In the wake of their father’s death, two children gradually come to realize the perverse nature of their upbringing.
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A hardened bounty hunter, a gang of outlaws in his trust and a preacher are forced to work together and battle their way across the old west of the 1870s when the zombie apocalypse begins.
In the Donbas, a region of Eastern Ukraine, a hybrid war takes place, involving an open armed conflict alongside killings and robberies on a mass scale perpetrated by separatist gangs. In the Donbass, war is called peace, propaganda is uttered as truth and hatred is declared to be love. A journey through the Donbas unfolds as a chain of curious adventures, where the grotesque and drama are as intertwined as life and death. This is not a tale of one region, one country or one political system. It is about a world, lost in post-truth and fake identities. It is about each and every one of us.
Harry Habert, owner of a rental company, has an original idea—to rent baby’s from a nearby orphanage to local families. He rents the Ward siblings, 2 boys and a girl, to his first customers.
The youngsters Matahi and Reri are in love with each other. The old warrior Hitu announces that Reri is to be the new chosen virgin for the gods. This means she must stay untouched, otherwise she and her lover will be killed. But Matahi abducts and escapes with her to an island ruled by the white man, where their gods would be harmless and powerless. Tabu is the last film from director F.W. Murnau; he died before the film’s premiere in a car accident.
A photographer obsessed with a wealthy man’s beautiful wife kills her jealous husband in self-defense. The deceased man’s down-and-out musician son soon is drawn in by his sexy stepmother who, unbeknownst to him, is scheming to collect the entire estate.