To celebrate their engagement, Thea takes Jashan home — but his Indian roots and her family’s Norwegian traditions clash in a chaotic Christmas.
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After a casual acquaintance, rookie actor Su Xingyu and assistant Tian Xin separate. Five years later, they meet again as successful individuals. They both share similar feelings in the workforce and in their personal lives. However, Su Xingyu’s idol identity means that their relationship must be kept in the shadows, and their love is tested.
Simple conversations engender complicated human interactions. The first in Eric Rohmer’s Four Seasons series, Conte de printemps (A Tale In Springtime) is the story of an introverted young girl (Florence Darel) just reaching adulthood who takes a liking to an older woman she meets at a party (Anne Teyssedre) and determines to match her off with her father (Hugues Quester), despite the latter’s already having a lover of his own. There is a certain absurdity to this, apparent to both adults, who though both reluctantly attracted to each other resent Darel’s attempts at matchmaking. Nevertheless, both of them are intelligent enough to understand that there is no ‘proper’ way to meet, and are alive to the possibilities that life brings them. Darel, for her part, is a persistent catalyst. As with all Rohmer films, the stage is set, in an age of increasing impermanence and uncertainty in human relationships, for a series of minimalist reflections on love and life.
A-Gu enlists a group of contract killers in the disguise of laundry service. One of them, code-named “No.1 Qingtian Street”, is haunted by the ghosts of his victims. He seeks help from Lin Hsiang, a psychic.
People say the true love lasts longer than life, but they don’t mean it, and they are right: love ends when life does, except if it isn’t.
When Jo realizes that her family’s general store in Daisy Hills is losing money, her father Duke calls in a favor to help. Duke’s help is Jo’s ex-boyfriend, Blake, former Daisy Hills native.
A sleepy English village is invaded by the cast and crew of a new zombie horror film, but the horror turns real when someone or something starts tearing villagers, cast and crew to shreds.
Anna is stuck: she’s approaching 30 and has just moved back to her rural home-town, and into a shed in her mother’s backyard. She spends her time working a menial job at a local boating center and hides in the depths of her imagination, making movies with her thumbs. Irritated by her childish behavior, Anna’s mother insists that she move out of her shed and on with her life. When a troubled young boy starts hanging around, the two form an unlikely bond. Through their strange yet mutually beneficial friendship, Anna slowly begins to confront her perpetual state of arrested development.
A single mother living in inner city Chicago, Brenda has been struggling for years to make ends meet and keep her three kids off the street.But when she’s laid off with no warning, she starts losing hope for the first time – until a letter arrives announcing the death of a father she’s never met.Desperate for any kind of help, Brenda takes her family to Georgia for the funeral. But nothing could have prepared her for the Browns, her father’s fun-loving, crass Southern clan. In a small-town world full of long afternoons and country fairs, Brenda struggles to get to know the family she never knew existed…and finds a brand new romance that just might change her life.The story is adapted by Tyler Perry from his stage play “Meet the Browns.” Perry will portray Madea and Uncle Joe in the film.
A superintendent of a school district works for the betterment of the student’s education while embezzling public funds to live the life he wants.
Babi discovers a betrayal by her long-term partner and decides to embark on a new adventure in life. On this journey, she meets judge Marco and they begin to live a story permeated by a lot of sexual tension.
