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Adrift in the lush, nocturnal urban landscape of THE GRAFFITI ARTIST, Nick (Ruben Bansie-Snellman) is a post-modern urban hero asserting his anarchistic agenda on the endless maze of virgin exterior walls that comprise downtown Seattle and Portland. For this iconoclastic young visionary, the vast wall surfaces of deserted alleys and train yards are at once a daunting symbol of capitalist oppression and a texturally rich, seamless tableau ripe for exploitation to amplify his artistic dialectic of anger and rebellion.
This is by far the most definitive feature documentary of George Michael’s amazing life, told candidly by fellow musicians and other friends who loved and respected him
The Arts Project of the Work Projects Administration (1935-1942) was a USA government agency established to support writers, theater people, painters, sculptors, and photographers.
Two men from rural Ireland, who served as inspiration for the movie ‘Eat the Peach’, are tempted back to the Wall of Death by a charismatic Glasgow artist with something to prove. ‘The Artist & The Wall of Death’ is a story of second chances, of art vanquishing death, of embracing failure and of unfinished business.
The growing friendship between two women as they hit the road in an electric car looking for endings and reconciliation.
An intimate look at the Oscar-nominated actor’s incomparable artistry, and the acting process which informed his transformative performances. Viola Davis, Denzel Washington, Spike Lee, George C. Wolfe, Branford Marsalis, Phylicia Rashad and more take us behind the scenes to explore Boseman’s extraordinary commitment to his craft.
A struggling painter begins taking inspiration from the dreams of his friend and roommate, a comic book fan who narrates an adventure story while he sleeps, but unbeknownst to the latter, the artist of his favorite comic book lives in the same building as they do with the model for her drawings.
Joseph Harris, a legendary but troubled playwright, comes to a small Michigan town at Christmastime to mount his latest play. Greeting the cynical New Yorker is a young, aspiring writer who challenges his literary hero to be the icon he’d hoped for. Harris wants no part of Michigan or its small-town theater, and he has no interest in being the young man’s hero. As soon as he arrives, Harris makes plans to return to New York on the next train out. Desperate and scrambling to keep him in town, the young man must face his hero and explore the tangled relationship between the dreams of youth and the wisdom of age.
Fifty years after its release, the special effects makeup team behind Planet of the Apes reflect on making the iconic film.
Ina, whose ex-boyfriend runs off, leaving her in debt, manages to catch on a cunning con artist who tries to con her. But instead of turning him to the police, she hires this con artist to swindle her ex-boyfriend to get revenge.
Hollywood, 1927: As silent movie star George Valentin wonders if the arrival of talking pictures will cause him to fade into oblivion, he sparks with Peppy Miller, a young dancer set for a big break.
Performance artist Marina Abramovic prepares for a major retrospective of her work at the Museum of Modern Art in New York.
Ji-hyuk is an expert safe-cracker who lives the highlife stealing antiques and jewelry with his team. CHO, a powerful and cruel gang boss threatens them to steal $150 million with him. Ji-hyuk plans to get revenge on CHO, but ends up falling into his trap. However, CHO later realizes it was all part of Ji-hyuk’s scheme. When Ji-hyuk, who was thought dead, reappears, hidden secret relations between the technicians also surface.
Invaluable is the feature-length documentary film about Tom Sullivan, creator of the special make-up effects in “The Evil Dead”, “Evil Dead II”, and “Army of Darkness”. This film contains footage and places never before seen until now and features interviews with Bruce Campbell, Scott Spiegel, Josh Becker, Ted Raimi, Hal Delrich, Betsy Baker, Sarah York, Ellen Sandweiss, Tom Sullivan, and many more.
An aspiring actor in Hollywood meets an enigmatic stranger by the name of Tommy Wiseau, the meeting leads the actor down a path nobody could have predicted; creating the worst movie ever made.
A woman who gets paid to break people up is forced to become a matchmaker when some new competition muscles her out of the break-up business. Now, in order to save her company (and keep her high-priced wardrobe) she’ll have to rely on her old nemesis: love.
