Abandoned by his father, a young boy is left in the hands of an unqualified childcare provider.
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Having faithfully served his South Melbourne parish for nearly four decades, the cantankerous, controversial Catholic provocateur affectionately called Father Bob is well known and loved, as much for his incorrigible media savvy and battles with Church hierarchy as for his staunch advocacy on behalf of the disadvantaged and disenfranchised. In Bob We Trust goes behind the scenes with Bob, documenting his everyday trials during one of the most turbulent times in his career: his forced retirement and eviction from the church he called home for 38 years.
A doctor takes in a mysterious man who washes ashore at her remote cottage with a gunshot wound. Quickly they both learn the killer has arrived to finish the job, while a storm has cut them off from the mainland.
Alice hires a professional negotiator to obtain the release of her engineer husband, who has been kidnapped by anti-government guerrillas in South America.
This is a film about a troubled teen, Sean Randall, who is falsely accused of planning a Columbine shooting scenario. It all begins when an unlikely bond forms between Sean (Connor Jessup) and a preppy teenage girl named Deanna Roy (Alexia Fast). Deanna’s boyfriend is deeply threatened by Sean and Deanna’s friendship, resulting in a violent confrontation. Seeking to protect himself, Sean issues a death threat online – and is swiftly arrested. When the police raid Sean’s home, they find rifles, shotguns, knives and ammunition – all property of Sean’s father Ricky (Michael Buie), an avid hunter. They also find a supposed “hit list” with twenty names of people who have tormented Sean. The authorities and the media proclaim another Columbine has been narrowly averted, and soon Sean faces a terrifying imprisonment in a youth detention facility. Sean’s only hope is to overcome his dark image, and prove his innocence to Deanna and to his community.
Here and There (Serbian: Tamo i ovde) is a Serbian film which was premiered at the Belgrade Film Festival FEST 2009. Here and There follows two interconnected stories on two different continents. Robert (Thornton), a depressed New Yorker, tries to make quick cash and ends up in Serbia, where instead of money he finds his soul. At the same time, a young Serbian immigrant, Branko (Trifunović), struggles in an unforgiving New York, desperately trying to bring his girlfriend from Serbia to the United States. Mirijana Karanović plays Branko’s mother.
Josh wakes each day to a series of Hells. Between uncaring parents and bullying at school he has little to live for. After a brutal event and ensuing humiliation of an online video, Josh and his friends decide to take revenge by staging a massacre at the homecoming dance. Searching for weapons, they find a man who perpetuates a far more murderous darkness than even their plot might suggest. Trapped in his lair, and finding a kidnapped girl from the opposite clique, the boys learn a lot about each other’s character and their own. Even if Josh can rescue the captive cheerleader, he must still lead them both out in time to stop his friend from completing the pact to massacre their school. An American Terror is an explosive and surprising modern day horror mash-up. Totally and relentlessly disquieting – great atmosphere and sound and perfectly gruesome.
Loving wife & mother Sarah is abducted by intelligent and forensically aware psychopath Nigel. The family and the police are subjected to a manipulation of the reality that surrounds them. Relating to the darkest side of the human character Flowerman also connects with both a spiritual aspect and a basic drive for survival.
Grand Prix driver Pete Aron is fired by his team after a crash at Monaco that injures his teammate, Scott Stoddard. While Stoddard struggles to recover, Aron begins to drive for another team, and starts dating Stoddard’s wife.
With no clue how he came to be imprisoned, drugged and tortured for 15 years, a desperate businessman seeks revenge on his captors.
It’s 1348. The plague has brutally hit Florence. A group of then young people, seven women and three men, rebel against the feeling of death that is about to swallow them. They flee the city and find refuge in an abandoned villa in the Tuscan hills. Here, between moral doubts and the tasks needed to survive, they kill time by telling each other stories until they will decide to return. The stories are varied – tragic, bizarre, funny or erotic – but common and central to all of them is the female presence.