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More money flows through the family courts, and into the hands of courthouse insiders, than in all other court systems in America combined – over $50 billion a year and growing. Through extensive research and interviews with the nation’s top divorce lawyers, mediators, judges, politicians, litigants and journalists, DIVORCE CORP. uncovers how children are torn from their homes, unlicensed custody evaluators extort money, and abusive judges play god with people’s lives while enriching their friends. This explosive documentary reveals the family courts as unregulated, extra-constitutional fiefdoms. Rather than assist victims of domestic crimes, these courts often precipitate them. And rather than help parents and children move on, as they are mandated to do, these courts – and their associates – drag out cases for years, sometimes decades, ultimately resulting in a rash of social ills, including home foreclosure, bankruptcy, suicide and violence.
Jason is stuck living in the shadows of his more successful wife (Busy Philipps) and two young kids. When debt threatens to destroy his family, he jump-starts his career, a move that sends him down of a rabbit hole of nefarious characters and sociopaths. Along the way, he must confront a pedophiliac movie star, a chauvinistic therapist, a trust-fund cokehead and a painful discussion about who his wife would marry if he died. Yet when Jason finally finds success he realizes there’s more to marriage than just paying the bills.
Meagan Mullen, freshly moved in her new home, keeps in touch with her friends and family through a video blog. As her entries (and her life) become more complex and emotional, strange things begin to happen in her room: and the camera captures all of it. Told primarily from the point of view of an ordinary wireless webcam, The Death of April documents the unsettling activity in an otherwise average girl’s bedroom – and the mysteries that surround it.
Despite a lack of obvious similarities between Siberia and Tokyo, a thriving model industry connects these distant regions. GIRL MODEL follows two protagonists involved in this industry: Ashley, a deeply ambivalent model scout who scours the Siberian countryside looking for fresh faces to send to the Japanese market, and one of her discoveries, Nadya, a thirteen year-old plucked from the Siberian countryside and dropped into the center of Tokyo with promises of a profitable career. After Ashley’s initial discovery of Nadya, the two rarely meet again, but their stories are inextricably bound. As Nadya’s optimism about rescuing her family from their financial difficulties grows, her dreams contrast against Ashley’s more jaded outlook about the industry’s corrosive influence.
Nearly 50 years ago, a mass murder was committed in the small Florida town of Arcadia. The victims were all children in the same family of African-American citrus pickers. Their father James Richardson was convicted of the crime and sentenced to death. More than 20 years and a series of unprecedented miracles followed in order to set him free. Now, in the present day, James Richardson travels back to Florida in the hopes of receiving a glimmer of justice from a State which took his life away. This is a story that has unfolded countless times in different ways in small towns across America.
A dysfunctional family of superheroes comes together to solve the mystery of their father’s death, the threat of the apocalypse and more.
Precocious young Harriet (Evan Rachel Wood) lives with her much older sister, Gwen (Mary Stuart Masterson), at a New Hampshire motel owned by their mother (Cathy Moriarty), and dreams of a life beyond her neglectful family and stultifying town. When Ricky (Kevin Bacon), a mentally disabled man, stays at the motel, Harriet finds him to be kinder and more interesting than anyone she has ever known before. After tragedy strikes, Harriet and Ricky cling to each other ever more tightly.
Stuart is a having a mid-life crisis. Desperate for something more in life, he tags along on his best friend’s family vacation to Paris – then proposes to his friend’s 24-year-old daughter, Rosalind, while standing under the Eiffel Tower.
Paris, in the early 1960s. Jean-Louis Joubert is a serious but uptight stockbroker, married to Suzanne, a starchy class-conscious woman and father of two arrogant teenage boys, currently in a boarding school. The affluent man lives a steady yet boring life. At least until, due to fortuitous circumstances, Maria, the charming new maid at the service of Jean-Louis’ family, makes him discover the servants’ quarter on the sixth floor of the luxury building he owns and lives in. There live a crowd of lively Spanish maids who will help Jean-Louis to open to a new civilization and a new approach of life. In their company – and more precisely in the company of beautiful Maria – Jean-Louis will gradually become another man, a better man.
Everyday teen hero Kim Possible and her best friend Ron Stoppable embark on their freshman year of high school, all while saving the world from evil villains. While Kim and Ron have always been one step ahead of their opponents, navigating the social hierarchy of high school is more challenging than the action-hero ever imagined. With Drakken and Shego lurking in the wings, Kim must rely on her family and Team Possible—Ron, tech-genius Wade, new friend Athena, and Rufus, a Naked mole-rat.
When Taryn, a Northern Irish runaway, finds herself in trouble in Ocean City, MD, she seeks refuge with her aunt and uncle in Baltimore. But Kim and Bill have problems of their own: they’re trying to handle the end of their marriage gracefully for the sake of their daughter Abby, just home from her first year of college. A story of family revelations, people finding each other and letting each other go, looking for love where they’ve found it before and, when that doesn’t work, figuring out where they might find it next.
Mathieu Roy’s L’Autre maison is an intimate and powerful family drama featuring three generations of great Quebec Actors. Marcel Sabourin plays Henri Bernard, an 86 year-old man with a failing grip on reality. His sons, a jet setting middle aged photo-journalist (Roy Dupuis) and a younger pilot-in-training (Emile Proulx-Cloutier) disagree on a course of action, leaving the father and the younger son inhabiting a rustic cottage in the woods. As the older man’s health deteriorates, options become more limited; when an IED accident in Afghanistan kills the photo-journalist’s translator, the family must come together like never before. Shot in Quebec, Iceland, Africa and Asia, Another House blends elements of memory, perception and lyricism into a remarkable cinematic mix that moves the story well beyond direct domestic issues into a visual realm that balances nature and humanity.
Stef Foster, a dedicated police officer, and her partner Lena Adams, a school vice principal, have built a close-knit, loving family with Stef’s biological son from a previous marriage, Brandon, and their adopted twins, Mariana and Jesus. Their lives are disrupted in unexpected ways when Lena meets Callie, a hardened teen with an abusive past who has spent her life in and out of foster homes. Lena and Stef welcome Callie and her brother, Jude, into their home thinking it’s just for a few weeks, until a more permanent placement can be found. But life has something else in store for the Fosters.
For centuries, the mysterious nighttime lives and uncanny hunting skills of owls have made them fascinating hallmarks of children’s stories and folk tales the world over. But what actually makes owls so special? Bird trainers Lloyd and Rose Buck and their very special family of owls, eagles, falcons, geese, pigeons, and two newly-hatched barn owls – Luna and Lily – provide a rare opportunity to learn more about these unique birds. Using the latest in camera technology, computer graphics, x-rays and super-sensitive microphones, we can take a brand new look at owls in more detail than ever before. The real stories behind how they hunt, how their vision and hearing works, and how they fly so silently are influencing 21st century technology and design.
The story of a family troupe of English actors who travel around the towns and villages in India giving performances of Shakespearean plays. Through their travels we see the changing face of India as the old is replaced by the new, Maharajas become hotel owners, sports become more important than culture and the theater is replaced by Bollywood movies. Based on the travels of Geoffrey Kendal with his daughter Felicity Kendal.
