What is the common thread among the only four U.S. Presidents who have been assassinated – Lincoln, Garfield, McKinley, and Kennedy? They were also the only four presidents to ever to take away money-issuing control from the private banks and turn it over to the U.S. Treasury. Within less than a year of each president doing so, they were murdered. And within months of their vice president successors assuming their offices, they returned the money issuing power back to the private banks. 4 PRESIDENTS provides the first-ever in depth analysis of this very likely – and very frightening – historic conspiracy.

Panorama goes undercover in the Probation Service, revealing how easy it is for convicted criminals to go on the run and that drug tests and regular room searches are not being carried out.

Did you know that 1% of the white noise you see on old televisions is background radiation from The Big Bang? That the gold on a wedding ring comes from a star that exploded 5 billion years ago? And, that we’re connected to the salt water of the first oceans through the water in our bodies? Our human story is actually 14 billion years old and the clues are all around us. This CGI-driven special will tell the history of our world in two hours, an ambitious story that will give surprising connections to our daily lives. From the formation of the earth and the emergence of life, to the advance of man and the growth of civilization, it’s a rapid-fire view of our unforgettable story.

George Zimbel’s work has documented the 20th century with grace, spontaneity and a remarkable eye for telling a story in one 35 mm frame.

Through stories fuelled by fear, regret, defiance and redemption, How To Prepare For Prison takes a unique and intimate look at people caught in the legal system and facing prison for the first time.

The making of a serious, Canadian art house film descends into Hollywood farce when its producer is forced to compromise his vision to accommodate his drug-addled star, his leading lady and his venal backers.

Data—arguably the world’s most valuable asset—is being weaponized to wage cultural and political wars. The dark world of data exploitation is uncovered through the unpredictable, personal journeys of players on different sides of the explosive Cambridge Analytica/Facebook data story.

What is true and what is false in the hideous stories spread about the controversial figure of the Roman emperor Gaius Julius Caesar Augustus Germanicus (12-41), nicknamed Caligula? Professor Mary Beard explains what is accurate and what is mythical in the historical accounts that portray him as an unbalanced despot. Was he a sadistic tyrant, as Roman historians have told, or perhaps the truth about him was manipulated because of political interests?

Through revealing interviews with experts and victims’ families, this gripping documentary examines the problem of deadly foodborne illness in the US.

Sicko is a Michael Moore documentary about the corrupt health care system in The United States who’s main goal is to make profit even if it means losing peoples lives. “The more people you deny health insurance the more money we make” is the business model for health care providers in America.

What would it be like to step inside a great work of art, have it come alive around you, and even observe the artist as he sketches the very reality you are experiencing? From Lech Majewski, one of Poland’s most acclaimed filmmakers, The Mill and the Cross is a cinematic re-staging of Pieter Bruegel’s masterpiece “Procession to Calvary,” presented alongside the story of its creation.

The first woman rabbi in the world, Regina Jonas, comes to light, courtesy of Rachel Weisz – who plays her – and her father George Weisz, who was the executive producer for this poetic and beautiful documentary. The daughter of an Orthodox Jewish peddler, Jonas was ordained in Berlin in 1935. During the Nazi era and the war, her sermons and her unparalleled devotion brought encouragement to the persecuted German Jews. Regina Jonas was murdered in Auschwitz in 1944. The only surviving photo of Jonas serves as a leitmotif for the film, showing a determined young woman gazing at the camera with self-confidence.