Five young individuals agree to live in an isolated lodge together and have their daily activities filmed. But soon the house is locked down and they each run into the murderous clutches of a faceless serial killer who may not be working alone.
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Page Eight is lovingly turned, with elegant writing, a flawless cast and a heartfelt message from writer/director David Hare about the danger zone where spies and politicians meet. The tension builds gently as we follow the fortunes of Johnny Worricker, a jazz-loving charmer who works high up at MI5 as an intelligence analyst. It’s a part made for Bill Nighy and he purrs out bon mots with a weary panache that women 20 years younger find irresistible. One such is his neighbour, Nancy Pierpan (Rachel Weisz), in a Battersea mansion block. The question for Johnny is whether her interest in him is genuine or hides something darker. As his boss (Michael Gambon) puts it: “Distrust is a terrible habit.” Questions of trust, honour and friendship rumble through the play. The characters exchange oblique repartee as a plot about a damning dossier unwinds. It’s not to be missed.
It sounded like just another urban legend: A videotape filled with nightmarish images, leading to a phone call foretelling the viewer’s death in exactly seven days. As a newspaper reporter, Rachel Keller was naturally skeptical of the story, until four teenagers all met with mysterious deaths exactly one week after watching just such a tape. Allowing her investigative curiosity to get the better of her, Rachel tracks down the video… and watches it. Now she has just seven days to unravel the mystery of the Ring.
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