The film centres on a retired, widowed professor living in Paris who develops a special relationship with a younger French woman.

Charlie gets released from an insane asylum and moves in with Miranda, the young daughter he left behind. Charlie believes that there is treasure hidden beneath the local Costco, so he puts together a plan to unearth the loot. By convincing Miranda to quit her job at McDonald’s and instead work at the wholesale store, he is able to obtain a key. Although Miranda is skeptical, she helps her father with his irrational quest.

Georgy has resigned herself to being one of life’s accidents. She disapproves somewhat of her father’s butlering James Leamington. She’s tall, plump, sloppy and wistfully envious of what she conceives to be the life led by her beautiful, but icy roommate. Where her roommate, Meredith, is cool and calculating, Georgy gets so involved with the people around her she behaves like an affectionate puppy. Most of all she burns to be a mother. But it is Meredith that is in the hospital having an unwanted child.

Mads moves into a house with his lovely girlfriend Marie when a sudden pang of doubt strikes him. Is this the meaning of life? Has he lived out all his dreams? He drops everything, moves away from his girlfriend and throws himself into a desperate quest to live out his greatest dreams; a quest to find the meaning of life and the one and only.

Dushon is down on his luck and is always bailing out his cousin, Kenneth, who has serious baby momma drama. He is also, always covering for his best friend James, who is an arrogant successful music producer that constantly cheats on his wife. Everything changes when the beautiful songstress next door, Jasmine, moves into town. Dushon quickly falls head over heels for Jasmine giving her all of his time and attention. Emotions erupt when Kenneth suspects Jasmine is only using Dushon to help her land a major music deal with James. All the drama forces Dushon to make a tough decision to choose between Friends, Family and Lovers.

Fast-talking Latino con artist Pestario “Pest” Vargas is the target of Scottish mobsters to whom he owes a considerable debt. Willing to do anything to raise money and avoid severe injury or death, Vargas agrees to a very unusual job — he will be transported to a remote island and hunted by Gustav Shank, a racist German executive. If he can survive a full day and night, Vargas gets $50,000 and will be set free. Is he wily enough to elude Shank?

35-year-old Morris Bliss (Michael C. Hall) is clamped in the jaws of New York City inertia: he wants to travel but has no money; he needs a job but has no prospects; he still shares an apartment with his widowed father; and the premature death of his mother has left him emotionally walled up. When he finds himself wrapped up in an awkward relationship with Stephanie (Brie Larson), the 18-year-old daughter of a former classmate, Morris quickly discovers his static life unraveling and opening up in ways that are long overdue.

When a Sumatran rat-monkey bites Lionel Cosgrove’s mother, she’s transformed into a zombie and begins killing (and transforming) the entire town while Lionel races to keep things under control.

Stories told along the river: a woman reunites with her ex-lover at a hydroelectric plant; meanwhile, a young man travels downstream to a temple in search of a cure for his insomnia.

TV producer Pierre Delacroix becomes frustrated when network brass reject his sitcom idea. Hoping to get fired, Delacroix pitches the worst idea he can think of: a 21st century minstrel show. The network not only airs it, but it becomes a smash hit.

When a drifter befriends a quirky mortician, an unlikely business partnership is formed. Paranoia soon develops, however, and both men are forced to come to terms with the fragility of friendship and loyalty.

When a magical artifact is lifted from his library, a meek librarian sets out to ensure its safe return.