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On her 60th birthday, the proud owner of a Los Angeles strip club, finds herself in hot water over a twenty-five year old debt to the mob, leading her on a downward spiral of violence and revenge through the underbelly of Los Angeles.
In the dawn of the Meiji period, the Gokumonjou, an inescapable prison, has been established in the middle of an enormous lake to counter the soaring crime rates the new era has brought. Serving as the ferrymen are the famous Kumou brothers: the eccentric family head, Tenka; the reckless but noble second son, Soramaru; and the guileless youngest, Chuutarou. In spite of their grim work, the three lead relatively peaceful lives in the ever-cloudy town of Oumi, together with their housekeeper, Shirasu Kinjou. But buried in the long history of Oumi is the legend of the terrifying “Orochi,” a serpentine beast that awakens every three hundred years in a human vessel. Unbeknownst to Soramaru and Chuutarou, the actual job of the Kumou family is to seal the Orochi away before it fully revives—or the world will be plunged into destruction. Amid the monster’s next resurrection, the Kumou family must find the resolve to keep laughing under the clouds.
A young college professor and his pregnant wife unwittingly release a malevolent entity with murderous intentions.
When a terrorist’s body, infected with a stolen chemical, is recovered by the US military, the corpse is cremated, unintentionally releasing the virus/bacteria into the atmosphere over a small island. Soon the infected populace mutate into flesh-hungry zombies, and a trio of soldiers on leave must team up with a group of tourists and board themselves up in an abandoned hotel as they try to fend off the agile and aggressive living dead.
A young girl’s brother comes home from the army, and brings an army buddy with him. The three of them go out that night to celebrate, and after much drinking has been done, the brother’s friend rapes the sister. After the two men have gone back, the girl finds that she’s pregnant–and discovers that her parents don’t blame the soldier, but blame her.
Performing art troupe members each face their own trials and tribulations in Chengdu; from escaping a family scandal to dealing with unrequited love, each experiences rejection that shapes their lives in this coming-of-age tale selected to play at the Toronto International Film Festival. Directed by Chinese helming legend Feng Xiaogang.
A prisoner in her own home, a captive in her own body. Assaulted and trapped with no one to hear her cries for help… and knowing no one will believe her if they do. This is the terrifying reality Alaina finds herself in when she moves in to the house her mother died in. At first she thinks it’s the loss of her mother that is haunting her, but she is soon shown it is something far more malicious and unrelenting. The spirit taunts her as it invades her body, mind, and soul, completely trapping her. Alaina has to fight for answers on what really happened to her mother if she has any hopes of survival. She must find a way to endure this monster who lives and breathes to rob her of her sanity as it demands a savage hold on her.
Wind From the East is a product of Jean-Luc Godard’s involvement, during the late 60s and early 70s, with a collective filmmaking experiment known as the Dziga Vertov Group. The film is, typically of the films he made during this period, about ideas and simultaneously about how best to express those ideas through the medium of film. The film deals with the situation of a strike and, during its first half, methodically analyzes the different components of the strike: the workers, the radical students who encourage the strike while not quite being able to communicate in the same terms as the workers, the union delegates and other middlemen who preach moderation and compromise, the employers who demand the immediate resumption of work, the police state that suppresses the strike on behalf of capitalism.
Harvey Milk was an outspoken human rights activist and one of the first openly gay U.S. politicians elected to public office; even after his assassination in 1978, he continues to inspire disenfranchised people around the world.
The story of the film centres around urban housewife Beverly Boyer (Doris Day) and her husband, a successful gynaecologist and devoted family man, Gerald (James Garner). Beverly is offered the opportunity to star for a television commercial advertising soap. After a shaky start, she gets a contract for $80,000 per year to appear on the weekly TV commercials.
Having spent 10 years in prison for nationalist activities, Shack Twala is finally ordered released by the South African Supreme Court but he finds himself almost immediately on the run after a run-in with the police. Assisted by his lawyer Rina Van Niekirk and visiting British engineer Jim Keogh, he heads for Capetown where he hopes to recover a stash of diamonds, meant to finance revolutionary activities, that he had entrusted to a dentist before his incarceration. Along the way, they are followed by Major Horn of the South African State security bureau and it becomes apparent that he has no intention of arresting them until they reach their final destination
Returning to themes he first explored in La strada (1954), Fellini crafts a parable on the whisperings of the soul that only madmen and vagabonds are capable of hearing. The odd couple, Ivo Salvini (Benigni), a fake inspector of wells, and Gonnella (Villaggio), a former prefect, wander through the Emilia-Romagna countryside of Fellini’s childhood and discover a dystopia of television commercials, fascism, beauty pageants, rock music, Catholicism, and pagan ritual.
