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Documentary on the art and culture of Florence in 15th century Tuscany and, in particular, the work of Eary Ranaissance painter Sandro Botticelli (1445-1501).
“The Odyssey” reaches for inspiration in the great literary journeys such as Dante’s “Inferno” and the homonymous work by Homer – which lends the title to this film – to portrait the many fases of love and break up and suffering. Featuring songs from Florence + the Machine latest album, “How Big, How Blue, How Beautiful”, “The Odyssey” puts together the previously released music videos and introduces the one for “Third Eye”.
Eric Lazard is a heartbroken former college football star who gets involved in a dangerous Florentine sport and a local woman, Stephanie, while visiting his cousin Anna, who lives in Italy and teaches the Italian language to foreigners.
Its the annual Christmas Eve concert at the Marigold House Assisted Living Facility. All her friends are dying and Florence wants out. When the facility double books two rival Elvis impersonators, Florence takes the opportunity for one last hurrah.
The story of the Medici family of Florence, their ascent from simple merchants to power brokers sparking an economic and cultural revolution. Along the way, they also accrue a long list of powerful enemies.
23-year-old Franky is a nurse who lives with her large family in an East London borough. Obsessed with a thirst for revenge and a need to assign guilt for a traumatic event that happened 15 years before, she is unable to build any meaningful relationship until she falls in love with one of her patients – Florence. They escape to the coast where Florence lives with her more open-minded patchwork family. There, Franky finds the emotional shelter to deal with the grudges of the past.
Depressed and reeling from the recent death of his wife, Tom has built up quite a gambling debt. He goes to stay with his wealthy Aunt Florence in hopes that she will write him into her will. When a nasty creditor makes it clear that Tom is out of time, he devises a plan with Elodie, the undertaker’s daughter, to rob the graves of the rich townspeople buried in the cemetery across the road. After plundering the graves, Tom arrives back at Florence’s house and events take a dark turn. Tom begins hearing and seeing strange things that seem to coincide with the deaths of the people he robbed. Even more disconcerting… he appears to be the only one sensing the occurrences. One question lingers: Is Tom’s conscience playing a trick on him… or is he really being haunted by those he stole from?
John John Florence puts his career on the line against Kelly Slater to qualify for surfing’s debut in the 2020 Olympics.
Errol Flynn, the swashbuckling Hollywood star and notorious ladies man, flouted convention all his life, but never more brazenly than in his last years when, swimming in vodka and unwilling to face his mortality, he undertook a liaison with an aspiring actress, Beverly Aadland. The two had a high-flying affair that spanned the globe and was enabled by the girl’s fame-obsessed mother, Florence. It all came crashing to an end in October 1959, when events forced the relationship into the open, sparking an avalanche of publicity castigating Beverly and her mother – which only fed Florence’s need to stay in the spotlight.
The Newlyn School of artists flourished at the beginning of the 20th Century and the film focuses on the wild and bohemian Lamorna Group, which included Alfred Munnings and Laura and Harold Knight. The incendiary anti-Modernist Munnings, now regarded as one of Britain’s most sought-after artists, is at the centre of the complex love triangle, involving aspiring artist Florence Carter-Wood and Gilbert Evans, the land agent in charge of the Lamorna Valley estate. True – and deeply moving – the story is played out against the timeless beauty of the Cornish coast, in the approaching shadow of The Great War.
When Lucy Honeychurch and chaperon Charlotte Bartlett find themselves in Florence with rooms without views, fellow guests Mr Emerson and son George step in to remedy the situation. Meeting the Emersons could change Lucy’s life forever but, once back in England, how will her experiences in Tuscany affect her marriage plans?
It’s 1348. The plague has brutally hit Florence. A group of then young people, seven women and three men, rebel against the feeling of death that is about to swallow them. They flee the city and find refuge in an abandoned villa in the Tuscan hills. Here, between moral doubts and the tasks needed to survive, they kill time by telling each other stories until they will decide to return. The stories are varied – tragic, bizarre, funny or erotic – but common and central to all of them is the female presence.
