A pregnant woman on bed rest begins to wonder if her house is haunted or if it’s all in her head.
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Gary, who has just married Samantha, the woman of his dreams, discovers that her six-year-old son may be the Antichrist.
Deke, a burnt-out Kern County, CA deputy sheriff teams with Baxter, a crack LASD detective, to nab a serial killer. Deke’s nose for the “little things” proves eerily accurate, but his willingness to circumvent the rules embroils Baxter in a soul-shattering dilemma. Meanwhile, Deke must wrestle with a dark secret from his past.
After workaholic Kevin has a drunken one night stand with the beautiful train-wreck Madeline, he’s horrified to discover that she’s actually his boss’ jilted ex-mistress. When she takes a bottle of sleeping pills, Kevin is forced to keep her awake… and over the course of the night the two begin to fall for each other.
After a high school track runner, named Laura, suddenly dies from a heart attack after finishing a 30-second 200-meter race, a killer wearing a sweat suit and a fencing mask begins killing off her friends on the school track team one by one. The suspects include the track coach Michaels, Laura’s sister Anne who arrives in town for the funeral, the creepy school principal Mr. Guglione, and Laura’s strange boyfriend Kevin.
On the hottest day of the year, an unknown virus spreads throughout inner-city Philadelphia. The infected victims, crazed by dehydration, begin attacking other residents of the neighborhood in gruesome ways. When the military is brought in to contain the situation, but realize they can’t come up with a vaccine quickly enough, they fence off the area and let everyone die. A group of locals, stuck in the basement of their building, behind the fences, and separated from their family members, band together to try to survive.
Three different love stories, set in three consecutive decades, in two neighbouring Balkan villages burdened with a long history of inter-ethnic hatred: this is a film about the dangers – and the enduring strength – of forbidden love.
A doctor’s research into the roots of evil turns him into a hideous depraved fiend.
A massive 5 1/2 hour biopic of Napoleon, tracing his career from his schooldays (where a snowball fight is staged like a military campaign), his flight from Corsica, through the French Revolution (where a real storm is intercut with a political storm) and the Terror, culminating in his triumphant invasion of Italy in 1797 (the film stops there because it was intended to be part one of six, but director Abel Gance never raised the money to make the other five). The film’s legendary reputation is due to the astonishing range of techniques that Gance uses to tell his story, culminating in the final twenty-minute triptych sequence, which alternates widescreen panoramas with complex multiple- image montages projected simultaneously on three screens.
Drama telling the story of Blue, a young man of Jamaican descent living in Brixton in 1980, as he hangs out with his friends, fronts a dub sound system, loses his job, struggles with family problems and has his friendships tested by racism.
When the grim reaper comes to collect the soul of megamogul Bill Parrish, he arrives with a proposition: Host him for a “vacation” among the living in trade for a few more days of existence. Parrish agrees, and using the pseudonym Joe Black, Death begins taking part in Parrish’s daily agenda and falls in love with the man’s daughter. Yet when Black’s holiday is over, so is Parrish’s life.
Edyta is forty and in the midst of a crisis. She has left her family, her husband and son and their house on the Baltic Sea behind her. She spends her nights in a Warsaw hotel room and her days driving around the unfamiliar city. When she runs out of cash, she hatches a plan: An ad in the newspaper – sex for money. Edyta never lets things get that far though, as she drugs her clients and then uses their apartments as a refuge for the night. Then she meets an artist, Patryk. A smidgen of luck and Edyta can no longer maintain her dismissive attitude. In this enthralling character study, Tomasz Wasilewski uses filmic minimalism to ensure that glances and gestures say more than words. He portrays a lonely woman in both fragility and strength, using precise image composition.
