Search
All grown up in post-apocalyptic 2018, John Connor must lead the resistance of humans against the increasingly dominating militaristic robots. But when Marcus Wright appears, his existence confuses the mission as Connor tries to determine whether Wright has come from the future or the past — and whether he’s friend or foe.
Battle-scarred and disillusioned by the war, Corporal Chris Merrimette is put in charge of a unit whose next mission is to resupply a remote outpost on the edge of Taliban-controlled territory. While driving through the hostile Helmand province, a Navy SEAL flags down their convoy and enlists the unit on an operation of international importance: they must help an Afghan woman famous for her defiance of the Taliban escape the country. Without tanks or air support, Merrimette and his team will need all the courage and firepower they can muster to fight their way across the war-torn country and shepherd the woman to safety.
Carl Allen has stumbled across a way to shake free of post-divorce blues and a dead-end job: embrace life and say yes to everything.
As a top student at St. Adeline’s Catholic Boarding School, Zoe senses that something is not quite right about the school’s new nun– a sense proven to be true when it is revealed the “good’ nun is an imposter with a fatal attraction to Zoe’s brother.
Sol, a bold fugitive lost in a dangerous post-apocalyptic desert world, searches for a missing woman named Catherine and her illusive captor, the Nomad King. With enemies at every turn, Sol’s only chance of finding Catherine is with the help of a rogue and mysterious wanderer, Cleo.
Six years ago, Robert Kenner, a mild mannered postman from Peckham, South London was struck by a meteor which bestowed him with super powers. Today, Bob is an overworked under-appreciated “civil servant” for the British government. He spends most waking hours saving people and filling out forms. There has been no time for anything else. Least of all love. But today he has a day off. And best of all, he has a date with the woman he once met at the library. Now all he has to do is act as if this isn’t the most exciting day of his life. Apparently that puts people off.
Lindsay is faced with a life-altering decision as Christmas approaches: Stay in her tiny hometown and marry boyfriend Jason or accept a coveted post teaching at an Ivy League college on the other side of the country. What to do? Fortunately for Lindsay, she has some big-time help in the form of a magical messenger who is able to transport her three years into the future to see how it would all turn out.
A lighthearted take on director Yasujiro Ozu’s perennial theme of the challenges of intergenerational relationships, Good Morning tells the story of two young boys who stop speaking in protest after their parents refuse to buy a television set. Ozu weaves a wealth of subtle gags through a family portrait as rich as those of his dramatic films, mocking the foibles of the adult world through the eyes of his child protagonists. Shot in stunning color and set in a suburb of Tokyo where housewives gossip about the neighbors’ new washing machine and unemployed husbands look for work as door-to-door salesmen, this charming comedy refashions Ozu’s own silent classic I Was Born, But . . . to gently satirize consumerism in postwar Japan.
In a dry and dusty post-apocalyptic world, two wayfarers wander aimlessly until Leif finds a copy of The Wonderful Wizard of Oz. Using the world around him to interpret what he reads, Leif allows the book to challenge the beliefs, friendship, and even the very survival of these two divergent travelers.
Nick Koenig, aka Hot Sugar, is in a hot mess. Considered a modern-day Mozart, the young electronic musician/producer records sounds from everyday life—from hanging up payphone receivers to Hurricane Sandy rain—and chops, loops and samples them into Grammy Award–nominated beats. He’s living the life every musician dreams of, complete with an internet-phenom girlfriend, rapper/singer “Kitty.” But when she dumps him, Hot Sugar is set adrift. Fleeing to Paris, he tries to regroup, searching for new sounds and a sense of self. Filmmaker Adam Lough mixes scenes of Hot Sugar at work on his vintage recording devices with surprising soul-searching reflections he offers to the camera. As tweets and posts about the broken couple blow up on the internet, Hot Sugar’s road trip presses onward, revealing even more exotic layers of the man and his music. Fun and flash, this lyrical journey offers audiences a fascinating peek into a modern artist’s creative process.
In a remote part of rural, post-apocalyptic England, now occupied by unseen alien invaders, a feisty teenage girl sets out on a desperate attempt to fight back a group of bandits and defend her parents’ farm, their remaining livestock, and the solar panels that keep them safe from extraterrestrials. If she doesn’t succeed, she will lose her only source of food and shelter; if she resists, she and her helpless blind sibling will be killed.
A ragtag group of gunslingers try to make their way in a post-apocalyptic world. The twist to this world is that it’s just not barren and dangerous, it’s also filled with flesh-eating zombies. The gunslingers will find themselves stranded in a town and forced to make a choice on either to save the citizens of the town or save themselves.
Alison Wynn is an amateur triathlete who convinces Dr. Laura Stevens, a controversial peak-performance trainer, to take her on as a client. Together they embark on a rigorous program combining cutting-edge physical training with experimental hypnotherapy in an effort to render Alison more competitive. Pushed to her limits and forced to explore the painful repressed memories of her mother’s suicide, Dr. Stevens’ punishing regimen helps Alison post impressive gains and break through her own glass ceiling; but at what cost? Alison’s work and family life with her husband and daughter suffer but no sacrifice seems too great to satisfy Laura’s escalating demands. In fact Laura will do whatever it takes to have Alison all to herself. As Alison runs directly into Laura’s sinister psychological trap, it’s up to Alison’s daughter to help her mother see through the deception before they lose her forever.
