When a wounded Christian Grey tries to entice a cautious Ana Steele back into his life, she demands a new arrangement before she will give him another chance. As the two begin to build trust and find stability, shadowy figures from Christian’s past start to circle the couple, determined to destroy their hopes for a future together.

Portrayal of the late Bradford playwright Andrea Dunbar. Andrea Dunbar wrote honestly and unflinchingly about her upbringing on the notorious Buttershaw Estate in Bradford and was described as ‘a genius straight from the slums.’ When she died tragically at the age of 29 in 1990, Lorraine was just ten years old. The Arbor revisits the Buttershaw Estate where Dunbar grew up, thirty years on from her original play, telling the powerful true story of the playwright and her daughter Lorraine. Also aged 29, Lorraine had become ostracised from her mother’s family and was in prison undergoing rehab. Re-introduced to her mother’s plays and letters, the film follows Lorraine’s personal journey as she reflects on her own life and begins to understand the struggles her mother faced.

Based on the real-life experiences of Mende Nazer, the story unfolds as twelve-year-old Malia, daughter of champion wrestler Bah, is abducted from her Sudanese village in the Nubar Mountains by pro-government Arab militia and sold into slavery to a woman in Khartoum, who beats her for touching her daughter. After six years she is sent to London, where her name is changed, but her miserable life of servitude continues. Her passport is taken and she is told that her father will die if she goes to the authorities. Fortunately she meets a sympathetic person who seems to offer her the hope of escape and reunion with Bah ,back in Sudan. For all the film’s optimism an end title states that there are around 5,000 ‘slave’ workers currently in Britain.

Mikey and Rose are professional assassins. They are also lovers, and once upon a time Rose also knew Mikey’s father. During an elaborate hit job for a malicious gangster, Rose fails to kill the main target, the gangster’s pregnant girlfriend. Instead, she delivers her baby and convinces Mikey to help her protect them both. As Rose weakens from cancer, Mikey becomes breadwinner for this unusual family. But tranquility will not last.

When The Thief’s partner is kidnapped after stealing millions in cash from a merciless drug lord named Nushi, he reluctantly teams up with an angst-ridden orphan to rescue him. Nushi enlists her most trusted hitman, The Cowboy, a lovable charmer who’s quick with his guns, to track down the Thief. Guns, cars, and explosions will give the newfound partners a head start, but how long will they be able to keep it up?

On May 30th, 2020, Uber and delivery driver Caddy searches for his missing son who has been living on the Los Angeles streets during the early days of the pandemic. Along the way, his path crosses that of Harry, a cult leader who is holding a bizarre ceremony up on Mulholland Drive. All the while, news of the horrific murder of George Floyd reverberates around the city and the social fabric collapses.

Quite by accident, a film director arrives in town a day early. With time to kill before his lecture, he stops by a restored palace and meets a fledgling artist. She’s never seen any of his films, but knows he’s famous. They talk, they go to her workshop to look at her paintings, and they have sushi and soju. More conversation follows, along with more drinks, and then an awkward get-together with friends where all sorts of secrets are revealed. All the while, they may or may not be falling for each other. Then, quite unexpectedly, we begin again, but now things appear somewhat different. An uncanny romantic comedy, RIGHT NOW, WRONG THEN is a deliciously intricate masterwork from filmmaker Hong Sangsoo.

A tough cop meets his match when he has to guard a gangster’s widow on a tense train ride.

When shooting the dawn one morning, photographer Alex Santiago looks into the rising sun and hurts his eyes. As a result, he begins to see spots and blurs. When the spots become a face – an apparition of a woman – he embarks on a journey to discover who she is.

When he leaves hospital, 30-something Basil moves in with his younger sister and closest confidant, Sarah. Living with a psychiatric disorder, Basil tries his best to re-establish a sense of normality in both his work and his love life. But, whilst hiding his illness from his new relatives, how long can he maintain this fragile stability?

Five soap opera divas as they reunite to shoot the final Christmas episode of their long-running sudser. The producer, Alex and director Nell, who happen to be old college friends, do their best to keep things on the rails but as the ladies come together, old rivalries resurface that threaten to tear the production apart.

Two rival home shopping hosts are forced together while competing for a promotion. Along the way they find their on-air chemistry kindles an off-air spark.