A bored insurance salesman quits his job to go into politics. He first starts preaching about how man is greater than he thinks and that man can live forever. He ends up forming his own political party, “The Eternal Man” party. He begins to be referred to as “God”. Then he starts having doubts about the eternalness of man.
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Song Yeon-Hwa, a reporter of a weekly entertainment magazine, is 27 years old. Though she is almost kissed by her boy friend several times, she has refused without particular reasons. Then she lost her boy friend. Now knowing her shilly-shally is the reason of her lost love, Song Yeon-Hwa loses daily rhythm all in a furry. One day Han Kyeong-Hyeon, who seems to be a playboy, came to work with her as a photographer. Seating next seat Kyeong-Hyeon nags her chattering all kinds of things and wedging in every occasion. Yeon-Hwa, who suffers from aftermath of lost love, submits resignation with a burst due to nagging and scolding of editor-in-chief.
Abandoned by his father, a young boy is left in the hands of an unqualified childcare provider.
Sasha is a young vampire with a serious problem: she’s too sensitive to kill. When her exasperated parents cut off her blood supply, Sasha’s life is in jeopardy. Luckily, she meets Paul, a lonely teenager with suicidal tendencies who is willing to give his life to save hers. But their friendly agreement soon becomes a nocturnal quest to fulfill Paul’s last wishes before day breaks.
Simultaneously, a retired couple overwhelmed by debt tries to win a dance contest, as the minister of economy is suspected of tax evasion, and a teenage girl encounters a sexual maniac, while a young lawyer attempts to climb the social ladder. When the shoe drops, the winner won’t necessarily be the one we expected.
When a hard-working single mother, Sara Diaz, has her children taken from her after she is suspected of injuring her son, Ally Fisher, a recent law school graduate, is assigned to represent her case before Judge Martha Schulman, a veteran of the Family Court System.
José Ferrer won the Oscar for Best Actor for his portayal of the swordsman-poet using his silver tongue to woo the woman he loves for another man. Cyrano de Bergerac is a play written in 1897 by Edmond Rostand. Although there was a real Cyrano de Bergerac, the play is a fictionalization of his life that follows the broad outlines of it. The entire play is written in verse, in rhyming couplets of twelve syllables per line, very close to the Alexandrine format, but the verses sometimes lack a caesura. It is also meticulously researched, down to the names of the members of the Académie française and the dames précieuses glimpsed before the performance in the first scene. The play has been translated and performed many times, and is responsible for introducing the word “panache” into the English language.
Kilian is a young man who has never left the mountains of Huesca which saw him grow up. In 1953 he will travel to the exotic island of Fernando Poo to work in a cacao field alongside his father and his brother. During 20 years in this island he will undertake a journey towards maturity and knowledge, but will also have to deal with pain and loss.
A man coping with the institutionalization of his wife because of Alzheimer’s disease faces an epiphany when she transfers her affections to another man, a wheel chair-bound mute who also is a patient at the nursing home.
This “Best Fiction Film Winner”* follows Valentine, a female assassin who is trapped in a room with one of her marks during the last few minutes of his life. The moment changes her own life as she vows to give up the business and seek redemption by finding the son of the man she has killed. But once in the small desert town of “Godfree”, which may or may not be stranger than the world she has just left, her old life returns to haunt her. Convinced she has joined forces with an elusive ex-assassin named “Cupid”, her former comrades hunt her down and soon discover that some things are not what they appear…. *Hollywood Documentary And Fiction Film Festival (2006)
Quite by accident, a film director arrives in town a day early. With time to kill before his lecture, he stops by a restored palace and meets a fledgling artist. She’s never seen any of his films, but knows he’s famous. They talk, they go to her workshop to look at her paintings, and they have sushi and soju. More conversation follows, along with more drinks, and then an awkward get-together with friends where all sorts of secrets are revealed. All the while, they may or may not be falling for each other. Then, quite unexpectedly, we begin again, but now things appear somewhat different. An uncanny romantic comedy, RIGHT NOW, WRONG THEN is a deliciously intricate masterwork from filmmaker Hong Sangsoo.