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Audrey is a typical music student at a large Midwestern college, interested in pursuing a career in classical music. Her apparent “normalcy,” however, makes her something of a misfit in her family, made up as it is by a group of outrageous performers. Audrey’s parents were funk/ R& B stars in the 1970s, while her brother currently reigns supreme on the hip hop and fashion scene, and her precocious little sister is a streetsmart MC in the manner of Lil’ Kim. Audrey finds this family tree a little embarrassing, and is somewhat disdainful of the ego and trappings of pop culture entertainment, so she hides her clan from her new boyfriend. This unfortunately becomes a bit difficult to maintain when the family shows up for a visit. The campus will never be the same again!
Performing for a packed house at Spreckels Theater in San Diego, comedian Patton Oswalt delivers a blistering stand-up set in his trademark blend of acerbic wit and unabashed silliness. His topics include a wide array of modern issues, from the future of our nation to daddy/daughter outings gone wrong.
The Falls is a feature film about two missionaries that fall in love while on their mission. RJ travels to a small town in Oregon with Elder Merrill to serve their mission and teach the words of Joseph Smith. Living together and sharing the challenge of leaving home, the two men help each other discover their strengths. They share a passion for their faith and learn to express their feelings, risking the only community they have for a forbidden intimacy.
Guerrero, an illegal immigrant from Mexico, crosses the border into the United States in search of his family. After arriving in San Diego, California he meets organized crime boss Gino Santoro, who offers him lodging, a job, and help in finding his family. There is only one condition… he must fight in an underground Cage Fight tournament and only the strong will survive!
RICHARD’S WEDDING is an ensemble comedy that explores how the most enduring friendships require a mixture of envy, love and ridiculous egomania disguised as self-contempt. Alex and Tuna are on their way to Richard and Phoebe’s wedding, to be reunited with a group of old friends. As they make their trek from Brooklyn to Central Park, they’re joined by an ever-increasing number of friends with their own set of misgivings, self-righteousness, and violently annoying iPhone Apps.
The story of what happened to Neal Cassady after Jack Kerouac’s “On The Road” came out. Deals primarily with Neal’s relationship to his fictional alter-ego, Dean Moriarty.
The film follows the story of Jamie, a struggling butch lesbian actress who gets cast as a man in a film. The main plot is a romantic comedy between Jamie’s male alter-ego, “Male Jamie,” and Jill, a heterosexual woman on set. The film’s subplots include Jamie’s bisexual roommate Lola and her cat actor Howard, Lola’s abrasive butch German girlfriend Andi, and Jamie’s gay Asian friend David.
Pablo is a Spanish army doctor sent on a peace mission to Iraq during the 2003 war. In a routine out his convoy is attacked in the desert. He and his friend Diego manage to take refuge in an empty house, but become embroiled in a conflict that puts their lives in danger …
Writer/director/star Alex Karpovsky, a familiar face to indie filmgoers, reveals his sterling comic chops in this close-to-the-bone comedy. Teasing the line between fiction and reality, he plays an indie filmmaker named Alex Karpovsky who, dumped by a longtime girlfriend fed up with his refusal to marry, takes to the road with a reluctant old pal for a misbegotten mini tour screening his movie on college campuses and independent cinemas.
After a car crash sends repressed cartoonist Stu Miley (Fraser) into a coma, he and the mischievous Monkeybone, his hilariously horny alter-ego, wake up in a wacked-out waystation for lost souls. When Monkeybone takes over Stu’s body and escapes to wreak havoc on the real world, Stu has to find a way to stop him before his sister pulls the plug on reality forever!
A shy struggling actor is dragged into the world of professional male stripping by his egotistical brother.
A woman in Oregon opens a box of Halloween decorations and finds a distressing letter written by a political prisoner from inside a Chinese labour camp.
Monique Marvez stars in her first one hour Stand-up Comedy Special based on the writings from her critically acclaimed book “Not Skinny Not Blonde.” The former San Diego radio host is on a humorous mission to enlighten both men and women about what’s truly important between the sexes. Having been married 3 times herself she considers it sound advice from an expert. Monique has learned from her past and now dates a much younger man, conceding “life is just too dam short.” but don’t call her a cougar, she says, “call me what I am, sore!”
