What would it be like if your last name was Hitler? Director Matt Ogens seeks that answer by intimately portraying a diverse group of individuals with that same unfortunate name.

Lahoriye is the story of love. The love which does not see boundaries, the love which does not see nations. Kikar Singh (Amrinder Gill) is a clerk at DTO office and his family holds a piece of land which is right at the LOC. The people living in Border areas are familiar with the situation. Right across the land in Pakistan is a Kinnow farm where Ameeran (Sargun Mehta) works and live with her family. Kikar falls for Ameeran and slowly slowly even Ameeran falls for Kikar. What follows next is a tale of romance which is worth watching on the big screen.

Slaking a thirst for dangerous games, Kathryn challenges her stepbrother, Sebastian, to deflower their headmaster’s daughter before the summer ends. If he succeeds, the prize is the chance to bed Kathryn. But if he loses, Kathryn will claim his most prized possession.

An actor rigs a fake shooting on TV with the connivance of his friend, the show’s host, but the practical joke goes wrong when the gun turns out to contain a live round.

The movie follows the rise and fall of a con man — a story that begins and ends at a seedy travelling carnival. Stanton Carlisle (Tyrone Power) joins the carnival, working with “Mademoiselle Zeena” (Joan Blondell) and her alcoholic husband, Pete (Ian Keith).

At the moment of Myeisha’s death at the hands of police, she guides us inside her mind and muses over the life she will be leaving behind, told through hip-hop, spoken word poetry, and dance. Inspired by the 1998 police shooting of California teen Tyisha Miller.

Sergio is a brooding, alienated man who works as a trash collector in Lisbon by day and roams the city streets by night seeking rough, anonymous sex with men. One night he meets a man who seems to be the embodiment of his tormented fantasies, and he becomes obsessed with the stranger until loneliness and unfulfilled desire propel him finally into a dark and dangerous animalistic state.

Somewhere on the coast of Taiwan is Hotel Iris, a mouldering seaside establishment run by a cold and thrifty Japanese woman (Nahana) and her lonely half-Taiwanese daughter Mari (Lucia). One night, Mari hears the cries of a woman from the upper floors. Heading up to investigate, she witnesses a distraught woman in a red camisole dress escape an impeccably dressed but violent man (NAGASE Masatoshi) whose cold voice is entrancing. Mari’s initial shock turns into a strange fascination which drives her to follow the man to discover more about him. He is a translator who lives on an isolated island one can only reach by boat and rumours swirl around him and recent murders. The closer she gets to the man, the more a hidden layer of Mari’s personality awakens as she allows herself to be engulfed by his strange passions…

“Landscape with Many Moons“ is a drama about a middle-aged man who lives a seemingly ordinary life with his wife and children. The truth is, however, that their relationship has reached a dead end but they prefer the illusory decorations of living together to the free fall into emptiness. The man gallivants around between his previous and current relationships without knowing exactly what to do with them. Living on the edge starts to overburden his nervous system and as a result, actual reality and dream-like reality blend together and it becomes ever harder to distinguish between what is real and what is not.

This second edition of Stone Bench Creations’ anthology of short films contains four shorts with a prelude that are linked by their genre.

Molly and Jared have both sworn off holiday events. When they find themselves stuck at a Christmas-themed ranch, they have no choice but to allow their cynical hearts to melt.

The father of a deeply troubled household that endured tragedy both from without and within, seeks to reconcile with his youngest daughter by making a journey to both symbolically and culturally lay the family “ghosts” to rest.