“STATISTICS” tells the story of six individuals who all share one thing in common: they will become statistics by the end of the day. They are neither heroes nor criminals, but everyday people who will become victims of everyday life. The events that take place will be read about today and forgotten tomorrow, but in that blink-of-an-eye, their lives and the lives of the people around them will be changed forever. It happens every day. Despite the tragedies, this is not a story about dying, but is in fact a very uplifting story about living. The message is simple: cherish life today because no one is guaranteed a tomorrow.
You May Also Like
There were five Marines and one Navy Corpsman photographed raising the U.S. flag on Mt. Suribachi by Joe Rosenthal on February 23, 1945. This is the story of three of the six surviving servicemen – John ‘Doc’ Bradley, Pvt. Rene Gagnon and Pvt. Ira Hayes, who fought in the battle to take Iwo Jima from the Japanese.
When the young detective Paul Nerteaux finds the third slashed female corpse of illegal Turkish immigrants, he decides to ask for support to the experienced dark retired detective Jean-Louis Schiffer to chase the serial killer. Together, they infiltrate in the Turkish mafia trying to find the answer to the crimes. Meanwhile, the worker Anna Heymes is being submitted to a brain treatment and has severe headaches and glimpses of memories and visions. When these two parallel events collide, disclose that the Turkish organization “The Wolves” is behind them.
Jean-Marie Straub pushes this musicality of blocks to a paroxysmal extreme, mixing blocks of time (40 years separate the various extracts that are going to be used, and what is to be filmed), blocks of text (Malraux, Fortini, Vittorini, Hölderlin) and blocks of language (French, Italian, German), and from this ruckus emerges the history of the world, yes, History with a capital H, and from the same movement, the political hope of its being overtaken. So this is an adventure film, about the Human adventure, still one that is always, in the end, overtaken by Nature. (Arnaud Dommerc)
The comedy ‘Ninna’ is about the title character, who lives with her son Dennis in Præstø, where she also works at the local takeaway. When Dennis announces that he wants to move away from home after his 18th birthday, Ninna’s world collapses. She therefore sets out a plan to get him back home.
But along the way, Ninna must also revisit her own life and settle on the past.
‘Ninna’ is a comedy that addresses serious topics and treats them in a humorous light.
José Manuel and the other members of the ufology association Ovni-Levante meet weekly to exchange information about extraterrestrial messages and abductions. Julio, their leader, dies unexpectedly, leaving José Manuel as the only person who knows about the cosmic secret that could alter the human future.
Luke and his wife, Sarah, go on a trip to heal the pain of an affair by Luke. Sarah is only going to show her sister a good time. While on the trip both Sarah and her sister is kidnapped. Luke, with out his family, will have NOTHING LEFT. He’ll get them back or die trying.
This second edition of Stone Bench Creations’ anthology of short films contains four shorts with a prelude that are linked by their genre.
A couple checks into a suite in Las Vegas. In flashbacks we see that he’s a computer whiz on the verge of becoming a dot.com millionaire, she’s a lap dancer at a club. He’s depressed, withdrawing from work, missing meetings with investors. He wants a connection, so he offers her $10,000 to spend three nights with him in Vegas, and she accepts with conditions. Is mutual attraction stirring?
Camille Taylor has just written the hottest, sexiest, and most sensational tell-all book about her life as a high-class call girl…and someone killed her to keep it from being published. Was it one of her powerful clients; or perhaps her politician husband? Private Investigator Malena Powers is faced with the proposition of finding the killer.
An Irish lad (Matt Keeslar) who fled from his oppressive, widowed father (Albert Finney) falls for a girl (Victoria Smurfit) from an affluent family.
