At the age of ten, Henry James Hermin, a boy who was conceived in a petri-dish and raised by his feminist mother, follows a string of Post-It notes in hopes of finding his biological father.
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Alice, a perfect wife and mother who lives happily with her husband and child until the day she discovers her husband is living a double life that has ruined her financially and left her a single mother. Alice fights back and dives into a world beyond anything she has ever known.
Comedian Bonnie McFarlane dons her investigative journalist’s hat to find out once and for all if women are funny and report her unbiased findings in what some are calling the most important documentary of our generation.
Petey Wheatstraw (Rudy Ray Moore) is a candidate to become the devil’s son-in-law. The storyline is a scaffolding on which Rudy Ray Moore’s standup humor can be unfolded. Beginning life as the afterbirth to a watermelon, the young Wheatstraw becomes a martial artist, but is unable to best the evil comedy team of Leroy and Skillet, who also indulge in wholesale murder. Satan restores the comedians’ victims to life, and charges Petey with the task of marrying his clock-stoppingly ugly daughter to giving him a grandchild. When Petey attempts to default on the deal, he is pursued by the devil’s henchmen.
When the old-old-old-fashioned vampire Vlad arrives at the hotel for an impromptu family get-together, Hotel Transylvania is in for a collision of supernatural old-school and modern day cool.
In the small town of Ottawa, Illinois, where a rumor can spread like the plague and nobody’s business is their own, six friends decide to change their weekly routine of watching movies in the basement and talking shit, to go out for a night on the town. On most nights this wouldn’t be that taxing. But tonight isn’t most nights. With rumors of the police commissioner’s alleged disappearance circulating, and the mayor enacting a strict curfew, it doesn’t take long for things to spiral out of control and the whole town to go mad. Is it just hysteria? Is it a curse? Is it Abraham Lincoln’s fault? Nobody knows. But for the gang, only one thing is certain. They should have NEVER left the basement.
Susie is an awkward college student who seizes the opportunity to bolster her popularity and her under-the-radar true-crime podcast by attempting to solve the disappearance of a classmate.
A filmmaker sets out to make a new project in order to figure out how he’s screwed up every relationship he’s ever had.
Damon Runyon’s fairytale, sweet and funny, is told by director Frank Capra. Boozy, brassy Apple Annie, a beggar with a basket of apples, is as much as part of downtown New York as old Broadway itself. Bootlegger Dave the Dude is a sucker for her apples — he thinks they bring him luck. But Dave and girlfriend Queenie Martin need a lot more than luck when it turns out that Annie is in a jam and only they can help: Annie’s daughter Louise, who has lived all her life in a Spanish convent, is coming to America with a Count and his son. The count’s son wants to marry Louise, who thinks her mother is part of New York society. It’s up to Dave and Queenie and their Runyonesque cronies to turn Annie into a lady and convince the Count and his son that they are hobnobbing with New York’s elite.
Love Me follows Western men and Ukrainian women as they embark on an unpredictable and riveting journey in search of love through the modern “mail-order bride” industry.
A psychedelic rant about a gambling Elvis impersonator and his troubles with the Vegas Mafia, featuring a hapless crew of broken down Elvis impersonators who find themselves in competition with an Elvis who’s so good, everybody starts to wonder. Could it really be true that the CIA and aliens from Alpha Centauri have brought Elvis back to Vegas?
Two escaped convicts roll into the village of Happy, Texas, where they’re mistaken for a gay couple who work as beauty pageant consultants. They go along with it to duck the police, but the local sheriff has a secret of his own.