In the wastelands of post-apocalyptic England, two young brothers turn to cannibalism to survive, only to fall for their prey, a teenage girl… and possibly the last female left alive.
A young woman hired to cater the post-funeral gathering for accused killer Hank Boyd discovers his crimes and death may not be what they seem.
Heather and her friends have some devilish fun on the social website, ConnectMeNet. However, their amusement has come at the expense of a lonely and medicated half-wit, Jerry Tobin. After goading him into humiliating himself on camera in various cruel acts of depravity, they post the clips online for the world to see in a video titled “Revenge on a Creeper”. This ruins Jerry’s meager life and he disappears without a trace… Fast forward a year, and the tables are now turned when Jerry reemerges, off the antipsychotic medication that clouded his thoughts and kept his demons at bay. Now the girls are forced into a nightmarish fight for their lives!
A Miser Brothers’ Christmas is a sequel to the classic 1974 television special The Year Without a Santa Claus. The stop-motion animated special, produced by Warner Brothers Television Animation (owners of the post-1973 Rankin/Bass animated special library) and Toronto-based Cuppa Coffee Studios, premiered as part of ABC Family’s 25 Days of Christmas on December 13, 2008. Mickey Rooney reprised his role of Santa Claus, which originally debuted in the 1970 special Santa Claus is Comin’ to Town, while George S. Irving reprised his role as the Heat Miser. Original music was written by William K. Anderson, with the exception of “Snow Miser/Heat Miser”, which was written by Maury Laws and Jules Bass for the 1974 special. Eddie Guzelian (Lilo & Stitch 2: Stitch Has a Glitch) wrote the story and Dave Barton Thomas directed. The special was nominated for the 2008 Annie Award for Best Animated Television Production.
The new Thai film 1448 Love Among Us is a male-directed film about a lesbian couple. The movie poster contains the tagline “A girl-on-girl relationship is something men would never understand”. The story is reminiscent a female-made American TV movie If These Walls Could Talk 2, whose first part, titled 1961, starred Vanessa Redgrave and Marian Seldes. It should be noted that If These Walls Could Talk 2 never advertised itself as a story certain groups of people would never get.
A US Army officer had made a “friendly fire” mistake that was covered up and he was reassigned to a desk job. Later he was tasked to investigate a female chopper commander’s worthiness to be awarded the Medal of Honor posthumously. At first all seemed in order then he begins to notice inconsistencies between the testimonies of the witnesses….
The movie is a post-apocalyptic horror/science fiction film. the setting is in a near post apocalyptic future where a biological warfare program goes wrong, and turns most of humanity to mindless, murderous creatures.
When paleontologist Kate Lloyd travels to an isolated outpost in Antarctica for the expedition of a lifetime, she joins an international team that unearths a remarkable discovery. Their elation quickly turns to fear as they realize that their experiment has freed a mysterious being from its frozen prison. Paranoia spreads like an epidemic as a creature that can mimic anything it touches will pit human against human as it tries to survive and flourish in this spine-tingling thriller.
A small circle of friends suffering from post-collegiate blues must confront the hard truth about life, love and the pursuit of gainful employment. As they struggle to map out survival guides for the future, the Gen-X quartet soon begins to realize that reality isn’t all it’s cracked up to be.
In post-apocalyptic England, an American volunteer and a British survivor team up to fight off a brood of fire-breathing dragons seeking to return to global dominance after centuries of rest underground. The Brit — leading a clan of survivors to hunt down the King of the Dragons — has much at stake: His mother was killed by a dragon, but his love is still alive.
This bizarre surrealistic black comedy takes place in a small fictitious post-apocalyptic town where food is scarce and butcher Clapet has the macabre business of using human flesh to feed his customers. Yet when his daughter falls in love with his next slaughter victim things turn into chaos.
In 1879, during the Zulu wars, man of the people Lt. John Chard (Stanley Baker) and snooty Lt Gonville Bromhead (Michael Caine) were in charge of defending the isolated Natal outpost of Rorke’s Drift from tribal hordes, holding out during an Alamo-like siege until they are overwhelmed, losing the battle, but going down in history as heroes. 150 soldiers defended a supply station against some 4000 Zulus, aided by the Martini-Henry rifle “with some guts behind it”. In the hundred years since the Victoria Cross was created for valour and extreme courage beyond that normally expected of the British soldier in face of the enemy only 1344 have been awarded. Eleven of these were won by the defenders of the mission station at Rorke’s Drift, Natal, January 22nd to the 23rd 1879.
The latest battle in the eternal war between Good and Evil has come to New Jersey in the late, late 20th Century. Angels, demons, apostles and prophets (of a sort) walk among the cynics and innocents of America and duke it out for the fate of humankind.
