A self-directed fictionalized biopic of controversial Polish film director Patryk Vega.

Murat is a sound recordist who lives in Istanbul. He makes an unexpected connection in his records between a grandmother and a grandchild, which becomes a trip to the family’s past to strengthen their ties.

After her mother’s death, six-year-old Frida is sent to her uncle’s family to live with them in the countryside. But Frida finds it hard to forget her mother and adapt to her new life.

Coming off a lengthy prison sentence, Mike White is coming home to a world changed drastically by technology and a mindset of just trying to live a normal life running his Gentlemen’s club and taking care of his family.

A divorcee’s love for her missing ex-husband pulls her into a small town crime ring when the sheriff refuses to search for him.

An abused woman finds a way to vent her anger by regular bouts in an underground boxing ring.

A devoted young woman becomes ensnared in a web of sexuality and betrayal in Jean-Pascal Hattu’s consistently unpredictable and finely wrought character study. A vividly realistic psychosexual drama, the film’s sharp emotional honesty heralds a distinct new voice from a promising young director. Hattu soon reveals that Maite’s husband Vincent is in prison for an unspecified crime, and that she has promised to wait for him and attend to his laundry (if not his conjugal needs) during his incarceration. On one of her weekly visits, Maite meets Jean, an oddly inquisitive and boldly flirtatious prison warden, and soon the two commence a joyless affair. Seemingly smitten with Maite, Jean, in a gesture of kindness to his lover, eases up on her husband behind bars; the two become pals and even engage in some homoerotic shower talk. —Robert O’Shaughnessy

When Apache chief Nanchez is captured by the cavalry, his white squaw and infant son are returned to civilization by Sergeant Hook, but Nanchez escapes custody and attempts to re-claim his son.

When Oliver O’Toole and his team of postal detectives confront a vintage disposable camera from the 1980s that was found in a mailbox, the undeveloped photographs contained therein set them off on a cross-state search for a seven-year-old boy who could be in tremendous danger.

Poonam, a traditionally brought-up young woman, is to marry Prem, a groom chosen by her uncle. Poonam and Prem’s faith and love are to be tested however, when an accident occurs and Poonam might be scarred for life.

Confined to a claustrophobic hotel room, the heir to a hotel empire and the dominatrix who has primed him for success become locked in a battle of wits and wills as he tries to end his relationship with her.

Daughter explores the way women are viewed in society by following three female characters on a Friday night out in St Kilda, who’s lives become entwined and affected by an act of violence this fateful night. The award winning short film and an awareness project was inspired by the tragic murder cases of Jill Meagher in Brunswick and St Kilda’s own Tracy Connelly, whose occupation as a sex worker was highlighted in the media, leading to her murder and personal story being sadly overshadowed. The main themes explored in the film are violence against women and victim blaming, shown through the eyes of three female leads, lead by Katherine Langford (13 Reasons Why) as Scarlett, Aisha Tara (Heartbreak High) as Jemma and Carolyn Rey as Alethea.