Fashion model Emanuelle is experiencing psychotic freakout every time she has sex. Haunted by memories of sexual abuse from the men in her life, including her father, she turns to Dr. Gardner, who offers help while she resides at his mental health center.

Molly is struggling with being a new mom, but after meeting Beth, things temporarily improve only to turn as Beth’s dark intentions are brought to light.

A character study as well as a meditation on communication, creativity, and physical space, Take What You Can Carry is a picture of a young woman seen through the interiors she occupies and the company she keeps. A North American living abroad, Lilly aspires to shape an intimate and private place of her own while connecting to the world around her. When she receives a letter from home, it provides the conduit she needs to fuse her transient self with the person she’s always known herself to be.

When aspiring romance novelist Kim Rossi is unceremoniously dumped by her soon-to-be-published romance novelist boyfriend, Kim takes stock and decides to take a leap. She signs up for a romance writing retreat at a quaint Vermont Inn shortly before Christmas, where a top romance novelist is scheduled to attend and read the work of one lucky writer. Shortly after arriving, she crosses paths with Zeke, whom she initially finds to be intrusive and, naturally, ends up being her assignment partner. Worse yet, her ex is also at the retreat. Despite these bumps in the road, Kim steps outside her comfort zone and plunges into the writing exercises, surprising herself. Equally unexpected is the attraction that seems to be building between her and Zeke that promises to take her down a road she never imagined traveling. Based on the book by Richard Paul Evans.

While working at a restaurant together, nine aspiring actors join to make a documentary about the difficulties of becoming an actor while dealing with the inter-relationships that have developed.

Poppy Field follows the struggle of a young Romanian gendarme, Cristi, who tries to find the balance between two apparently opposing parts of his identity: that of a man working in a macho hierarchical environment and that of a closeted gay person who tries to keep his personal life a secret. While his long-distance French boyfriend, Hadi, is visiting him, Cristi is called in for an intervention at a movie theatre, where an ultra-nationalist, homophobic group has interrupted the screening of a queer film. After one of the protesters threatens to out him, Cristi spirals out of control.

In this, the sequel to Jean de Florette, Manon (Beart) has grown into a beautiful young shepherdess living in the idyllic Provencal countryside. She plots vengeance on the men whose greedy conspiracy to acquire her father’s land caused his death years earlier.

As the son of two inmates Hyacinth was always more at home in prison than in the outside world, until he took part in a foot race that promised to change his life.

It often happens that at the moment of death, transgender individuals are shorn of their identity. Their families are ashamed, the funeral takes place in secret, and on the tomb appears the name the deceased had before their transition, in one stroke nullifying the entire life path they had chosen. The same thing happened to Antonia. Her girlfriends gather to honor her memory and give her back her identity denied. In telling her story, the film’s stars, all drawn from the variegated transgender world, interweave the narrative with tales of their own lives, experiences, and memories.

The Hamburg friends Walter, Ricco and Floyd take each day as it comes between the estates of tower blocks and fast food restaurants. All three are in their early twenties and are dreaming of another life when Floyd suddenly takes a job on a freighter going to Singapore.

Khali (Richard Cabral) is a murderer and commits his murders in East L.A. His last job is the first time that his actions make him think about what he does for living.

A young Mexican boy tirelessly tries to save his pet bull from death at the hands of a celebrated matador.