At a monthly gathering of her friends, a student of the Tantra and Kama Sutra introduces an unusual game designed to elicit the feelings and impressions men and women have about one another.
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A teenager (Pat Boone), recently in trouble with the police, is sent to live with his aunt and uncle on their Kentucky farm in order to rediscover life’s values. Director Henry Levin’s 1957 musical remake of “Home In Indiana” also stars Shirley Jones, Arthur O’Connell, Jeanette Nolan and Dolores Michaels.
Rachel is an intelligent, modern-day woman constantly on the move. Primarily focused on her career as a diplomatic consul for the U.S. embassy, she’s literally lived her life on the move, globe-trotting from city to city. Currently working in Mexico City and set to leave for London, Rachel’s world turns upside down on the eve of her own goodbye party when she gets drunk and passes out on the street. Saved by Alejandro, a handsome Mariachi singer and single father, Rachel wakes up in his apartment with no recollection of how she got there. Nor does she remember that she rejected his visa the day before, which he desperately needs for his daughter. Romance unexpectedly blossoms between the two, but either sparks or fists will fly after she finds out his secret.
Meet best friends Michael, Albert, Stanley and Sefa; the ladies’ man, the good boy, the weird one and the party boy. They’re staring down the barrel of their thirtieth birthdays, but still act as if they’re sixteen; they get drunk, they chase the wrong women and they have a remarkable record of misbehaving and causing chaos at every wedding they attend. But now Michael’s younger brother Sione is getting married, and everything is about to change. Sione is their boy, the kid they used to look after, who grew up while they were still partying. And to ensure his big day isn’t spoiled by his boys and their idiot antics, Sione has issued an ultimatum; the guys all have to bring dates to the wedding. And not just any dates; real girlfriends, someone they’ve made a commitment to. They have one month. So just how hard can it be to get a date for your best boy’s wedding?
Sully is a rascally ne’er-do-well approaching retirement age. While he is pressing a worker’s compensation suit for a bad knee, he secretly works for his nemesis, Carl, and flirts with Carl’s young wife Toby. Sully’s long- forgotten son and family have moved back to town, so Sully faces unfamiliar family responsibilities. Meanwhile, Sully’s landlady’s banker son plots to push through a new development and evict Sully from his mother’s life.
Best friends Jeff and Tucker have grown up like most boys: playing video games and causing mischief. Now, late into their 20s, Jeff’s new job promotion is moving him out of the country and away from Tucker’s irresponsibility forever. With one last night together, they have to break into the UP-Ex shipping facility to steal back a package – a mysterious golden box – and hope their friendship can survive the adventure.
Deborah makes a living by drawing the skin of her clients. One night, her housemate invites her boyfriend and friend to their house. Sitting in the armchair, they consume the series of the moment, Gain of Clones, until, suddenly, the signal is cut off and the screen is dyed red while subliminal images float. No one remembers what happened the last two minutes. The answer will be in the enigmatic presence of giant cats that will later invade the city. As in El sol (2010), the second feature of the animator Ayar Blasco outlines apocalyptic situations where chaos and paranoia is the best excuse to meet surrealist creatures and scenes. Blasco understands that animation is a language with resources that live action does not possess, and exploits those tools as a child who became an adult just to give himself permission to play forever.
At the age of just 30, Maanav at the peak of his acting career gets caught up in a murder accusation, which turns his own life into an eccentric action thriller as he flees the country, with a vengeful politician hot on his heels.
Sue Ellen Crandell is a teenager eagerly awaiting her mother’s summer-long absence. While the babysitter looks after her rambunctious younger siblings, Sue Ellen can party and have fun. But then the babysitter abruptly dies, leaving the Crandells short on cash. Sue Ellen finds a sweet job in fashion by lying about her age and experience on her résumé. But, while her siblings run wild, she discovers the downside of adulthood
