Paul à Québec is quite simply about life, at its happiest and at its most challenging. Paul and his in-laws offer us a window onto the everyday life of the Beaulieu family, but we also witness the decline of his father-in-law, Roland. Paul à Québec is a hymn to life that reminds us, among other things, of the beauty of those small moments when, in spite of the farewells, life shows us how important it is to savour every instant.

Le Mirage is the perspective of a man in his thirties asking himself “what am I chasing?” Our society has become all about consumerism, if not excess. Success is determined by what and how much we have and “stuff” becomes the band-aid to a meaningless existence. Stuff fills the void of the existence we weren’t meant to lead.

A few years after they infiltrated a therapy program for fathers and sons, Marc Laroche is having some issues with his girlfriend Alice and Jacques is experiencing intense denial towards the fact that he is growing older. An incredible opportunity arises when Martin Germain, the lieutenant of the Mafia’s leader, and his girlfriend sign up for a bootcamp for couples. As Marc and Alice sign up for the therapy, Jacques invites himself in by pretending to be the psychologist’s assistant.

In the late 1930s, a young machinist named Maurice Richard distinguished himself as a ice hockey player of preternatural talent. Although that was enough to get him into the Montreal Canadiens, his frequent injuries cost him the confidence of his team and the fans. In the face of these doubts, Richard eventually shows the kind of aggressive and skillful play that would make him one of the greatest players of all time as “The Rocket.” However for all his success, Richard and his fellow French Canadians face constant discrimination in a league dominated by the English speaking. Although a man of few words, Richard begins to speak his own mind about the injustice which creates a organizational conflict that would culminate in his infamous 1955 season suspension that sparks an ethnic riot in protest. In the face of these challenges, Richard must decide who exactly is he playing for.