On a dark night, the Japanese police is raided by a spy. Different countries’ intelligence agencies—such as England’s MI6, Germany’s BDN, and America’s CIA—as well as the FBI’s secret files are going to be taken, but public safety officers lead by Tooru Amuro arrive just in time. The spy steals a car and escapes. The spy and Amuro are then locked in a dead heat on the highway, and just as it is about to cause an accident with multiple cars, the spy’s car is hit by FBI agent Shuichi Akai’s rifle bullet and falls of the roadway. The next day, Conan and his friends go to a newly-remodeled aquarium in Tokyo. Under the main attraction, a Ferris wheel, Conan finds an attractive woman alone and injured. Her left and right eyes are different colors.
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It’s graduation weekend, and Sandy Channing, the popular class president of her small-town high school, should be enjoying the time of her life. But when her friends start disappearing, Sandy discovers they have unwittingly awakened the vengeful spirit of a girl they wronged long ago. Fighting for her sanity, Sandy must unlock a dark secret from her own past before it’s too late.
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Inspired by true events of 2010 Polish Air Force Tu-154 crash in Smolensk, the film tells the partially fictional story of crash and various people affected by the tragedy. The protagonist is a journalist Nina, who refuses to accept the official version of the story and pursues her own independent investigation.
Return to the forest and join Bambi as he reunites with his father, The Great Prince, who must now raise the young fawn on his own. But in the adventure of a lifetime, the proud parent discovers there is much he can learn from his spirited young son.
Puppets! Pixels! Anime! Live action! Stock footage!
Lumpennerd Johannes Grenzfurthner gives an ideotaining cinematic revue about important political concepts. Everyone is talking about freedom! Privacy! Identity! Resistance! The Market! The Left! But, yikes, Johannes can’t tolerate ignorant and topically abusive comments on the “Internet” anymore! Supported by writer Ishan Raval, in this film, Johannes explains, re-evaluates, and sometimes sacrifices political golden calves of discourse.
Not to be used with false consciousness or silicone-based lubricant.