Author Stephen King discusses the various types of horror films and why they are so popular with moviegoers.
This outrageous standup performance documentary, premiering on Comedy Central, spotlights a category of black comedian rarely witnessed: the nerd variety.
When Harry Poole tries out a new medication for Bipolar Disorder, he is reborn as “Edward Grey”, a seductive but dangerous alter ego who dramatically takes over his life, changing the young man and those around him forever.
Based on Rudyard Kipling’s story: ‘The Strange Ride of Morrowbie Jukes,’ Scape takes place in the early 1800s on the Oregon Trail. Indians attack Morrowbie’s caravan and he becomes separated from his wife. He walks alone through the open frontier, searching for her, when he wanders into a remote colony in the forest for the mentally ill. Once in the colony, no one can leave; a mysterious and fearsome army soldier guards the boundary between the colony and freedom. With the fate of his wife looming, Morrowbie must attempt the impossible: escape.
In this poetic, richly allegorical debut by Colombian director William Vega, a teenage girl flees to a rundown inn after being driven from her home in the Andean highlands by civil war, as the violence engulfing the country creeps ever closer to her remote refuge. (TIFF)
Raised in the Tennessee mountains, Wayne White started his career as a cartoonist in NYC. He quickly found success as one of the creators of the Pee-wee’s Playhouse TV show which soon led to more work designing some of the most arresting and iconic images in pop culture. Recently his word paintings featuring pithy and and often sarcastic text statements finely crafted onto vintage landscape paintings have made him a darling of the fine art world. The movie chronicles the vaulted highs and crushing lows of an artist struggling to find peace and balance between his professional work and his personal art. This is especially complicated for a man who struggles with the virtues he most often mocks in his art…Vanity, ego and fame.
Negotiations with the Far East have failed, and the unthinkable has happened: all-out nuclear war. With civilization as we know it at an end, the United States President is whisked away to safety in an underground bunker. Along with him is a team of scientists and advisors, as well as an elite fighting force of the best assassins and soldiers in the country. This Presidential Security team is hand-selected to protect and preserve the government in this time of crisis.
In an allegorical female driven film that intimately explores the idea of growing beyond violence, a tight-knit group of vampires crashes into the twenty-first century when their master awakes from decades of sleep.
An egocentric businessman awakens deep in the woods to find he has been abducted by a subversive group of bloodthirsty vampires disguised and living among us. He must not only escape their clutches, but save his beloved girlfriend before time, the truth, and his kidnappers catch up with him.
When real estate developer Dan Sanders finalizes plans to level a swath of pristine Oregon forest to make way for a soulless housing subdivision, a band of woodland creatures rises up to throw a monkey wrench into the greedy scheme. Just how much mischief from the furry critters can the businessman take before he calls it quits?
Still reeling from a traumatic childhood experience with an alcoholic mother and her deranged carnie boyfriend, a mild mannered milquetoast finds himself at the mercy of a monstrous alter ego: a sadistic killer clown with a tickling fetish.
Set in 1845, this drama follows a group of settlers as they embark on a punishing journey along the Oregon Trail. When their guide leads them astray, the expedition is forced to contend with the unforgiving conditions of the high plain desert.
Kim lives with his dad, sells weed to skaters, writes poetry, and snorts painkillers to get through the day. One evening, while strolling through the subdivision painted up as his alter ego Shadow Zombie, Kim catches the eye of a registered nurse and part-time clown Brandi. What follows is a brief romance marked by destruction by the very real phantoms emanating from Kim’s dead-end present and Brandi’s traumatic past. Shooting under near-documentary conditions in and around Lafayette, Louisiana, Jorge Torres-Torres operates peopling his film with a coterie of genuine Acadiana misfits. The merciless and at times unexpectedly poignant observation of Kim’s world dares to see through to the human core of a drug addict or clinically depressed clown.
