Based on a shocking true story. An undercover cop puts his life on the line to fight corruption in his department, while trying to take down the biggest Drug Kingpin of New York City. No one can be trusted as the body count rises.
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Power up with six incredible teens who out-maneuver and defeat evil everywhere as the Mighty Morphin Power Ranger, But this time the Power Rangers may have met their match, when they face off with the most sinister monster the galaxy has ever seen.
During the summer of 1937, Emanuel, a young man in his early twenties, is committed to a sanatorium on the Black Sea coast for treatment of his bone tuberculosis. The treatment consists of painful spine punctures that confine him to a plaster on a stretcher-bed. Little by little, as Emanuel gets accustomed to the sadness of his new life, he discovers that inside the sanatorium there is still a life to be lived to the fullest.
A petty crook, in search of the proverbial pot of gold at the end of the rainbow, hopes to cash in by befriending the heir to a huge fortune.
A martial arts instructor must enter the world of illegal pit fighting in order to save his family and his dojo.
This second edition of Stone Bench Creations’ anthology of short films contains four shorts with a prelude that are linked by their genre.
On assignment while photographing a female suicide bomber in Kabul, Rebecca – one of the world’s top war photojournalists – gets badly hurt. Back home, another bomb drops as her husband and daughters give her an ultimatum: her work or her family.
A young samurai, Shojuro Sako, travels on the Tokaido to Edo with his two servants, Genta and Gonpachi. Gonpachi has been told by Shojuro’s mother to prevent his Master from drinking… The road is not safe. On the way, they meet young orphan boy, Jiro, and many other travellers: A team of great directors, including Yasujrio Ozu, Hirochi Shimizu and Daisuko Ito, assisted Uchida with his remarkable post-war comeback film. It’s an affable samurai road movie with a focus on unglamorus characters, as a dim-witted samurai and his servants traverse the Tokaido highway. Much of the film is played as comedy, making the brilliantly staged violent climax all the more shocking.
A vengeful widow is out to seduce the relatives of the man she blames for her husband’s death.
When 15-year-old Lizzie is kidnapped, her friendly but divorced parents Judith and Martin are devastated. The police can’t find the girl but Tracy Spencer comes forward claiming she’s a psychic and knows where Lizzie is. Judith is elated, but it soon becomes clear that Tracy has an agenda of her own.
When a mysterious caller puts a bomb under his car seat, Matt Turner begins a high-speed chase across the city to complete a specific series of tasks. With his kids trapped in the backseat and a bomb that will explode if they get out of the car, an everyday commute becomes a twisted game of life or death as Matt follows the stranger’s increasingly dangerous instructions in a race against time to save his family.
Not Waving But Drowning is a chronological look at growing up, formed from two different stories. The two sets of friends represent the American dilemma between what you have known and what you hope to know; the tear between longing for the past and the desire to explore.