During the 18th century, German noblewoman Sophia Frederica, who would later become Catherine the Great, travels to Moscow to marry the dimwitted Grand Duke Peter, the heir to the Russian throne. Their arranged marriage proves to be loveless, and Catherine takes many lovers, including the handsome Count Alexei, and bears a son. When the unstable Peter eventually ascends to the throne, Catherine plots to oust him from power.
Littlefoot and the gang meet a shy newcomer, Ali, but the pleasantries stop there. There’s a dire environmental theme to this third sequel in the series, in which the world’s weather changes beyond the Great Valley, and what had been dry land is now a “land of mists.” The shift brings new creatures who push out older inhabitants, and Littlefoot sees these radical changes for himself when he has to venture into the area to find a medicinal flower for his sick grandfather. While the animation is slow and contained the way direct-to-video cartoon releases often are, the story is sound and the now-familiar characters are memorable.
Alexander, a journalist, philosopher and retired actor, celebrates a birthday with friends and family when it is announced that nuclear war has begun.
A band of students comes to celebrate the New Year in an old manor house isolated from everything. But soon after their arrival, strange events disrupt the atmosphere, before the party turns squarely to the nightmare …
Li Ching is the Seventh Sister, an angel who comes down from heaven to see what life in Hong Kong is like. In Hong Kong, she runs into Zili(Chin Feng), a reincarnated version of her deceased lover, Dong Yong. Zili, with help from cook Uncle Bull(the warm, portly Peng Peng), do their best to watch over homeless kids in an run-down orphanage. However, a heartless tycoon named Xu Caifa wants the land where the orphanage is and he’s willing to go to extremes to get it. Armed with omnipotent powers, spirit, and help from her “celestial sisters”, Seventh Sister works to defend Zili, Uncle Bull, and the orphans from Xu Caifa.
British film, released in the United States as “Stop Me Before I Kill!”. A few hours after their wedding, international racing driver, Alan Colby and his new wife Denise, are involved in a horrific car crash. Alan’s physical injuries heal but the mental blackouts continue. Denise suggests a delayed honeymoon in the south of France and it is here that eminent psychiatrist, Dr. Prade, promises a complete treatment to cure Alan’s suffering. The couple accept his offer unaware that it comes from a mind more hideously disturbed and psychologically unbalanced than Alan’s.
Each year in the United States, unparalleled innovations in medical diagnostics, treatment, and technology hit the market. But when the same devices designed to save patients end up harming them, who is accountable?
Giant scorpions wreck havoc after being released due to volcanic activity
Beat Takeshi lives the busy and sometimes surreal life of a showbiz celebrity. One day he meets his blond lookalike named Kitano, a shy convenience store cashier, who, still an unknown actor, is waiting for his big break. After their paths cross, Kitano seems to begin hallucinating about becoming Beat.
Two U.S. Treasury (“T-men”) agents go undercover in Detroit, and then Los Angeles, in an attempt to break a U.S. currency counterfeiting ring.
Middle-aged widow Beatrice Hunsdorfer (Joanne Woodward) and her daughters Ruth (Roberta Wallach) and Matilda (Nell Potts) are struggling to survive in a society they barely understand. Beatrice dreams of opening an elegant tea room but does not have the wherewithal to achieve her lofty goal. Epileptic Ruth is a rebellious adolescent, while shy but highly intelligent and idealistic Matilda seeks solace in her pets and school projects, including one designed to show how small amounts of radium affect marigolds.
Two years ago reporter Kate Fisher’s interview with the man who turned out to be a serial killer sparked public outrage. Not believing that this man was in fact the September Slayer – led to another senseless murder. Had Kate turned over the interview to the authorities would Laura Rose still be alive? After losing her husband, her job and sense of self, she is now making a fresh start as a professor of ethics in the media. But someone out there can’t forget her past. Kate must figure out which one of her students wants her dead before it’s too late for her and her young son.
An anthology of various tales told in various styles with robots being the one common element among them.
