A recovering alcoholic and jazz pianist in NYC confronts his acerbic family during their annual Fourth of July vacation.
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The year is 1879. Gunfighters from the far reaches of the globe descend on Religion, AZ to compete in a legendary poker tournament. Drawn by the gold prize, the players come to realize that in this game, their very souls are at stake.
Trailer Park Boys: Don’t Legalize It is the third film in the Trailer Park Boys franchise, and a sequel to Trailer Park Boys: Countdown to Liquor Day (2009). In the film, Ricky (Robb Wells), Julian (John Paul Tremblay) and Bubbles (Mike Smith) attempt a series of get-rich-quick schemes after being released from prison, but are again pursued by former Sunnyvale Trailer Park supervisor Jim Lahey (John Dunsworth).
A love story, portraying the dilemmas and inevitable consequences of ambition. It is a film about a woman’s fight for independence, a woman trying to succeed with her own art in the extremely competitive world of dance.
Perfectionist Nandi seems to have the New South African Dream life within her grasp, black female partner in a major firm, marriage, the perfect house – but it all goes up in flames a few months before the wedding. With her friends Zaza and Princess, Nandi will have to find out what truly makes her happy and then fight to get it.
When a self-destructive teenager is suspended from school and asked to look after his feisty alcoholic grandmother as a punishment, the crazy time they spend together turns his life around.
Jenna Davis, a single working mother, wakes up at home to discover she’s delivered a stillborn baby girl. Is the child a victim of a cunning prenatal nurse who no one remembers seeing or is she the victim of her mother’s own fractured psyche?
In order to save her son’s life, Ana embarks on a quest to find a powerful stone from the Zone of Silence, located in Mexico. Someone finds out the power the stone possesses and believes it is a power worth killing for.
Mickey, who happens to be a werewolf and a crime boss, gets all worked up and hairy during a private dance at a strip club. Justice, the dancer, grabs the nearest weapon and lands a fatal blow: her silver fountain pen right through Mickey’s wolfed-out eye. This ignites a small-scale war between Mickey’s group of werewolf mobsters and the sultry strippers of Vixens.
O-bok’s eldest daughter is about to get married to an educated, well-off young man, but she’s far from happy. It’s not just hot weather, hot flushes, her daughters’ materialism, her mother’s dementia, her husband’s drinking, or the impending gentrification of the food market where she sells fish – although all of that will push her to take a stand. After trying to cover it up, O-bok reveals to her daughter that she was raped by a fellow stallholder, the man organising the traders against their landlords. Increasingly furious, O-bok eschews the useless police to pursue her own justice, even if it means a physical fight.
When inexperienced criminal Ben holds up a small-town restaurant, the poorly-planned robbery spirals into a hostage crisis beyond his control. Trapped inside with him is his girlfriend, manager Adie Graham, a cunning sociopath who masterminded the theft to cover up evidence of her embezzlement. As Ben tries to keep her involvement a secret whilst negotiating with the police, Adie plays a dangerous game of deceit and manipulation, willing to do anything and everything to come out on top – no matter who gets hurt.
December 1897, Paris. Edmond Rostand is not yet thirty but already two children and a lot of anxieties. He has not written anything for two years. In desperation, he offers the great Constant Coquelin a new play, a heroic comedy, in verse, for the holidays. Only concern: it is not written yet. Ignoring the whims of actresses, the demands of his Corsican producers, the jealousy of his wife, the stories of his best friend’s heart and the lack of enthusiasm of all those around him, Edmond starts writing this piece which nobody believes. For now, he has only the title: “Cyrano de Bergerac”.
