Two Turkish anti-terrorist agents are sent to New York City on a mission to find and bring back the dangerous Islamic leader codenamed “Dajjal”, believed to be hiding in there. Working with the FBI and NYPD, the agents orchestrate the arrest of Hadji Gumus, a well-respected Muslim scholar and family man who years before fled to the United States after being released from a Turkish prison, where he served time for murder. This tale love, friendship, peace and prejudices, takes us on a journey seeking to answer the question of whether innocence or guilt even matters to one who lusts for vengeance.
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Up-and-coming sports reporter rescues a homeless man (“Champ”) only to discover that he is, in fact, a boxing legend believed to have passed away. What begins as an opportunity to resurrect Champ’s story and escape the shadow of his father’s success becomes a personal journey as the ambitious reporter reexamines his own life and his relationship with his family.
Elena, a young Brazilian woman, travels to New York with the same dream as her mother, to become a movie actress. She leaves behind her childhood spent in hiding during the years of the military dictatorship. She also leaves Petra, her seven year old sister. Two decades later, Petra also becomes an actress and goes to New York in search of Elena. She only has a few clues about her: home movies, newspaper clippings, a diary and letters. At any moment Petra hopes to find Elena walking in the streets in a silk blouse. Gradually, the features of the two sisters are confused; we no longer know one from the other. When Petra finally finds Elena in an unexpected place, she has to learn to let her go.
Before Alice went to Wonderland, and before Peter became Pan, they were brother and sister. When their eldest brother dies in a tragic accident, they each seek to save their parents from their downward spirals of despair until finally they are forced to choose between home and imagination, setting the stage for their iconic journeys into Wonderland and Neverland.
Ajita Wilson plays an African diplomat who comes to Milan to head a trade delegation. At the delegation she feels haunted by her past in which she appeared in a pornographic magazine. In a series of psychedelic scenes, we learn the sordid secrets of her racy past.
Richard Davalos plays Rick Bowman, a drag racing street punk who comes to the attention of car enthusiast Grant Willard. Willard bails him out of jail and offers him sponsorship as a race car driver. Bowman eventually accepts and becomes entranced by the tricky “figure eight” track Willard introduces him to. The king of the track is cocky and talented hot dogger Hawk Sidney (Hill regular Sid Haig in one of his most memorable and entertaining roles). Bowman and Sidney clash and Bowman sets his sights on knocking the latter of his perch while stealing his girl Jolene. This is just the beginning for the ruthless Bowman who will let nobody stand in his way and will attempt to destroy any man, and seduce any woman who crosses his path. Pretty soon he has his eyes on Ellen McLeod the wife of champion racer Ed McLeod who he befriends. Will he betray his friends and colleagues on the eve of The Big Race, or will he finally discover he has a conscience?
Shitu (Bao Beier), a migrant worker, took over a zoo that is on the verge of bankruptcy. He and his employees aim to save the zoo.
An archaeological site in China was selected to send two teams, North and South Koreans, and students to collaborate and continue reconciliation of the two countries. But the team leader of the South decided to dredge the leader of the North group.
Aumari, a young Eritrean refugee living in Israel, is about to be deported back to his home country. After a spontaneous escape attempt at the airport, he is miistaken for a Nigerian striker, who is supposed to arrive at the same time. Aumari seizes the opportunity and benefits for his change of identity as the new key acquisitions for the team of ‘Maccabi Netanya’. Despite the absence of any soccer talent, Aumari is able to cover-up and heal the divisions of his struggling team, while a tender romantic bond with charmingly unconventional daughter of the team owner is growing.
“Africa United” tells the extraordinary story of three Rwandan children who attempt to realize the dream of their life: to attend the opening ceremony of the FIFA World Cup 2010 at Johannesburg. But the problems begin when Fabrice, Dudu and Béatrice get on the wrong bus and end up in Congo. Without papers, without money, they are brought into a children’s refugee camp. But with incredible ingenuity, a some guts and a poster for the World Cup as a map, our heroes escape from the camp and leave to pursue their dreams, bringing with them a “dream team” of refugee children to help them through a series of exciting adventures. During this journey of 5000 km through seven countries, the film reveals an unseen Africa.
A unique, intimate and honest portrayal of a girl grieving for the loss of her best friend. That just happens to take place on the day the world ends as we know it.
Jamal has just returned to Australia after disappearing overseas for 18 months fighting in Syria. He’s back in the country and wants to see his terminally ill mother, however he has to deal with his strong-minded older brother Omar, then his wife Heidi and their young son whom he left behind, but most importantly his unforgiving father. But why has Jamal really come back? Is he a militant with a cause or an easily led pawn in a bigger picture? A story about redemption, forgiveness and the consequences of your actions on loved ones and those you leave behind.
There are many things in life that could do a number on a man’s masculinity. Lenny Babbitt has his identity and manhood challenged when his wife Tracy leaves him for a female doctor named Iris who has been treating their autistic son Isaac. After losing his job, and wife to a woman no less — Lenny’s dad Jack offers him a job at his pawn shop where he must re-examine his identity, manhood and sense of self after meeting Chelsea, a young, free-spirited pistol that lives life on two wheels. In the end, Lenny realizes that there are no absolutes… only one’s faith, sense of self and family — no matter how it’s constituted or defined by society.