Sonja Sohn
Special Agent Will Trent was abandoned at birth and forced to endure a harsh coming-of-age in Atlanta’s overwhelmed foster care system. Now that he is in a position to make a difference, he is determined to use his unique point of view to make sure no one is abandoned like he was. His personal motivation and background contribute to him having the highest clearance rate in the GBI. Based on the bestselling “Will Trent” series by Karin Slaughter.
THE MISSING GIRL tells the story of Mort, the lonely and disillusioned owner of a comic book shop, and Ellen, the emotionally disruptive graphic novelist he’s hired. The story involves the search for a girl who isn’t missing and the discovery that it’s never too late for late bloomers.
48 hours in the life of a burnt-out paramedic. Once called Father Frank for his efforts to rescue lives, Frank sees the ghosts of those he failed to save around every turn. He has tried everything he can to get fired, calling in sick, delaying taking calls where he might have to face one more victim he couldn’t help, yet cannot quit the job on his own.
After a deadly virus wipes out most of humanity, the survivors are forced to wait alone in self-sustaining bunkers while the viral threat runs its course. Able to communicate through a networked video interface, the survivors wait for years and slowly become a motley family of sorts. But their fragile social ecosystem is shattered when, one by one, they start mysteriously disappearing from their bunkers.
A relevant, timely and distinctive coming-of-age story following a half dozen interrelated characters in the South Side of Chicago. The story centers on Brandon, an ambitious and confident young man who dreams about opening a restaurant of his own someday, but is conflicted between the promise of a new life and his responsibility to his mother and teenage brother back in the South Side.
Told from the points of view of both the Baltimore homicide and narcotics detectives and their targets, the series captures a universe in which the national war on drugs has become a permanent, self-sustaining bureaucracy, and distinctions between good and evil are routinely obliterated.