The story of Florence Foster Jenkins, a New York heiress, who dreamed of becoming an opera singer, despite having a terrible singing voice.
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Margaret, 35, has a history of violent behaviour which has cost her a romantic relationship. She has moved back in with her mother Christina, a fragile, immature 55-year-old woman who blames Margaret, her firstborn, for ruining her dreams of a career as a concert pianist. In a state of unbridled fury during an argument, Margaret hits Christina. The law steps in, further complicating family dynamics. As she awaits trial, Margaret is forbidden from coming into contact with her mother or within 100 metres of their home. This only intensifies her desire to be closer to her family. Every day, Margaret appears at this 100-metre threshold to see her 12-year-old sister Marion and give her music lessons.
Ulrich Mott is an eccentric and versatile social climber with grandiose plans to affect United States foreign policy. Encouraged in his attempts by his strategically chosen (and much older) wife, the well-connected journalist Elsa Brecht, Mott has a knack for making himself indispensable and impossible to ignore. The only one seemingly immune to his charms is Elsa’s daughter Amanda, who might simply disapprove of her mother marrying a much younger man – or perhaps she senses something more sinister beneath the smooth-talking surface?
Two beefed-up twins operating on opposing sides of the law, team up to stop a nefarious crook in this actioner. Peter Jade is a notoriously arrogant burglar who ends up with the key to an enormous underground cache of diamonds. David Jade is a cop who joins forces with Peter after greedy Philip Chamberlain, wanting the diamonds for himself, kills David’s partner
Businessman Logan Stuart is torn between his love of two very different women in 1850s Oregon and his loyalty to a compulsive gambler friend who goes over the line.
A college student joins a group of revolutionaries to meet girls but ends up committed to their goals.
When Marie, a widow in Provence with two daughters, locks her bedroom door and goes to sleep, she dreams about Marty, a literary agent in Manhattan who dreams equally vividly about Marie. The women look alike. Marie meets William who begins to court her. Marty meets Aaron, an accountant, becomes his friend and then his lover. Both women tell their lovers about their dream life. William is jealous, Aaron is accepting. Even though they’ve become lovers, Marie won’t fall asleep next to William. Marie goes on holiday with William to Paris, and Marty wakes up with an ashtray from the hotel on her night stand. Are they the same person? What will unlock reality?
The film is about a small group of friends that are enjoying a party, only to have it crashed by uninvited guests. After barely surviving the werewolf attack, they learn that it has killed most of the people in their town. Now, surrounded by a town turned into werewolves, they face a difficult dilemma. Can they kill the innocent victims of the wolves, now werewolves themselves, to survive?
When Jonas loses his job at a Hamburg startup company, he doesn’t have the heart to tell his girlfriend Katharina, as her nerves are already on the edge with her final law exams coming up. Every morning he leaves their flat and drift aimless through the metropole on endless underground rides. After a chance meeting with his former boss Marc, Jonas starts to observe the young manager. His curiosity gradually turns into obsession, small and bigger everyday lies become a kind of survival strategy for Jonas. While Katharina notices his increasingly odd behavior, Jonas is losing control over events more and more. Flood deals with feelings of powerlessness of the individual facing a growing competitive and performance pressure. The fear of failing in a perceived competition of life kicks off a spiral of wrong decisions, with no apparent way out. Georg Pelzer’s debut was shot basing on a 20-page plot description, dialogues and actions where improvised with the actors on location.
