rather than a overly romantic film about twins falling in love with a man who decided it’s perfectly OK to string both women along, until he discovers that this spells double trouble.
A family film which tells the unlikely and timeless story about almost ten year old Tony, whose father rises from being a crane driver to Secretary of State. As a result his parents get divorced and Tony does everything he can to bring them back together. He even calls in the help of the queen.
London Paris New York is a film that captures the angst of the twenties, the most dramatic period of one’s life – when you have to find a career, you have your first significant relationship and most importantly form your identity in this world. This is story about Lalitha, a middle class south Indian girl from Chembur (an eastern suburb in Mumbai) who is on her way to New York to study politics with full scholarship, and Nikhil, a Punjabi, rich kid from Bandra (a posh western suburb of Mumbai) who is going to study Film Making in London on 100% dad’s money. They decide to hangout together one evening in London and find that they are completely drawn to each other even as their future lies on separate continents. The film follows their personal journey and their love story as they meet in London, Paris and New York for a night each over eight years. The film is in three chapters and each chapter is shot in a manner that mirrors the mental state of Nikhil and Lalitha.
David Blair directs this powerful British Drama, loosely inspired by John Steinbeck’s novel ‘Of Mice and Men’. Set in Nottingham, the film revolves around the relationship between the thuggish Danny (Stephen Graham) and Joseph (Adewale Akinnuoye-Agbaje), a giant of a man with a mental age of seven. When Danny finds himself in debt to a local crime boss, he feels he is left with no choice but to manipulate Joseph into participating in a series of underground cage fights from which Danny can pay his debts.
Bob Lee Swagger is an expert marksman living in exile who is coaxed back into action after learning of a plot to kill the president. Based on the best-selling Bob Lee Swagger novel by Stephen Hunter, Point of Impact, and the 2007 Paramount film starring Mark Wahlberg.
A film between fiction and reality, highlighting questions about group dynamics and established hierarchies. A group of people meet for their high school reunion 20 years later. One of them talks about her being bullied and outcast and soon the former classmates fall back to the roles they used to have back in school. But this is just half of the film.
Through the heart and photographic lens of international photographer Jo-Anne McArthur, we become intimately familiar with a cast of non-human animals. The film follows Jo-Anne over the course of a year as she photographs several animal stories in parts of Canada, the U.S. and in Europe. Each story is a window into global animal industries: Food, Fashion, Entertainment and Research.
In March of 2011, three filmmakers disappeared in the Superstition Mountains of Arizona while documenting their search for the Lost Dutchman mine. Their bodies were never found… but their camera was.
What are the rules that determine how attraction and desire are set free? Glances, unexpected smiles, confiding in unknown women. Long cherished fantasies, intimate friendships and unexpected meetings. In Volume 2 of the Sexual Tension diptych, Marco Berger and Marcelo Mónaco take us on a journey through the twists and turns of female seduction: two guests of a hostel become roommates (and more); a keen shop assistant helps a woman uncertain about what dress to buy; the outset of a great passion between two girls during a picnic, even though one of them has a boyfriend. In the film we also find a conversation about Woody Allen between a waitress and a woman, which goes too far; and two high-class escorts who discover that they are attracted to each other, when they are in bed with a client. The film finally shows what could happen, but never did happen, and will probably never happen, to two thirty-year-old women. Maybe it would be better not to have sex with people we love. Sex …
Drawing from a deep, red well of evil toy terror comes DEADLY DOLLS: DEEPEST CUTS, the second installment in FULL MOON’S BUNKER OF BLOOD, a gory new “Greatest Hits” film series featuring some of Full Moon’s strangest and sickest sequences framed by an all new, all outrageous narrative! Once more, we follow the mind-bending adventures of a nameless drifter with an impossibly high pain tolerance.
What happens when you take a Young Gun, a veteran, some chick and this other guy and drop them off in the middle of the snow-coated Canadian wilderness with a few boards and enough lenses to make even Marilyn Monroe blush? We wanted to find out. And so we did all that. Then we made Depth Perception. The film invites you to join Austen Sweetin, Travis Rice, Robin Van Gyn and Bryan Fox on an expedition. It’n to learn about nature. An expedition to ride some of the best backcountry on the planet. And, occasionally, an expedition to violently fall down a mountain to the peaceful hum of a violin. Mmm. Yeah. Depth Perception is somehow as earnest as it is tongue-in-cheek.
Pride & Prejudice: A Latter-Day Comedy is a 2003 independent film adaptation/updating of Jane Austen’s novel, set in modern-day Provo, Utah, at Brigham Young University. The characters are Latter-day Saints (LDS).
Helpless to stop a thief from stealing his father’s modest nest egg, Travis grows up blaming himself for his parents’ suicide. Becoming a priest who operates a highway confessional with his ambivalent brother, Michael, he offers sage advice to chosen sinners while raining death on unrepentant thieves. Into the world of this antagonistic duo comes Mary Francis, a deranged young woman with psychopathic tendencies who kills a thief who threatens to expose the decidedly un-holy siblings. Filled with gratitude, Travis invites the woman into their sacred world which begins a chain of carnage-laced events that threaten to destroy the brothers’ bloody, decades-long partnership.
The drastic economic development in South Korea once surprised the rest of the world. However, behind of it was an oppression the marginalized female laborers had to endure. The film invites us to the lives of the working class women engaged in the textile industry of the 1960s, all the way through the stories of flight attendants, cashiers, and non-regular workers of today. As we encounter the vista of female factory workers in Cambodia that poignantly resembles the labor history of Korea, the form of labor changes its appearance but the essence of the bread-and-butter question remains still.
Homeless children in the slums of Rio are driven out of their temporary shelters by ruthless gangsters in this somber drama. The kids survive by shining shoes, stealing, and cutting the strings of the kites to sell them later to others. Tired of life on the streets, one boy turns himself over to the police in hopes he will be sent to reform school in a last desperate attempt to survive. This feature from acclaimed Swedish director Arne Sucksdorff appeared at the 1965 Cannes Film Festival.