Although he’s credited only for story, the dialogue has Fuller’s headline punch, and of course newspapering was an alternative universe he knew inside out. A publisher whose once-honest New York tabloid has been ideologically hijacked is aiming to make a course correction. Minutes after saying, “The power of the press is the freedom to tell the truth–it is not the freedom to twist the truth,” he’s a dead man. The rest of the movie deals with the efforts of his old friend, small-town newsman Guy Kibbee, to complete the paper’s redemption. Made in mid World War II, the picture angrily and explicitly likens homegrown demagoguery to Nazism–and its condemnation of media organizations “playing on the prejudices of stupid people” has acquired fresh relevance. Otto Kruger and Victor Jory (“a little Himmler”) supply the villainy, while Lee Tracy steps up to save the day as a casehardened yellow journalist named Griff.
A film adaptation of the novelette of the same title written by Dominik Tatarka depicts the life of a young generation of artists that was formed in Slovakia during the war. Anabella, a young and beautiful girl meets a group of artists. She awakens their erotic desires but also pure feelings of love; she becomes the object of their secret fantasies as well as their artistic inspiration. And it seems that the boundaries between reality and fantasy suddenly cease to exist.
After writing a tell-all book about her days in the dance troupe “Barry Nichols and Les Girls”, Sybil Wren is sued for libeling her fellow dancer Angele. A Rashômon style narrative presents the story from three points of view where Sybil accuses Angele of having an affair with Barry, while Angele insists that it was actually Sybil who was having the affair. Finally, Barry gives his side of the story.
A down-on-his-luck ex-GI finds himself framed for an armored car robbery. When he’s finally released for lack of evidence–after having been beaten up and tortured by the police–he sets out to discover who set him up, and why. The trail leads him into Mexico and a web of hired killers and corrupt cops.
IN PURSUIT OF SILENCE is a meditative exploration of silence and the impact of noise on our
lives. The film takes us on an immersive cinematic journey around the globe—from a traditional
tea ceremony in Kyoto, to the streets of Mumbai, the loudest city on the planet—and inspires us
to both experience silence and celebrate the wonders of our world.
Jesus Christ Superstar Live in Concert is an American musical television special that was broadcast live on NBC on April 1, 2018 (Easter Sunday). Executive produced by Craig Zadan, Neil Meron, Andrew Lloyd Webber, Tim Rice, and Marc Platt, it was a staged concert performance of the 1970 rock opera Jesus Christ Superstar. The live production included an on-camera audience of about 1,500 people. Some of these extras lined two sides of the stage and formed a mosh pit effect. The production was expected to utilize as many as twelve cameras to film the special. In addition, a full dress rehearsal performance took place on Saturday, March 31, 2018 in front of an invited audience and was recorded. In the event of any difficulties during the live broadcast, the recording served as an emergency backup. It was ultimately not needed.
Jake Speed (Wayne Crawford) is the lead character in some of the biggest page-turners of the 1940s. A chiseled, heroic action figure, Speed saves lives on paper, but when a young girl is kidnapped and her sister (Karen Kopins) begs the real-life Speed for help, he must find a way to be as gallant as the book hero whose creation he’s inspired. Accompanied by the victim’s sibling, Speed flies to Africa to see if he’s up to the task.
Heavily pregnant Lenore Davis tells her husband, Frank, that she is in labor. They leave their eleven year-old son Chris with their friend Charley and they head to the Community Hospital. Lenore feels that something is wrong and delivers a monster that kills the team in the delivery room and escapes through a skylight. Lieutenant Perkins comes to the hospital to investigate the murder and the press divulges the identity of the parents. Frank discovers a dark secret about Lenore and the baby.
Filmed February 23, 2018, aboard the USS Hornet, comedian Iliza Shlesinger brings an ‘elder millennial’ perspective to her audience. Recently engaged, she dives into undeniable truths about life at age 35. Looking back at the insanity of the road traveled and what’s to come, Iliza talks first apartments, a woman’s inner she dragon, peacock mating calls, and her newfound urge to squeeze a chubby baby leg.
Part jazz history, part true-crime tale, Kasper Collin’s new documentary employs extensive archival footage and new interviews to tell the tragic story of the magnificently talented trumpeter Lee Morgan and his common-law wife Helen, who murdered him in a New York bar in 1972.
