Ben is a young bisexual man. He comes out to the world and develops an intense relationship with Sam, a man of color struggling with deep wounds of his own. As the summer progresses and their intimacy grows, Ben’s past crawls to the surface.

At 19, passionate about street art, Naëlle (Najaa Bensaid) is forced to follow a reintegration project with other young people, her last chance to avoid being separated from her loved ones. Touched by the young girl, Hélène (Agnès Jaoui), the site manager and her instructor, introduces her one day to the Maison des Compagnons de Nantes, a world of traditions that promotes craftsmanship excellence and transmission between generations. Alongside Paul (Pio Marmai), a companion stained glass artist who agrees to take her for training in his studio, Naëlle discovers a universe with codes very different from hers that could give new meaning despite her difficulties in life. Naëlle will carve a place for herself in the fascinating world of stained glass and will realize that the Companions’ values are not just empty words.

Sam, who after his motorcycle is damaged in an apparent crash into the ocean, becomes stranded in a small New England town, finds refuge at a run-down motel managed by Kate, a similarly burnt-out, lost soul. The mystery around Sam’s presence in town unravels when it’s discovered that his estranged daughter Audrey lives there – the daughter he hasn’t seen her in 25 years. As he tries to bridge the gap between the little girl he left long ago and the woman who grew up without her father, Sam learns he was never cut-out to be emotionally connected to anyone – unless he falls in love with another soul just as lonesome.

James is out of jail, and is looking for Darnell to get a piece of his lottery winnings, but Darnell feels differently. Now enemies, they both find themselves fighting the battle to stay alive, but the death of a close friend changes everything.

A hero policeman shunted to a punishment posting as the Dean of the police academy decides to punish the corrupt bureaucracy and its criminal allies in return by training five lethal assassin policemen.

The year is 2085 and no human babies have been born in over a decade. A group of disparate survivors respond to a call to meet in Athens, where the film’s narrator Jo, a boy of African descent, aims to make the world’s last film.

In the throes of a zombie apocalypse, A troubled woman from Las Vegas with a dark past, finds herself stranded in the desert with a lone and ravenous zombie on her tail.

Renn Wheeland returns home to Cleveland for his mother’s funeral. Once there, he forges new relationships while healing old ones, before confronting his problems and trying to face his grief.

The men of a small town on the edge of nowhere mysteriously disappear, one by one, leaving women and children behind to fend for themselves in a desolate and dreamlike world.

After the end of WWII, a young Lithuanian woman and a young Italian man from Stromboli impulsively marry, but married life on the island is more demanding than she can accept.

A successful businessman whose destiny leads him to a secluded Swiss chalet where his life is put on trial by a group of retired law professionals. The men assemble to analyze Sordi’s rise to power and his increasingly immoral behavior as he attained success, and the warped perceptions of right and wrong he has adopted to remain successful.

Based on true events, “Lady of Guadalupe” is a moving religious discovery juxtaposing folklore and the present day. Historically significant recreations are used to illustrate the origin of her prevalent and powerful symbolism of Mexican identity and faith. When a young and ambitious reporter (Guillermo Iván) is assigned an article on faith, he finds himself enmeshed in the legend of Juan Diego and Our Lady of Guadalupe. Skeptical of miracles and the importance of modern-day Christianity, the reporter’s investigation takes him from cynic to true believer as his personal limits are tested.