Director Paul Mazursky (Scenes From a Mall) takes a bite out of Hollywood with a hilarious look at the artistic sell-out. Starring Danny Aiello, Dyan Cannon Shelly Winters, Jerry Stiller, Chris Penn, and Ally Sheedy, this merciless comedy exposes the underside of themovie land commercialism with a crisp sense of humor, a knowing edge, and supporting cast boasting the talents of Clotilde Courau, Barry Miller, Little Richard, Spalding Gray, and a host of celebrity cameos. Harry Stone (Aiello) always dreamed of making “The Great American Movie.” Instead he made The Pickle – a teenage sci-fi flick about a flying cucumber. Harry just wanted to get out of debt;and now everyone he’s ever known, loved and neglected is standing in line for tickets. In the angst-filled hours before the lights go down for the New York premiere, his mother, children, agent, ex-wives and girlfriend lend their support in this high-pressure comedy. Harry has no choice but to pucker up and laugh along.

Back in Vietnam, Major Whittmar (Paul Gleason) sold out his comrades to save his own skin. Now, he’s a rich, ruthless land baron who’s getting richer by squeezing out or killing off his neighbors. But when he and his cronies murder a rancher who threatens to expose them, the man’s son, Will (Ken Olandt), swears vengeance.

A young girl travels to Cairo to visit her father, and becomes unwillingly involved with a bizarre sadomasochistic cult led by the charismatic Paul Chevalier, who is a descendant of the Marquis de Sade.

John Adams is a 2008 American television miniseries chronicling most of U.S. President John Adams’ political life and his role in the founding of the United States. Paul Giamatti portrays John Adams. The miniseries was directed by Tom Hooper. Kirk Ellis wrote the screenplay based on the book John Adams by David McCullough. The biopic of John Adams and the story of the first fifty years of the United States was broadcast in seven parts by HBO between March 16 and April 20, 2008. John Adams received widespread critical acclaim, and many prestigious awards. The show won four Golden Globe awards and thirteen Emmy awards, which is more than any other miniseries in history.

Wisconsin – birthplace of the Republican Party, government unions, cheeseheads and Paul Ryan – becomes a test market in the campaign to buy Democracy, and ground zero in the battle for the future of the GOP.

Mary Jane Paul is a one-woman-show: a successful TV news anchor, and an entirely self-sufficient powerhouse who remains devoted to a family that doesn’t share her motivation. Intense drama and unforgettable moments unfold as Mary Jane juggles her life, her relationships, her work, and commitments to her family.

Paul hasn’t connected with his girl for 10 years. But when her world is destroyed by an heinous act, he has to decide what’s more important: doing the right thing…or setting things right?

Paul left the police force after mistakenly killing his partner. Now he is a driver for rich guy who’s daughter is kidnapped. He will use his skills to save the girl but he will also uncover secrets the family was hiding for years.

When Paul, an unemployed writer, decides to rent and live in a house that’s rumored to be haunted, he puts his life and his relationships in grave danger as he obsessively attempts to get the story that will finally make his career.

The Jewish Cardinal tells the amazing true story of Jean-Marie Lustiger, the son of Polish-Jewish immigrants, who maintained his cultural identity as a Jew even after converting to Catholicism at a young age, and later joining the priesthood. Quickly rising within the ranks of the Church, Lustiger was appointed Archbishop of Paris by Pope John Paul II―and found a new platform to celebrate his dual identity as a Catholic Jew, earning him both friends and enemies from either group. When Carmelite nuns settle down to build a convent within the cursed walls of Auschwitz, Lustiger finds himself a mediator between the two communities―and he may be forced, at last, to choose his side.

A girl, Selinda, runs into her parents’ bedroom in the middle of the night, claiming that a strange man just climbed through her window. The event causes a commotion in the entire residential area where they live. Some immediately assume that the outsider running the convenience store is the perpetrator. Others doubt the girl’s story. In the midst of this drama, middle-aged Paul is trying to find his way back to his daughter, who is growing up, and away from him.

This documentary unveils previously unseen footage of Jimi Hendrix’s seminal performance at the 1970 Atlanta Pop Festival playing his greatest hits in front of 300,000 people. With interviews from Hendrix and his fellow musicians, including Paul McCartney and Mitch Mitchell, the insight they provide casts a new light into the musician’s personality and genius at the juncture of this important cultural gathering, hailed as the ‘Southern Woodstock’.

In the summer of 1969, Bernard, a Gaspesian fisherman’s son, arrive in Perce to fin work. He meets Paul, Jacques and Francis, Quebec Independence activists who have come to open the ‘Fisherman’s House’. They aim to organize public conferences and offer lodgings to young travelers. A motley crowd of Quebecers from all over the province soon flocks to Perce: artists, hippies, rockers, hitchhikers and the like shake local authorities. Bernard is won over by the trio’s ideas and gets increasingly involved in their project. The following year, the will join the Front de liberation du Quebec (FLQ) and play a pivotal role in the Summer Crisis 1969.

