Dorothy Parker remembers the heyday of the Algonquin Round Table, a circle of friends whose barbed wit, like hers, was fueled by alcohol and flirted with despair.

Led by their fellow preppie friend Joe Hunt, a group of wealthy boys in Los Angeles during the early 1980s establish a get rich quick scam that turns deadly.

After a “white lie” which spirals out of control, a neurotic, naive and musically gifted Muslim cleric’s eldest son must follow through with an arranged marriage, except he is madly in love with an Australian born-Lebanese girl.

Penny’s love for her partner, taxi-driver Phil, has run dry. He is a gentle, philosophical guy, and she works on the checkout at a supermarket…

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Gino Felino (Steven Seagal) is an NYPD detective from Brooklyn who knows everyone and everything in his neighborhood. Killing his Partner was someone’s mistake, because he’s now Out For Justice.

In late spring, 1890, Vincent moves to Auvers-sur-Oise, near Paris, under the care of Dr. Gachet, living in a humble inn. Fewer than 70 days later, Vincent dies from a self-inflicted gunshot wound. We see Vincent at work, painting landscapes and portraits. His brother Theo, wife Johanna, and their baby visit Auvers. Vincent is playful and charming, engaging the attentions of Gachet’s daughter Marguerite (who’s half Vincent’s age), a young maid at the inn, Cathy a Parisian prostitute, and Johanna. Shortly before his death, Vincent visits Paris, quarrels with Theo, disparages his own art and accomplishments, dances at a brothel, and is warm then cold toward Marguerite.

Set over the course of a single evening at the Reynolds’ family home in Connecticut, Clara, fed up with the constant ribbing from her self-absorbed showbiz family, finds solace in and guidance from the supernatural force she believes is haunting her.

Although to the outside world he seems like the a perfectly normal insurance broker, Michael secretly keeps a 10-year-old boy, Wolfgang locked in a room in his soundproof basement.

The story opens in Balochistan, in a small, scarcely ‘wired’ village bordering Iran and Afghanistan. Ahmad is an idealistic teacher in exile, educating the local community; his partner Niloofar, however, has spent time in jail in Tehran for the very same offence against the State. The disaccord between them is not only social but also personal. Ahmad’s destiny collides with that of a family fleeing the Taliban; soon the intricate divisions of age and gender within that group will trigger other problems and entanglements – including a ‘lovers on the run’ intrigue that fleetingly recalls Murnau’s classic Tabu (1931).

Al Stump is a famous sports-writer chosen by Ty Cobb to co-write his official, authorized ‘autobiography’ before his death. Cobb, widely feared and despised, feels misunderstood and wants to set the record straight about ‘the greatest ball-player ever,’ in his words.

The inquisitive Mr Wraxhall discovers that a long-dead Swedish nobleman does not lie easy in his tomb.