The story of a famous old sculptor, weary of life and the folly of men, who finds, thanks to the arrival of a Spanish girl escaped from a refugee camp, the desire to return to work and sculpt your final work in occupied France in 1943. Model and artist, as they work, speak with simplicity and closeness to everything around them: The life and death, the injustice of the war, youth and old age, the search for beauty in times of horror, the sense and the need for art …
Filmed live during Morrissey’s most intimate gig in decades at the Hollywood High School in Los Angeles on 2 March 2013, this is the first authorised Morrissey film for nine years and marks 25 years of the solo career of one of the world’s most iconic and enigmatic performers. The film opens with fans talking about their unwavering devotion to the singer and the unique appeal of this unusual venue – a striking contrast to the sold out arena concert at the Staples Center on the previous night. Tickets to the concert in the 1,800-seater school auditorium were sold out in 12 seconds and this now legendary concert became Morrissey’s penultimate performance on the US Tour. Featuring many classic tracks from the artist’s prolific repertoire including Meat Is Murder, Everyday Is Like Sunday, Please, Please Please Let Me Get What I Want and The Boy With The Thorn In His Side, Morrissey 25: Live is an unmissable cinema event for fans worldwide.
In CINEVANGELIST: A LIFE IN REVIVAL FILM, film historian and artist George Figgs tells the story of his life’s work in bringing revival cinema to Baltimore and beyond. From his role in Baltimore’s underground film scene of the 1960s and his involvement with the Orson Welles Cinema in Cambridge during the early ’70s, to helping manage Baltimore’s celebrated Charles Theatre in the ’80s, owning and operating the Orpheum Cinema during the ’90s, and continuing with the “third wave” of revival cinema today, Figgs has made it his mission to bring alternative films to the audiences who want to see them, in the way they were meant to be seen.
In the sixth installment of the Criterion Channel’s Meet the Filmmakers series, director Alex Ross Perry (Her Smell, Listen Up Philip) visits the ever-iconoclastic auteur Paul Schrader during the making of his 2017 masterpiece First Reformed. On set and at home- where, for his own pleasure, he continues to work and rework his previous films- Schrader reflects on the highs and lows of his legendary career, the challenges and rewards of slow cinema, and the influences and experiences that continue to shape his approach to filmmaking. With this insightful portrait of one of his filmmaking heroes, Perry captures an artist who is continually at play, intentionally provocative, and never less than vital.
After his beloved wife dies, an unbalanced painter who believes himself to be the reincarnation of Vincent Van Gogh goes over the edge and digs up her corpse–with the help of his necrophiliac butler–to bring it back to his castle and use it for “inspiration”. He soon meets a beautiful musician who looks exactly like his late wife and brings her back to his castle. However, she eventually discovers their secret: the butler murders young women, disposes of their bodies and uses their blood–“the color of life”–for the artist’s paints.
While locked-up for six years in federal prison, artist Jesse Krimes secretly creates monumental works of art—including an astonishing 40-foot mural made with prison bed sheets, hair gel, and newspaper. He smuggles out each panel piece-by-piece with the help of fellow artists, only seeing the mural in totality upon coming home. As Jesse’s work captures the art world’s attention, he struggles to adjust to life outside, living with the threat that any misstep will trigger a life sentence.
Several story threads about consciousness and perception intertwine in this film by video installation artist Daniel Cockburn.
Pascal Marchand arrived in the mythical land of Burgundy to harvest the grapes at age 21. Now 30 years later, he is a renowned wine artist and innovator. Shot over the catastrophic 2016 season, the film is both a love letter and a cautionary tale.
In the 12th century’s Andalusia lives Ibn Rushd a prominent Islamic philosopher with his wife Zeinab and daughter Salma. The principality is ruled by Khalifa ElMansour who has two sons, ElNasser, an intellectual that likes Ibn Rush and is in love with his daughter Salma. The younger son Abdallah is more into dancing and poetry, spending most of his times with the gypsy family and getting the daughter pregnant. The Khalifa is depending on the extremists to build his army granting them more power which they use to combat artists and philosophers. The extremists succeed in recruiting Abd Allah and train him to kill his father. Events go on where Marawan, the gypsy singer, is killed and Ibn Rushd’s books are burnt. Adapted from the real life of Ibn Rushd AlMasir is Chahine’s statement against extremism.