See the sport of surfing as it’s never been captured before in John Florence and Blake Vincent Kueny’s second signature release, this time in association with the award-winning film studio Brain Farm. The first surf film shot in 4K, View From a Blue Moon follows the world’s most dynamic surfer John Florence and his closest friends from his home on the North Shore of Oahu to his favorite surfing destinations around the globe. From the dreamy blue perfection of the South Pacific to the darkest uncharted waters of Africa (and everywhere in between), Florence faces a broad spectrum of emotions as he continues to seal his legacy as one of the most gifted surfers ever. And while the young Hawaiian is pulled in increasingly different directions, there is no form of pressure that will keep him from his ultimate goal — to redefine what is possible in the ocean.
Charlie Rankin, recently released from prison, seeks vengeance for his jail-house mentor William “The Buddha” Pettigrew. Along the way, he meets the ethereal, yet streetwise, Florence Jane. They embark on a unlikely road trip, careening towards an unlikely redemption and uncertain resolution.
1921 England is overwhelmed by the loss and grief of World War I. Hoax exposer Florence Cathcart (Hall) visits a boarding school to explain sightings of a child ghost.
Simple conversations engender complicated human interactions. The first in Eric Rohmer’s Four Seasons series, Conte de printemps (A Tale In Springtime) is the story of an introverted young girl (Florence Darel) just reaching adulthood who takes a liking to an older woman she meets at a party (Anne Teyssedre) and determines to match her off with her father (Hugues Quester), despite the latter’s already having a lover of his own. There is a certain absurdity to this, apparent to both adults, who though both reluctantly attracted to each other resent Darel’s attempts at matchmaking. Nevertheless, both of them are intelligent enough to understand that there is no ‘proper’ way to meet, and are alive to the possibilities that life brings them. Darel, for her part, is a persistent catalyst. As with all Rohmer films, the stage is set, in an age of increasing impermanence and uncertainty in human relationships, for a series of minimalist reflections on love and life.
In Distance Between Dreams, the most historic year in big wave surfing comes to life through the eyes of iconic surfer Ian Walsh, as he sets mind and body in motion to redefine the upper limits of what’s considered ‘rideable.’ With massive El Niño powered swells building across the Pacific, Ian, Shaun, D.K. and Luke Walsh band together in the way only brothers can on a quest to progress surfing to unimaginable heights. Big wave surfing’s transition from jet ski assists to paddling in raises the stakes, putting Walsh’s intense physical and mental training, the latest technology, swell modeling, and safety team, his brothers, to the ultimate test. Surfers John John Florence, Greg Long, Shane Dorian and more link up with Walsh as he rides an emotional rollercoaster through this momentous winter.
Who is the bloody figure wielding a meat cleaver, seen racing through the alleys of British Columbia’s Chinatown? Whoever he is, he has terrified dozens of witnesses, who have never been the same afterwards. The brutal history of Cornwall Jail, Ottawa’s most notorious prison, lives on as ghostly apparitions of tortured inmates terrorize modern visitors. In its heyday it was home to vicious criminals, and sadistic guards. Hangings, whippings and torture were daily affairs and spirits from that era still linger on in the maze of cell blocks and corridors. Many male criminals were hanged at the Northwest Mounted Police outpost known as Fort Saskatchewan, but only one woman. Florence Lassandro was dubbed the Mob Princess, and her spirit is one of many seen on the grounds and in the preserved buildings of this historic site. Journey through several of the world’s most haunted prisons and experience real portals to hell on earth.
On the cusp of womanhood, 12-year-old Florence goes on her first deer hunt, a traditional rite-of- passage in her matriarchal family.
The series follows the “untold” story of Leonardo Da Vinci: the genius during his early years in Renaissance Florence. As a 25-year old artist, inventor, swordsman, lover, dreamer and idealist, he struggles to live within the confines of his own reality and time as he begins to not only see the future, but invent it.
A young museum curator Isabelle (Katie Goldfinch) is sent to look at an ancient artefact, discovered in the basement of a stately home in Shropshire. Welcomed into the sprawling manor house by a seemingly hospitable family; Karl (Larry Rew), his wife Evelyn (Babette Barat) and their beautiful daughter Scarlet (Florence Cady), but all is not what it seems, as a dark and terrifying secret hangs over them.