The Color Of Noise The Color of Noise is a full length documentary about the Artist Haze XXL (Tom Hazelmyer) and his notorious record label, Amphetamine Reptile Records. Throughout the 80’s and 90’s the label would achieve almost cult like status for being adventurous and daring in the midst of a time where “safe” punk rock would rule the airwaves with a newly accepted style of music by the mainstream college goers, Grunge. Though with AmRep, not only a roster of the most outrageous performers would find a home, but also a legion of poster artists who broke all of the rules. Armed with a computer and an aesthetic of bold imagery, an artist would emerge in Hazelmyer. This is an American mid-west story about a man who created his own path, far from the norm and how he brought along with him countless others who would achieve greatness by sheer proximity and participation. This is the true American underground.
The world as we know it is gone. The few remaining survivors exist in a burnt out world of fear, pain and the undead. Two survivors, once friends, join together to make their way through the wasteland while hunted by bands of cannibalistic maulers, evil scientists and the hungry living dead at every turn. A unique and bizarre visual experience unlike any post-apocalyptic zombie film ever made.
In the run-up to the 1972 elections, Washington Post reporter Bob Woodward covers what seems to be a minor break-in at the Democratic Party National headquarters. He is surprised to find top lawyers already on the defense case, and the discovery of names and addresses of Republican fund organizers on the accused further arouses his suspicions. The editor of the Post is prepared to run with the story and assigns Woodward and Carl Bernstein to it. They find the trail leading higher and higher in the Republican Party, and eventually into the White House itself.
Three wealthy children’s parents are killed in a fire. When they are sent to a distant relative, they find out that he is plotting to kill them and seize their fortune. This movie is extremely alarming, an expression which here means “a thrilling misadventure involving three ingenious orphans and a villainous actor named Count Olaf (Jim Carrey) who wants their enormous fortune.” It includes a suspicious fire, delicious pasta, Jim Carrey, poorly behaved looches, Billy Connolly, an incredibly deadly viper, Meryl Streep, and the voice of an imposter named Jude Law.
Upon receiving reports of missing persons at Fort Spencer, a remote Army outpost on the Western frontier, Capt. John Boyd investigates. After arriving at his new post, Boyd and his regiment aid a wounded frontiersman who recounts a horrifying tale of a wagon train murdered by its supposed guide — a vicious U.S. Army colonel gone rogue. Fearing the worst, the regiment heads out into the wilderness to verify the gruesome claims
Meltdown, a Zombie/Comedy utilizing a stylistic mix of Shaun of the Dead and Mad Max, is an extension of the short that won Jake Mulliken and Lucky4Productions RAW Artists’ Pittsburgh Film Maker of the Year in November, 2013. The film follows Zeke (Robert McMurray), Callie (Alicia Marie Marcucci), Les (Seth Gontkovic) and Hunter (Jake Mulliken) on the eve of Hunter’s 29th birthday as they share in a few drinks on a seemingly dull day in their hometown of Somerset. The day takes a turn for the worse as everyone they have ever known are suddenly transformed into aggressively murderous flesh eating freaks. The four comrades are forced to hack and slash their way through the reanimated corpses of their closest friends and loved ones, only to find themselves on the precipice of a post apocalyptic wasteland littered with monsters and the looming threat of their fellow survivors.
Searching for a happy ending to a tale of unimaginable disaster and horror, nine strangers find themselves holed up together in a farmhouse cellar in rural Texas. The United States has hastily become embroiled in World War 3. A young doctor named Hunter survives the nuclear attack and is thrown together by happenstance with a group of wounded and frightened victims, including Elizabeth, a strong-willed confidant to Hunter, Brad – an antagonistic redneck jackass, and Jennifer, a barely coherent young woman suffering from severe post-traumatic stress. Together, they attempt to endure the devastating holocaust as they struggle with claustrophobia and conflicting personalities. In a makeshift shelter, Hunter and his dying companions wait for news from the government while fending off hunger, radiation sickness, and a horde of frightened and dying refugees
The story, set in 1875, follows a British officer (Heath Ledger) who resigns his post when he learns of his regiment’s plan to ship out to the Sudan for the conflict with the Mahdi. His friends and fiancée send him four white feathers which symbolize cowardice. To redeem his honor he disguises himself as an Arab and secretly saves the lives of those who branded him a coward.
King Henry II of England has trouble with the Church. When the Archbishop of Canterbury dies, he has a brilliant idea. Rather than appoint another pious cleric loyal to Rome and the Church, he will appoint his old drinking and wenching buddy, Thomas Becket, technically a deacon of the church, to the post. Unfortunately, Becket takes the job seriously and provides abler opposition to Henry.
Shankar (Mahesh Babu) is an orphan who is adopted by a sincere police officer (Rajendra Prasad). But he is forced to leave and become a cop on his own. Shankar is a powerful police officer who uses unconventional methods to bring criminals to justice. He is posted to a village where Damodhar (Sonusood) is building a power plant, which is fiercely opposed by the locals. Shankar finds a personal connection after going to the village. Rest of the story is all about how Shankar sets everything right.