Takako (Mei Kurokawa) is a beautiful woman in her 30’s and she works as a designer. Takako has only had relationships with married men. She decides to change herself with the help of her manga artist friend Keiko (Asami Usuda). Takako signs up at a matchmaking site. Soon. Takako meets two men and she takes an interest in the two men. Meanwhile, Takako has an argument with her friend Keiko. (Asianwiki)
Before MTV and the age of television, there were Soundies. First appearing in 1941, these three minute black-and-white films featured artists of the Big Band, Jazz and Swing era, like Duke Ellington, Count Basie, Louis Jordan, Louis Armstrong, Gene Krupa, The Mills Brothers, Les Paul, Cab Calloway, and Fats Waller. The Soundies helped launch the careers of Doris Day, Nat King Cole, Liberace, and Dorothy Dandridge, among others. Viewed for a dime through a special machine called a Panoram, a movie jukebox, these forerunners to the music video could be seen in nightclubs, roadhouses, restaurants and other public venues across the U.S. These classic films remain as glorious time capsules of music, social history, popular culture, and tell the story of a crossroads in our country, when the uncertainties of war, race relations, and emerging technologies combined to write one of the most influential chapters in our nation¹s history.
Martial arts star Wu Jing is The Master of Tai Chi! Long before he found fame on the big screen with blockbusters like Invisible Target and SPL, Wu Jing made his beginning steps into the entertainment industry with this period drama. Co-directed by renowned filmmaker and action choreographer Yuen Woo Ping, the 1997 drama The Master of Tai Chi is Wu Jing’s first television drama, marking the start of this humble martial artist’s star-making journey. Appropriately enough, The Master of Taichi is also the story of a journeyman, following the protagonist’s transformation from willful kung fu novice to respected tai chi master.
Three penniless artists become friends in modern-day Paris: Rodolfo, an Albanian painter with no visa, Marcel, a playwright and magazine editor with no publisher, and Schaunard, a post-modernist composer of execrable noise.
A psycho artist kidnaps models and slices up their faces to create new mutant models.
Fourteen-year-old Naima longs to earn money for her poor Bangladeshi family, but her unrivaled artistic talent is of little use. When her ailing father is at risk of losing his prized bicycle rickshaw to loan sharks, she disguises herself as a boy and attempts to drive the rickshaw herself. Naima crashes the rickshaw, threatening the family’s sole livelihood.
The stand-up comedian is a special breed, both an artist and an artisan. They work by painstakingly developing a persona, scripting and editing an act, and revising it on the spot to suit the energy of a given audience. If the audience does not grasp the countless hours crafting the routine, and the empathic micro-calculations, then the act was a success… well, as long as it was funny.
STILL BILL is an intimate portrait of soul legend Bill Withers, best known for his classics “Ain’t No Sunshine,” “Lean On Me,” “Lovely Day,” “Grandma’s Hands,” and “Just the Two of Us.” With his soulful delivery and warm, heartfelt sincerity, Withers has written the songs that have – and always will – resonate deeply within the fabric of our times. Filmmakers Damani Baker and Alex Vlack follow Withers and offer a unique and rare look inside the world of this fascinating man. Through concert footage, journeys to his birthplace, interviews with music legends, his family and closest friends, STILL BILL presents the story of an artist who has written some of the most beloved songs in our time and who truly understands the heart and soul of a man.
An introspective insight into the life and artistic journey of William Friedkin, an extraordinary and offbeat director of cult films such as The French Connection, The Exorcist, Sorcerer, Cruising, To Live and Die in L.A. and Killer Joe. For the first time Friedkin opens up, guiding the audience on a fascinating journey through the themes and the stories that have influenced his life and his artistic career.
An intimate portrait of Marcos López, unique and unclassifiable figure, film director, visual artist and one of the most prominent contemporary photographers in Latin America.