During another tumultuous Thanksgiving holiday, one family suffers a tragedy: loss of all cell phone reception throughout the house. The sudden media blackout forces the clan to face all their crises head-on—and uncover a few ugly truths along the way.
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Maggie and Jack are childhood family friends and now as adults give dating advice together on their popular local radio show. When they find out their show is being shopped around for national syndication, their boss encourages them to introduce their significant others to their families for a live, on-air New Year’s Eve special. Knowing their fathers’ local jazz club, The Magnolia, is struggling financially, Maggie and Jack agree to the special as long as it’s hosted at the club. But when Maggie and Jack are both dumped before the big event, Jack suggests they pretend to be a couple and surprise their listeners with the news during a midnight kiss on New Year’s Eve!
When two weddings are ruined by both the bride and groom getting left at the altar, they still decide to take their honeymoons, not knowing they are heading to the same resort in Hawaii.
Leonard is an English tailor who used to craft suits on London’s world-famous Savile Row. After a personal tragedy, he’s ended up in Chicago, operating a small tailor shop in a rough part of town where he makes beautiful clothes for the only people around who can afford them: a family of vicious gangsters.
In the age of social media, teenagers tell the story that they want people to see, with each video more daring than the next. But in this small town, a series of staged “murder” videos are turning very real.
When the industry’s two biggest stuntmen are nominated for Stuntman of the Year, an over-ambitious documentarian reignites a dormant rivalry between the two men that results in an all out press war.
Under the pretense of having a picnic, a geologist takes his teenage daughter and 6-year-old son into the Australian outback and attempts to shoot them. When he fails, he turns the gun on himself, and the two city-bred children must contend with harsh wilderness alone. They are saved by a chance encounter with an Aborigine boy who shows them how to survive, and in the process underscores the disharmony between nature and modern life.
An American man awakes in a hospital just to learn about the zombie apocalypse.
Penelope becomes obsessed with finding her children as her world crumbles and she succumbs to the emotional stress and the silent voices of her new reality. Her husband believes she has lost her mind and watches her deteriorate into a world of darkness.
Unannounced, Aziza is once again standing in her room – internship, Portugal, everything canceled. But her room is occupied. Her mother, Trixi, has rented it out. Zach lives there now, a twenty-something from New Zealand, who came to Germany on a one-way ticket. Starting from this situation, the film develops an almost documentary-style portrait of a Kreuzberg ‘situation’: everything is readily available, time, people, summer, streets. And in the end a crash, the film itself: ‘for nothing’?
