A sleepy English village is invaded by the cast and crew of a new zombie horror film, but the horror turns real when someone or something starts tearing villagers, cast and crew to shreds.
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In 1700s Austria, a witch-hunter’s apprentice has doubts about the righteousness of witch-hunting when he witnesses the brutality, the injustice, the falsehood, the torture and the arbitrary killing that go with the job.
Four college students take possession of a 15th-century Celtic artifact and resurrect the legend of Archaon. Haunting those who dare summon the evil spirit by putting on the mask, one by one they are tormented in the realm of in-between.
Remy, a seemingly naive and devout young woman, finds herself cast out from her religious cult. With no place to turn, she immerses herself into the underground world of truck stop sex workers. Under the watchful eye of their matriarch and an enigmatic local lawman, Remy navigates between her strained belief system and the code to find her true calling in life.
A young playboy who learns he has one month until he becomes infertile sets out to procreate as much as possible.
A magic spell reunites a recently dumped woman with the wrong ex-boyfriend.
Through round after round of extensive plastic surgery and vigorous maintenance, Ririko has become the absolute manifestation of beauty, and becomes a wildly successful model, actress, and singer. However, soon, her body, unable to withstand the burdens of surgery, begins to crumble, and along with it so does her mind, as she plummets towards a frightening and inevitable end.
Simple conversations engender complicated human interactions. The first in Eric Rohmer’s Four Seasons series, Conte de printemps (A Tale In Springtime) is the story of an introverted young girl (Florence Darel) just reaching adulthood who takes a liking to an older woman she meets at a party (Anne Teyssedre) and determines to match her off with her father (Hugues Quester), despite the latter’s already having a lover of his own. There is a certain absurdity to this, apparent to both adults, who though both reluctantly attracted to each other resent Darel’s attempts at matchmaking. Nevertheless, both of them are intelligent enough to understand that there is no ‘proper’ way to meet, and are alive to the possibilities that life brings them. Darel, for her part, is a persistent catalyst. As with all Rohmer films, the stage is set, in an age of increasing impermanence and uncertainty in human relationships, for a series of minimalist reflections on love and life.
Ben, a struggling filmmaker, lives in Berkeley, California, with his girlfriend, Miko, who works for a local Asian American film festival. When he’s not managing an arthouse movie theater as his day job, Ben spends his time obsessing over unavailable blonde women, watching Criterion Collection DVDs, and eating in diners with his best friend Alice, a queer grad student with a serial dating habit. When Miko moves to New York for an internship, Ben is left to his own devices, and begins to explore what he thinks he might want.
At their annual 1/2 New Year Party, relationships are tested among a group of friends.
Waxing nostalgic about the bittersweet passage from childhood to puberty in this tender coming-of-age tale, four childhood girlfriends — Teeny, Chrissy, Samantha and Roberta — recall the magical summer of 1970. During their walk down memory lane, they reconcile experiences with boys, secrets, bullies and more.
Dooley, a cop wrongly sacked for corruption, teams up with a useless defence lawyer in their new careers… as security guards. When the two are made fall guys for a robbery at a location they are guarding, the pair begin to investigate corruption within the company and their union. They soon make enemies of everyone, but can the unlikely duo save the day?
