Kenny Wells, a modern-day prospector, hustler, and dreamer, is desperate for a lucky break. Left with few options, Wells teams up with an equally luckless geologist to execute a grandiose, last-ditch effort: to find gold deep in the uncharted jungle of Indonesia.

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A government program is trying to entice women to go to a remote island and become companions to war-scarred soldiers.

Lúcia is a lawyer that works to help women whose the father of the relationship deny the paternity. A job she is very keen about since she doesn’t know who her father is.

A mostly-deserted island, which is believed to be the home to the fountain of youth, is off the coast of Florida. The island gets some visitors in the form of a teenage boy band, “the Wild Ones”, and their gang of swimsuit-clad young people, who head there in a crowded powerboat ostensibly for a scavenger hunt.

The fiancé of an African-American woman who’s met with skepticism and suspicion from her father when she takes him home for the all-important introduction. As the wedding approaches, Dad must come to terms with his future son-in-law.

Jake is a driver for a seedy escort service operating out of ‘The Naked Eye strip club’, he’s a street thug type who falls for a witty high-class escort named Sandy. Except one night Sandy is found murdered, the only clues left behind are cell phone calls made the night she died. To avenge Sandy’s death Jake must risk everything and walk a bloody path to find her killer.

A recovering alcoholic and jazz pianist in NYC confronts his acerbic family during their annual Fourth of July vacation.

Set in 1952, as England prepares for the coronation, The Scapegoat tells the story of two very different men who have one thing in common – a face.

In the wake of Pearl Harbor, a young lieutenant leaves his expectant wife to volunteer for a secret bombing mission which will take the war to the Japanese homeland.

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Mozart’s Marriage of Figaro is a comedy whose dark undertones explore the blurred boundaries between dying feudalism and emerging Enlightenment. Herman Prey’s Figaro is admirably sung in a firm baritone and aptly characterized. So too, is his antagonist, Dietrich Fischer-Dieskau as the Count perpetually frustrated by the scheming wiles of Figaro and Susanna, here the perky Mirella Freni, who sings and acts like a dream. The Countess is creamy-voiced Kiri Te Kanawa, and the Cherubino, Maria Ewing, looks just like the horny, teenaged page she’s supposed to be. The all-star leads are complemented by worthy supporting singers, the Vienna Philharmonic at the top of its form, and the experienced Mozartian, Karl Böhm conducting a stylishly fleet performance.