Paul is a sweet man-child, raised — and smothered — by his two eccentric aunts in Paris since the death of his parents when he was a toddler. Now thirty-three, he still does not speak. (He does express himself through colourful suits that would challenge any Wes Anderson character in nerd chic.) Paul’s aunts have only one dream for him: to win piano competitions. Although Paul practices dutifully, he remains unfulfilled until he submits to the interventions of his upstairs neighbour. Suitably named after the novelist, Madame Proust offers Paul a concoction that unlocks repressed memories from his childhood and awakens the most delightful of fantasies.

Tragedy strikes married couple Paul and Lily, when Lily’s father dies. Lily has her father cremated, brings the urn home and now Paul has to come to terms with the death of his father-in-law whom he had despised. The situation gets a bit frayed when the lid to the urn mysteriously disappears, and Paul begins to experience happenings no one else is aware of.

When Paul arrives at her family’s beach house, he draws the attention of nineteen-year-old Emma. There’s something off about the surprise visit of this handsome photographer from her mother’s past. Yet Emma, an aspiring writer chafing at her privileged confines, also finds herself intrigued. As her attraction to him grows, she makes unsettling discoveries and among his things finds violent Polaroids that plant dark ideas in her mind.

Paul has an attitude. He’s the kid you cross the road to avoid. The no-hoper you pray your children never become. But there’s more to Paul than meets the eye or the ear. A side that he only finds when he’s truly lost. Little Shit is a child’s journey to discover his and London’s hidden nature.

It is New Year’s weekend and the friends of Peter (Fry) gather at his newly inherited country house. Ten years ago, they all acted together in a Cambridge University student comedy troupe, but it’s less clear how much they have in common now.Peter’s friends are Andrew (Branagh), now a writer in Hollywood; married jingle writers Roger (Laurie) and Mary (Staunton); glamorous costume designer Sarah (Emmanuel); and eccentric Maggie (Thompson), who works in publishing. Cast in sharp relief to the university chums are Carol (Rudner), the American TV star wife of Andrew; and loutish Brian (Slattery), Sarah’s very recently acquired lover. Law plays Peter’s disapproving housekeeper, Vera; and Lowe, her son Paul. Briers appears in a cameo role as Peter’s father.

Paul Hogan plays Charlie McFarland and Shane Jacobson plays his estranged son, Boots. After a family tragedy Charlie and Boots try and put their differences aside and head off on the road trip of a lifetime – from regional Victoria to the Cape York Peninsula – they overcome many challenges to reach their dream – to fish off the northern most tip of Australia.

Trailer Park Boys: Don’t Legalize It is the third film in the Trailer Park Boys franchise, and a sequel to Trailer Park Boys: Countdown to Liquor Day (2009). In the film, Ricky (Robb Wells), Julian (John Paul Tremblay) and Bubbles (Mike Smith) attempt a series of get-rich-quick schemes after being released from prison, but are again pursued by former Sunnyvale Trailer Park supervisor Jim Lahey (John Dunsworth).

Lucky Bastard is a “found footage” thriller about a porn website run by Mike (Don McManus) that invites fans to have sex with porn stars. Jay Paulson plays Dave, an eager young fan given a chance to have sex with the fabulous Ashley Saint (Betsy Rue). But everyone gets more than they bargained for in the seemingly mild-mannered Dave… with gruesome results. The film is captured by the “Lucky Bastard” porn cameras for a fresh take on the “found footage” genre

A boating accident off the coast of Spain sends Paul and his girlfriend Barbara to the decrepit fishing village of Imboca. As night falls, people start to disappear and things not quite human start to appear. Paul is pursued by the entire town. Running for his life, he uncovers Imboca’s secret..they worship Dagon, a monstrous god of the sea…and Dagon’s unholy offspring are on the loose…

“Finding Joseph I” is a feature documentary chronicling the eccentric life and struggles of punk rock reggae singer, Paul “HR” Hudson, a.k.a. Joseph I, the legendary lead singer from Bad Brains.

Paulo, a young pianist, meets Ilir, a double-bass player originally from Albania. It’s love at first sight. Confronted by Anka, Paulo finds himself out on the street. Despite Ilir’s misgivings, Paulo moves in with him. One day, when Paulo promises that he will love Ilir for the rest of his life, Ilir leaves the city and doesn’t return. A few days later, Paulo finds out that Ilir is in jail, and the two lovers embark on an heart-breaking relationship.

Hailey Dean knows District Attorney Paulina D’Orazio is innocent of the murder of a man she once put behind bars and must do all she can to prove it in the face of mounting evidence.