Two Turkish anti-terrorist agents are sent to New York City on a mission to find and bring back the dangerous Islamic leader codenamed “Dajjal”, believed to be hiding in there. Working with the FBI and NYPD, the agents orchestrate the arrest of Hadji Gumus, a well-respected Muslim scholar and family man who years before fled to the United States after being released from a Turkish prison, where he served time for murder. This tale love, friendship, peace and prejudices, takes us on a journey seeking to answer the question of whether innocence or guilt even matters to one who lusts for vengeance.
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Bill struggles to put together his shattered psyche, in this feature film version of Don Hertzfeldt’s animated short film trilogy.
While on a seemingly routine delivery run for the Brigadier, Benton finds himself close to his childhood home, where ghosts from his past have never rested easily… Trapped in a nightmare world where past and present are one, will he be lost forever or can he fight his way back to reality, where he is desperately needed?
Behind the scenes of Darby O’Gill and the Little People.
Following the death of her parents, a Girl returns home to confront the monsters of her past.
The story of a man who feels happy only when he is unhappy: addicted to sadness, with such need for pity, that he’s willing to do everything to evoke it from others. This is the life of a man in a world not cruel enough for him.
Although he’s credited only for story, the dialogue has Fuller’s headline punch, and of course newspapering was an alternative universe he knew inside out. A publisher whose once-honest New York tabloid has been ideologically hijacked is aiming to make a course correction. Minutes after saying, “The power of the press is the freedom to tell the truth–it is not the freedom to twist the truth,” he’s a dead man. The rest of the movie deals with the efforts of his old friend, small-town newsman Guy Kibbee, to complete the paper’s redemption. Made in mid World War II, the picture angrily and explicitly likens homegrown demagoguery to Nazism–and its condemnation of media organizations “playing on the prejudices of stupid people” has acquired fresh relevance. Otto Kruger and Victor Jory (“a little Himmler”) supply the villainy, while Lee Tracy steps up to save the day as a casehardened yellow journalist named Griff.
In a series of simple and joyous vignettes, director Roberto Rossellini and co-writer Federico Fellini lovingly convey the universal teachings of the People’s Saint: humility, compassion, faith, and sacrifice. Gorgeously photographed to evoke the medieval paintings of Saint Francis’s time, and cast with monks from the Nocera Inferiore Monastery, The Flowers of St. Francis is a timeless and moving portrait of the search for spiritual enlightenment.
When a willful young man tries to venture beyond his sequestered Pennsylvania hamlet, his actions set off a chain of chilling incidents that will alter the community forever.
“Dreamin’ Wild” tells the true story of the Emerson family and the tumult that followed the success of their self-recorded pop-funk album of the same name, which went largely unnoticed until critics rediscovered and reappraised it decades later. Now, as an adult, Donnie is forced to confront the ghosts from the past and grapple with the emotional toll his dreams have taken on the family who supported him.
The true story of the investigation of the “Zodiac Killer”, a serial killer who terrified the San Francisco Bay Area, taunting police with his ciphers and letters. The case becomes an obsession for four men as their lives and careers are built and destroyed by the endless trail of clues.
A young man returns to his countryside hometown to investigate the unclear circumstances behind the death of his father, ostensibly killed by Fascists in 1936, before his birth. As he unravels a web of lies that seems to encompass the whole town, he finds himself entangled in the same web.