This second edition of Stone Bench Creations’ anthology of short films contains four shorts with a prelude that are linked by their genre.
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From an exciting Indian wedding comes a relationship from two different times not only showing the modern but also the traditional. Different characters and stories interact with each other in director Mira Nair film where she used an Indian-American production to illustrate these themes modern day Indians are very familiar with.
A woman is released from prison after serving a sentence for a violent crime and re-enters a society that refuses to forgive her past.
A pregnant single mother, with two children in foster care, embraces her Bay Area community as she fights to reclaim her family.
Jordan White and Amy Blue, two troubled teens, pick up an adolescent drifter, Xavier Red. Together, the threesome embark on a sex and violence-filled journey through an America of psychos and quickiemarts.
There are three stories of women and men: in “A Time for Love” set in 1966, a soldier searches for a young woman he met one afternoon playing pool; “A Time for Freedom,” set in a bordello in 1911, revolves around a singer’s longing to escape her surroundings; in “A Time for Youth” set in 2005 Taipei, a triangle in which a singer has an affair with a photographer while her partner suffers is dramatized. In the first two stories, letters are crucial to the outcome; in the third, it’s cell-phone calls, text messages, and a computer file. Over the years between the tales, as sexual intimacy becomes more likely and words more free, communication recedes.
In 1987, a group of counselors accidentally unleash a decades’ old evil on the last night of summer camp.
Trevor is a busboy who is so terrified of women that he takes in a young man addicted to heroin and then uses the drug to manipulate, coerce, and terrorize him into becoming “Dorothy”, his twisted concept of the “ideal girlfriend.”
Paul is an ordinary man who is at the end of his rope. He hates his job, his beautiful wife has left him, and his mother and gay, Buddhist-monk brother constantly remind him of his shortcomings. Although Paul doesn’t know it yet, his life is about to change in a big way.
When the Campbell family moves to upstate Connecticut, they soon learn that their charming Victorian home has a disturbing history: not only was the house a transformed funeral parlor where inconceivable acts occurred, but the owner’s clairvoyant son Jonah served as a demonic messenger, providing a gateway for spiritual entities to crossover.
Though having never once in her life seen her father, Hyun-soo has never felt his absense, as there is a perfect mother for her. Her mother is also a renowned plastic surgeon, so she is never lonely, surrounded by girls who want beauty consultations from her mother. But her happiness comes to an end as her friends who have received facial surgery from her mother start to commit mysterious suicides by cutting out their faces. She also starts to feel that there is someone else in the house where she lives alone with her mother. One day, she discovers a hidden basement and there, she comes to find a secret from her past, which will bring great turmoil to mother and daughter.
