In this modern take on Charles Dickens’ “A Christmas Carol,” Frank Cross (Bill Murray) is a wildly successful television executive whose cold ambition and curmudgeonly nature has driven away the love of his life, Claire Phillips (Karen Allen). But after firing a staff member, Eliot Loudermilk (Bobcat Goldthwait), on Christmas Eve, Frank is visited by a series of ghosts who give him a chance to re-evaluate his actions and right the wrongs of his past.
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An old communist returns to Greece after 32 years in the Soviet Union. However, things aren’t the way he had hoped for.
Gemma and Will are shattered when their son dies in an accident. Gemma blames herself and starts to have panic attacks that affect her eyesight – and the audience’s point of view. Will, tormented, believes he is hearing his son’s voice calling out to him. To escape their grief, Gemma suggests they take up Paul’s offer to stay at his Lake District country getaway. Gemma’s, helped by ex-pharmacist Paul, tries to stop her panic attacks with medication. Will, unable to hear to his son in his bedroom back home, antagonizes Paul and suddenly goes home. Gemma is now reliant on Paul who appears to be developing genuine feelings for her welfare. Love, grief, and the frailty of the human condition are all brought to the fore as Gemma Will and Paul are caught up in a descent into violence, both psychological and ultimately physical.
Unwinding her relationship from a controlling choreographer, Kayla happens to take an elevator ride with lonesome caterer “Dustin”. The lift stalls, and spontaneously, magical kisses follow. Soon the choreographer makes nice, and Dustin retreats. Kayla becomes confused as to which man to love.
Jae-ho, who aims to become the number one in a crime organization, gets to build up trust with Hyun-su, an ambitious newbie in the prison. While they try to take over the organization after the prison release, their ulterior motives starts to emerge.
Winter, 1843. A young woman is under investigation following the mysterious death of her family’s matriarch. Her recollection of the events sheds new light on the ageless forces behind the tragedy.
In Skoddeheimen, Norway, 15-year-old Alma is consumed by her hormones and fantasies that range from sweetly romantic images of Artur, the boyfriend she yearns for, to daydreams about practically everybody she lays eyes on.
A child abandoned in a subway coin locker is sold to a ruthless and calculating loan shark and gangster boss dubbed “Mother” (Kim Hye-soo), who runs an organ-harvesting ring in Incheon’s Chinatown. Named Il-Young (Kim Go-Eun), the baby girl grows into Mother’s loyal right-hand enforcer and is groomed to be her eventual successor. But when Il-Young’s loyalty to Mother wavers, the clash between the two unleashes a merciless tidal wave of blood-soaked retribution and strife.
Tensions rise when the trailblazing Mother of the Blues and her band gather at a Chicago recording studio in 1927. Adapted from August Wilson’s play.
A coming of age story told through the eyes of a young girl whose family spirals out of control after they decide to live off the grid.
Love is the Word is a moving, romantic and funny coming-of-age drama about the magic of first love and the misery of first lost, set in 1978: the year ‘Grease’ hit the big screen.
Two hard-living best friends and aficionados of illegal racing contests find their bond tested when one of them goes to trial for vehicular homicide.
