Neddy Merrill has been away for most of the summer. He reappears at a friend’s pool. As they talk, someone notices that there are pools spanning the entire valley. He decided to jog from pool to pool to swim the whole valley. As he stops in each pool his interactions tell his life story.
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Anna’s story takes place on Åland Island in 1666, during the beginning of the most widespread and systematic witch-hunts in Scandinavian history. In all, 16 women were convicted of being in league with the devil, and seven of them were executed. For Judge Psilander, who has mastered the newest witch theories of the time, the trials are meant to cleanse the island of superstition, to have science and common sense prevail. The main character, the intelligent and stubborn Anna, gets an intimate view of the events, having just started working as a maid in the judge’s house. To Anna’s misfortune, she falls intensely in love with her friend Rakel’s husband Elias, but his infatuation with her quickly fades. A hurt and jealous Anna decides to get revenge and falsely reports Rakel to Judge Psilander. It’s only when Rakel is arrested, and things get out of hand, that Anna realizes the gravity of her doings.
At the discovery of his ability to work miracles, Juvenal becomes a media sensation, but now he’s prone to those who want to exploit him.
is a story about elite high school seniors, the top 1%, who are prepared to go to extremes to get into prestigious universities. A student who has ranked number one at an esteemed school dies in a remote mountain. Finding out why and the ultimate impact of his death make up the bulk of this thriller’s elaborate narrative, whose shocking conclusion could lead us to comment, “We’ve seen a devil.” Despite a structure that freely weaves together past and present, and a cast of appealing actors including Lee David, Gung Jun and Kim Kkot-bi, the most remarkable thing about the film is the theme itself. It touches on and raises the critical issue of the demands of Korea’s education system, which are becoming more extreme and competitive by the day.
Young Kinu Yamabe is drawn to low-born Onimaru, who is vital and charismatic, but viewed by his father as a demon. After her first period, Kinu suffers the fate of any women born near the Sacred Mountain: she must leave the Mountain and serve as a priestess.
The story of Rudy Ray Moore, who created the iconic big screen pimp character Dolemite in the 1970s.
A young woman is falsely convicted of a bank robbery and sent to a maximum-security prison run by a corrupt warden, where she is forced to suffer various indignities.
Love for the same woman causes conflict between an over-achieving blind athlete and the brother who made him that way.
In a futuristic city sharply divided between the working class and the city planners, the son of the city’s mastermind falls in love with a working class prophet who predicts the coming of a savior to mediate their differences.
Jack Sparks is a story junkie, desperate to find the untold story. He is a reporter for his public access TV program “The Untold Story” on cable, channel 23, for his native fish town neighbourhood. He has collected millions of stories over his career but he is still looking for that one story that will launch his career. Jack keeps to himself working day and night on his dream. But when Jack receives an anonymous tip on “the really big untold story,” he jumps at the opportunity to investigate, and breaks out of his normal routine. He discovers this band called Steve Phoenix. Soon he finds himself going deep undercover with this local band (played, ironically, by local rock band Steve Phoenix). But that’s not the real story…
Opening in the seductive style of the sixties, »A Funny Man« uncovers the perennial loneliness that comedian Dirch Passer (Nikolaj Lie Kaas) has found himself in after a fast-tracked rise to fame. He struggles between his own desire to gain critical respect and servicing the audience¿s needs. Costing his kindred friendship to on-stage partner Kjeld Petersen (Lars Ranthe) Dirch takes on Steinbeck’s classic »Of Mice and Men«, only for the audience to break out in laughter at his first line. Dirch’s Lennie becomes a running joke, and so has, Dirch believes, his own life.