Chris is the top brain who just wants to party, Mitch is the 15-year-old college wiz kid. Supposedly hard at work on a lab project with a mysterious deadline, they still find time to use their genius to discover new ways to have fun.
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A former world-famous conductor of the Bolshoï orchestra, known as “The Maëstro”, Andreï Filipov had seen his career publicly broken by Leonid Brezhnev for hiring Jewish musicians and now works cleaning the concert hall where he once directed. One day, he intercepts an official invitation from the prestigious Théâtre du Châtelet. Through a series of mad antics, he reunites his old orchestra, now composed of old alcoholic musicians, and flies to perform in Paris and complete the Tchaikovsky concerto interrupted 30 years earlier. For the concerto, he engages a young violin soloist with whom he has an unexpected connection.
A young man recruits a film student to help him prove the existence of an urban legend.
It sucks to be nice, and Pete Lee does it better than anyone. He hopes no one will be offended by his jokes about drugs, motion sensor sinks, people pleasing and avoiding conflict. He’s just so darn pleasant. So grab a drink and laugh – Pete knows you’ll probably get up to pee or take a phone call during the show, and he’s cool with it.
A group of laid-off workers bribed into working one last night discover that processing the last of their “inventory” will lead to cataclysmic consequences.
A vision of an unconventional family together with their conflicts and rivalry, a vision full of ironic sense of humour but also emotional moments and true closeness. When the elder brother, Andrzej, suddenly falls ill, despite their differences and a wall of misunderstandings that has grown between them, his younger brother is taking it upon himself to care for his brother in need.
35-year-old Morris Bliss (Michael C. Hall) is clamped in the jaws of New York City inertia: he wants to travel but has no money; he needs a job but has no prospects; he still shares an apartment with his widowed father; and the premature death of his mother has left him emotionally walled up. When he finds himself wrapped up in an awkward relationship with Stephanie (Brie Larson), the 18-year-old daughter of a former classmate, Morris quickly discovers his static life unraveling and opening up in ways that are long overdue.
Selfish, separated parents Amber and Cameron are forced to put their starry-eyed career ambitions on hold when Amber suddenly finds herself homeless and Cameron begrudgingly agrees to look after their 6-year-old daughter.
Dateless for the Christmas ball, 39-year-old bachelor, King Charles of Baltania, tracks down his American college sweetheart, only to discover Allison has never been married, yet raised a 17-year-old daughter, Lily, who mathematically might be Charles’ biological princess.
A four-member teen girl group named the Cheetah Girls go to a Manhattan High School for the Performing Arts and try to become the first freshmen to win the talent show in the school’s history. During the talent show auditions, they meet a big-time producer named Jackal Johnson, who tries to make the group into superstars, but the girls run into many problems.