Directed by Gabriel Sabloff.
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In this modern take on Charles Dickens’ “A Christmas Carol,” Frank Cross (Bill Murray) is a wildly successful television executive whose cold ambition and curmudgeonly nature has driven away the love of his life, Claire Phillips (Karen Allen). But after firing a staff member, Eliot Loudermilk (Bobcat Goldthwait), on Christmas Eve, Frank is visited by a series of ghosts who give him a chance to re-evaluate his actions and right the wrongs of his past.
Following the death of his mother, J finds himself living with his estranged family, under the watchful eye of his doting grandmother, Smurf, mother to the Cody boys. J quickly comes to believe that he is a player in this world. But, as he soon discovers, this world is far larger and more menacing than he could ever imagine. J finds himself at the center of a cold-blooded revenge plot that turns the family upside down.
An eleven year-old girl’s unconventional yet deeply loving relationship with her mother is harshly broken. Along her journey, including her quest to discover her father, she learns how to embrace every moment with determination and unrelenting self-confidence.
After a tragic accident, a firefighter must convince the city commissioner he’s able to return to the line of duty.
When Mira’s April Fool’s Day tricks materialize, she finds herself promoted to the perfect job, dating the perfect man and living in the perfect home. Mira’s newly upgraded life even involves working with her CEO and her good friend, on a coveted work project. When these seemingly positive changes result in big challenges, Mira realizes that the pursuit of perfection is a fool’s errand. In order to achieve a life that’s perfect for her, Mira must let go of perfection and chase what brings her true happiness.
It’s a classic case of opposite attraction: Handsome Ben Bennet (Ethan Sharrett) is a gay, affluent, stylish attorney at the top of the genteel social set in southern Virginia, while Lee Darcy (Chase Conner) is a rough-hewn welder with a secret that he nightly tries to blot out with an excess of liquor.
Nobuto Urita is a boxer, who loves his sport more than anything. No matter how hard he tries, Nobuto Urita keeps losing his matches. Meanwhile, Kazuki Ogawa spars with Nobuto Urita at the same gym. He is a boxer with elite talent and skills. Unlike Nobuto Urita, Kazuki Ogawa will likely win a championship. Kazuki Ogawa is also engaged to Chika Amano. She is a childhood friend of Nobuto Urita and also his first love.
Picking a pocket leads to blackmail and murder for a petty criminal (Sidney Tafler) in London.
Page Eight is lovingly turned, with elegant writing, a flawless cast and a heartfelt message from writer/director David Hare about the danger zone where spies and politicians meet. The tension builds gently as we follow the fortunes of Johnny Worricker, a jazz-loving charmer who works high up at MI5 as an intelligence analyst. It’s a part made for Bill Nighy and he purrs out bon mots with a weary panache that women 20 years younger find irresistible. One such is his neighbour, Nancy Pierpan (Rachel Weisz), in a Battersea mansion block. The question for Johnny is whether her interest in him is genuine or hides something darker. As his boss (Michael Gambon) puts it: “Distrust is a terrible habit.” Questions of trust, honour and friendship rumble through the play. The characters exchange oblique repartee as a plot about a damning dossier unwinds. It’s not to be missed.
In the late 1940’s, Martha Beck and Raymond Fernandez were America’s notorious “Lonely Hearts Killers”. Their lethal scam was simple; they would swindle and then viciously murder lovelorn war widows who would answer their personal ads in which Ray would describe himself as a sexy Latin Lover. Based on a true story.
During a flight from Los Angeles to London, frequent power outages lead to passengers mysteriously disappearing one by one. With the remaining passengers lives on the line, an Air Marshal (Michael Pare) jumps into action while he tries to determine what is going on.