After Fanie takes Dinky, a strong Zulu woman, to his Afrikaans family wedding, the two find an unexpectedly fun cross-cultural romance. But in order to marry Dinky, Fanie must negotiate to pay Lobola (a South African dowry).
Judy Wilson (Gale Storm), feeling neglected because both of her parents are working in defense plants, meets and falls in love with Danny Chester (Jackie Cooper), who enlists in the Navy and is sent to San Diego for training. She accepts an invitation to go on a ride to San Diego with her friends Herb (Neyle Morrow), Opal (Evelyn Eaton)and Jerry (Jimmy Zahner) but doesn’t know the car has been stolen.
This is an intriguing avant-garde look at what motivates the leisurely classes in Portugal, for better or worse, by director Manoel de Oliveira. Set in a spacious country home peopled with a wide-ranging cast of characters, the drama begins as the friends of a widow come to console her on the loss of her husband. But at one point, the widow goes upstairs, encounters her husband, and is faced with his accusations about the past. This event and others provide the means of revealing the petty, self-serving, egocentric, and romantic pursuits of the melange of people in the house. – Eleanor Mannikka, Rovi
After the conclusion of the Battle City Tournament, deep below the sands of Egypt, an ancient evil has awakened. Anubis, who was defeated centuries ago by Yugi’s mysterious alter ego – the ancient Pharaoh – has returned for revenge. Wielding the power of the Eighth Millennium Item, Anubis is determined to destroy Yugi and take over the world.
Femme fatal/con artist Bridget Gregory travels to Barcelona and targets another businessman to scam him of his money while a relentless private investigator tries to track her down.
A solitary middle-aged bachelor and a naive Irish teenager transform one another’s lives to arrive at a place of recognition, redemption and wisdom in Atom Egoyan’s adaptation of William Trevor’s celebrated 1994 novel. Seventeen and pregnant, Felicia travels to England in search of her lover and is found instead by Joseph Ambrose Hilditch, a helpful catering manager whose kindness masks a serial killer. Hilditch has murdered several young women, but he has no conscious awareness of the crimes; like Felicia, he doesn’t see his true self. Felicia’s Journey is a story of innocence lost and regained: Felicia awakens to the world’s dangers and duplicities; and Hilditch, who grew up lonely and unloved, comes to realize what was taken from him, and what he himself has taken.
A reformed ex-convict enters a love triangle and gets manipulated into being a scapegoat in a murder scheme for revenge.
After landing from a turbulent but routine flight, the crew and passengers of Montego Air Flight 828 discover five years have passed in what seemed like a few hours. As their new realities become clear, a deeper mystery unfolds and some of the returned passengers soon realize they may be meant for something greater than they ever thought possible.
This documentary feature pulls back the curtain on the world of ‘working class’ rappers. The film spotlights independent artists struggling to find a balance between making a living and pursuing their art alongside the never-ending saga of age and relevance. Weaved together through a series of 30 plus interviews that are devoid of the ego so common in the business of music, especially hip-hop, the film traverses the country (USA) to explore the myths and misconceptions of life as a full-time rapper.
The film follows the life of famous 1970s runner Steve Prefontaine from his youth days in Oregon to the University of Oregon where he worked with the legendary coach Bill Bowerman, later to Olympics in Munich and his early death at 24 in a car crash.
Things are hectic in heaven. Dozens of scribes sit before a long scroll incessantly scribbling away. They are composing the biographies of earth-dwellers. What is invented by the men in heaven is lived out below. And their employer, God, is increasingly vehement in demanding avant-garde ideas. Take, for example, the beautiful Yuri, a girl who dies in a car crash. Some of the heavenly scribes find this very dull and send former gangster Chas, who has become a heavenly tea-boy, back down to earth with instructions to save Yuri no matter what. And so Chas ends up in Okinawa, gets to know the earth-dwellers, interferes in their fates, becomes celebrated as ‘Mr Angel’ and is hounded by brutal enemies. His falling in love with Yuri is of course a foregone conclusion. But no one could anticipate what happens next. Not even God himself
