Akira is the legendary killer known as the Fable. Following the order of his boss and due to being overworked, he lives peacefully with his partner, Yoko, as ordinary siblings. Akira still works part-time at design company Octopus with CEO Takoda and employee Misaki. CEO Takoda and Misaki are unaware of Akira’s background as an assassin. Meanwhile, Utsubo is a representative for an NPO. But, Utsubo works with contract killer Suzuki to set people up for extortion purposes. They target someone at design company Octopus.
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Two corrupt cops in New Mexico set out to blackmail and frame every criminal unfortunate enough to cross their path. Things take a sinister turn, however, when they try to intimidate someone who is more dangerous than they are. Or is he?
When the pets accidentally get separated from their vacationing owners, Chance, Shadow, and Sassy navigate the mean streets of San Francisco, trying to find their home across the Golden Gate Bridge. But the road is blocked by a series of hazards, both man and beast.
A pregnant woman on bed rest begins to wonder if her house is haunted or if it’s all in her head.
Page Eight is lovingly turned, with elegant writing, a flawless cast and a heartfelt message from writer/director David Hare about the danger zone where spies and politicians meet. The tension builds gently as we follow the fortunes of Johnny Worricker, a jazz-loving charmer who works high up at MI5 as an intelligence analyst. It’s a part made for Bill Nighy and he purrs out bon mots with a weary panache that women 20 years younger find irresistible. One such is his neighbour, Nancy Pierpan (Rachel Weisz), in a Battersea mansion block. The question for Johnny is whether her interest in him is genuine or hides something darker. As his boss (Michael Gambon) puts it: “Distrust is a terrible habit.” Questions of trust, honour and friendship rumble through the play. The characters exchange oblique repartee as a plot about a damning dossier unwinds. It’s not to be missed.
College and high school serve as the backdrop for two stories about dysfunction and personal turmoil.
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