Hollywood, 1927: As silent movie star George Valentin wonders if the arrival of talking pictures will cause him to fade into oblivion, he sparks with Peppy Miller, a young dancer set for a big break.
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When young Mariah sees a darling little puppy named “Princess” at the pet store, she suddenly knows exactly what she wants for Christmas. But before her Christmas wish can come true, she must prove that she can dog-sit her uncle’s dog, Jack, a scraggly rascal; in fact, the worst dog in the county!
In 1939 Gracie Fields, the ‘Queen of Hearts’, is at the height of her success as a singer and actress and the whole nation seems to wish her a speedy recovery from cervical cancer. When World War Two breaks out, Gracie sings for the troops despite poor health, to the dismay of her fussy husband, film director Monty Banks, an Italian, born Mario Bianchi. With Italy’s entry into the war Monty is in danger of being interned so Gracie consents to his moving to America whilst she tours Canada, fund-raising for the war effort. She is accused of deserting the country which made her famous and booed offstage, though she later tours battlefields as a singer. With the war over she regains popularity, performing ‘Take Me To Your Heart Again’ at the London Palladium. Banks dies in 1950 and, though still a successful singer, Gracie never regains her pre-war iconic status.
Single mum Meera is an Australian of Indian origin. Smart and independent, she has carved out a successful life for herself and her daughter…despite family pressure to find a ‘nice Indian match’. Then Meera meets Will, a blonde, blue-eyed Aussie charmer. But falling in love with an Australian is not only scandalous – it’s unIndian! Does she do what her family wishes, or follow her heart?
Two young wolves at opposite ends of their pack’s social order are thrown together into a foreign land and need each other to return home, but love complicates everything.
At his best friend’s New Year’s Eve party, Gary desperately tries to spark the interest of Ann, his ex-girlfriend, without letting his friends embarrass him, but ends up receiving devastating news instead.
A young museum curator Isabelle (Katie Goldfinch) is sent to look at an ancient artefact, discovered in the basement of a stately home in Shropshire. Welcomed into the sprawling manor house by a seemingly hospitable family; Karl (Larry Rew), his wife Evelyn (Babette Barat) and their beautiful daughter Scarlet (Florence Cady), but all is not what it seems, as a dark and terrifying secret hangs over them.
Philibert, a robust lad and eldest son of an artichoke farmer, stands out from the other boys in the village. Idealistic and ingenuous, he foresees for himself a glorious future in artichokes and is saving his virginity for an as-yet-unknown woman chosen for him by God. Before he dies, his father tells him that he isn’t his real parent. Philibert’s real father was a gentleman murdered in the most cowardly way by a man from Burgundy who is recognisable by a rose-shaped strawberry birthmark on his neck. With a pouch full of ideals and artichokes, Philibert leaves his village and gallops towards Burgundy, accompanied by Martin, his rather deceitful manservant. Philibert’s courage, kindness, physical and moral purity will thus be severely tested when faced with the baseness and venality of villains and the temptation of women each more lustful than the last.
Traveling through an unnamed European country on the brink of war, sickly, intellectual Ester, her sister Anna and Anna’s young son, Johan, check into a near-empty hotel. A basic inability to communicate among the three seems only to worsen during their stay. Anna provokes her sister by enjoying a dalliance with a local man, while the boy, left to himself, has a series of enigmatic encounters that heighten the growing air of isolation.
The first film to fully expose the humanitarian crisis of North Korea, this stylish, deeply moving documentary is centered around astonishing interviews with survivors of North Korea’s vast and largely hidden prison camps, and interspersed with archival footage of North Korean propoganda films and original art performances.
A passive mother who dedicates her life to her husband and children. Stuck in daily, repetitive, mundane chores, she has made herself as little as she possibly could. When a magic trick goes wrong at her 4-year-old son’s birthday party, an avalanche of coincidental absurdities befalls the family. The magician turns her husband, the authoritarian father, into a chicken. The mother is now forced to come to the fore and take care of the family while moving heaven and earth to bring her husband back. As she tries to survive, she goes through a rough and absurd transformation.
