Flora Lau’s debut feature is a beautifully formed, subtle film that focuses on the lives of two people with very different prospects – a wealthy Hong Kong woman and her mainland Chinese chauffeur – both trying to cope with life’s unexpected dramas. Anna (Carina Lau) struggles to maintain appearances with her status-conscious friends after her husband mysteriously vanishes. Fai’s (Chen Kun) wife is heavily pregnant with their second child, has no health care entitlements in Hong Kong and cannot give birth in their homeland without incurring penalties for breaching the one-child policy. While their daily routines intersect, their fates only momentarily converge and Lau elegantly critiques the social contradictions at play by paralleling their predicaments rather than constructing drama between the two protagonists. (Source: LFF programme)

This film explores the daily lives of two aging, eccentric relatives of Jackie Kennedy Onassis. Edie Bouvier Beale and her mother, Edith, are the sole inhabitants of a Long Island estate. During the course of the documentary, they discuss their habits, desires and former loves with filmmakers Albert and David Maysles. The women reveal themselves to be misfits with outsized, engaging personalities. Much of the conversation is centered on their pasts, as mother and daughter now rarely leave home.

It’s five years later and Tony Manero’s Saturday Night Fever is still burning. Now he’s strutting toward his biggest challenger yet – making it as a dancer on the Broadway stage.

After a bad breakup with his girlfriend leaves him heartbroken, Carter Webb moves to Michigan to take care of his ailing grandmother. Once there, he gets mixed up in the lives of the mother and daughters who live across the street.

A Javanese royal and half-Dutch woman fall in love as Indonesia rises to independence from colonial rule.

No one in high command believed that German forces would attack in the sub zero temperatures and near blizzard conditions. As the pre-dawn attack comes, with communications down Sgt. Smith is left with no choice but to make his way through enemy fire, unarmed and wounded, into town and warn of the coming attack. Based on actual accounts “Everyman’s War” explores the heroic events of this decorated veterans courage and the struggle between duty and desire. Between the prospect of the life and love, Dorine that waits at home and the harsh realities of war which marks the pivotal epoch in his life as he discovers that the loss of hope can be worse than the loss of life. One man’s courage… One man’s hope…Everyman’s War.

Science fiction has become a reality in our modern criminal justice system. A term originally coined by science fiction author Philip K. Dick, “pre-crime” is a policing technique now used in both the US and Europe to identify “hot people”—those most likely to be victims or perpetrators of a crime. Forecasting software and algorithms that have been criticized as inaccurate and arbitrary are used to collect information, and monitor and flag people. But predictive tools are only as good as the data they’re fed. With scant evidence of the reliability of the data sources or the accuracy of the data crunching, misfires are a guarantee. In this chilling and explosive in-depth examination into the modern age of policing, directors Monika Hielscher and Matthias Heider pose an important question: How much freedom and human awareness are we willing to give to the limited logic of technology?

Viennese doctor Josef Bruer meets with philosopher Friedrich Nietzsche to help him deal with his despair.

When a young teen marries the Prince of Cleves, more than twice her age, she automatically becomes an official Princess and takes her new position to heart. Although distracted by the elite entertainments found at court, the princess cannot help but mourn her impossible love for the dashing Duc de Nemours.

The explosive follow-up to We Still Kill The Old Way (2014). Regarded as the best in the business, The Archer Gang is an aging criminal outfit who carry out a daring robbery, but are caught mid-heist. They are sentenced to do time in Britain’s toughest prison. Once inside, they encounter their old nemesis Slick Vic Farrow (Billy Murray) who is intent on murdering the gang. The old-school criminals need to use all their wits to stage a daring escape, while dodging Slick Vic, and setting in motion a chain of events which leads to an explosive prison riot.

An incarcerated former boxer tries to reconnect with his daughter only to find out she is just as stubborn as him. Lost in the foster care system, we follow this teen as she navigates the relationships she has with her father figures and discovers that it is never too late to find yourself.

In this modern take on Charles Dickens’ “A Christmas Carol,” Frank Cross (Bill Murray) is a wildly successful television executive whose cold ambition and curmudgeonly nature has driven away the love of his life, Claire Phillips (Karen Allen). But after firing a staff member, Eliot Loudermilk (Bobcat Goldthwait), on Christmas Eve, Frank is visited by a series of ghosts who give him a chance to re-evaluate his actions and right the wrongs of his past.