Boston is being terrorized by a series of seemingly random murders of women. Based on the true story, the film follows the investigators path through several leads before introducing the Strangler as a character. It is seen almost exclusively from the point of view of the investigators who have very few clues to build a case upon.

During another tumultuous Thanksgiving holiday, one family suffers a tragedy: loss of all cell phone reception throughout the house. The sudden media blackout forces the clan to face all their crises head-on—and uncover a few ugly truths along the way.

Tommy Gibbs is a tough kid, raised in the ghetto, who aspires to be a kingpin criminal. As a young boy, his leg is broken by a bad cop on the take, during a payoff gone bad. Nursing his vengeance, he rises to power in Harlem, New York. Angry at the racist society around him, both criminal and straight, he sees the acquisition of power as the solution to his rage.

Matt Webster measures his success by his possessions. Though he appears to have it all, pride of ownership does little to fill the void of a purposeless life. Brokern relationships, isolation and pain for himself and his family, are the result of his pride and selfishness. Through a series of financial and family crises, Matt and his family are stripped of all they own and are humbled enough to learn what success is really all about.

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Neeyln has always been the loyal enforcer for crime boss Harris back in London, taking care of problems and people that disrupt his illicit business. When Harris strikes a deal with an old friend — American oilman Preston — they find themselves in the wild hills of West Virginia. Contracts are signed and the whiskey flows in celebration, but overnight Neelyn’s girlfriend disappears, last seen with Preston’s wayward son Junior. Lines are drawn between family and friends, but nothing will stop Neelyn from getting answers — and retribution.

A deep space mining vessel has been adrift for two years. It is suspected the crew brutally killed each other, but the reason for the bloodbath is unknown. A rescue crew is sent to find if there are any survivors, what happened and why.

Based on the bestselling novel by Donato Carrisi, THE GIRL IN THE FOG is a gripping and chilling thriller that brings us to a hazy mountain village where enigmatic Detective Vogel is investigating on the sudden disappearance of fifteen-year-old Anna Lou. But with the case at the heart of a media storm, the fine line between the police and criminals begins to blur and soon everyone becomes a suspect.

Jenn lives in an underground bunker, protected from the monsters that now ravage the world. This is the day that she goes outside…

Hilma af Klint (1862-1944) is an important part of art history and one of the first ever painters of abstract art. However, unlike the work of many of her peers at the time hers was misunderstood and neglected until long after her death. This is a story about Hilma and the circumstances which made her paintings possible. The film picks up during her early life and ends today; when her art connects with people of all religions and cultures. Just as she intended.

A comedy of life’s temptations – lust, greed and power. The city in question is Sydney and the colour green signifies greed and envy in David Williamsons amusing satire on its film and publishing industries. The story centers around the Rogers family, loosely modelled on Williamson’s own.

Pete and Ellen have reared Meg as their own, ever since she was a baby and her parents took off. Now a teen, Meg convinces her friend Nath to come help with chores on the farm: Pete isn’t getting around on his wooden leg like he used to. When Nath insists on using a short cut home through the woods, Pete gets quite agitated and warns him of screams in the night, of terrors associated with the red house. Curious, Meg and Nath ignore his warnings and begin exploring. Meg begins falling in love with Nath, but his girlfriend Tibby has other plans for him. Meanwhile they all get closer to real danger and the dark secret of the red house.